Sunday, January 11, 2009

Call: Dare-Dare is seeking public art works for their Off-Biennial Project

Call for projects for the DARE-DARE Off-Biennial Project

Submission deadline: January 30, 2009

Off-Biennial date: May 22nd - 31st, 2009

To compliment the upcoming Montreal Biennial with its theme of “Open Source” DARE-DARE has chosen to organize the Off-Biennial Project event. This event will celebrate diverse artistic practices in non-traditional venues through a series of small projects installed or performed throughout a ten-day program.

The mandate of DARE-DARE, Dis/location, a project of urban articulation, is to promote artistic interventions within the urban environment. In July 2008, DARE-DARE launched the third Dis/location site by moving its administrative office into two mobile trailers within Cabot Square (corner Atwater and Ste-Catherine Streets). This busy public park is located in the west-end of downtown Montreal. (For more details on the park the environs and the center check out the DARE-DARE website at www.dare-dare.org)

Off-Biennial Project is looking for projects that integrate the surroundings of the Cabot Square, which include non-traditional venues in the neighbouring locations of the Montreal Children's Hospital, AMC Forum, Alexis Nihon Plaza, Atwater Library, Evangel Pentecostal Church, the Inuit Center, YMCA, Dawson College, Westmount Square and/or the DARE-DARE Documentation Centre. The park is also utilized by diverse populations including staff and visitors to the above venues along with the local homeless population that claims the park as their own. These locations, organizations and people could be considered as themes or suggested points of departure for your project.

Projects should be simplified, spontaneous, small: thoughts and ides with an eye to public and commercial spaces and a hunger for locations with potential yet to be tasted. These interests will translate into proposals of all kinds including, but not limited to and even combinations of, relative, time based, public interventions, interactive workshops, performance, manœuvre, web, video, installation, sound, photography, painting, sculpture, poetry, text-based, music, etc. The projects may be of specific or of variable duration or be repeated throughout the program (ten minutes or ten days). Note the program committee will make every effort to liaison with specific venue locations to realize your project.

Your proposal should include the following:
• a brief statement describing your project intention (max 250 words)
• a curriculum vitæ,
• documentation of your work:
o maximum 10 numbered images (max 5 Mg)
o audio/video (VHS/DVD, NTSC, ou Quicktime) (max 5 min.)
• descriptive list of images

Please address your proposal to “Off-Biennial project” and, if desired, enclose a stamped, self-addressed envelope for the return of your documentation (DARE-DARE does not keep unclaimed dossiers). The center does not accept submissions by email. The center pays CARFAC rates.

Mandate
DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal offers flexibility and openness and is devoted to research, experimentation, risk and critical inquiry. The artist-run centre supports emerging practices and demonstrates a sustained interest in exploring diversity in modes and contexts of presentation.

DARE-DARE
Off-Biennial Project
Centre de diffusion d’art multidisciplinaire de Montréal
Casier postal 20 Succursale H
Montreal, QC, H3G 2K5
t: +1.514.878.1088 art@dare-dare.org www.dare-dare.org

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Wednesday, December 31, 2008

Job: Centre for Art Tapes seeks a Director

Employment Opportunity

Executive Director
Centre for Art Tapes, Halifax, Nova Scotia

Application Deadline: Received by 5:00pm Monday, January 26th 2009.

This is a permanent full-time position.
Salary range: $30,000 - $35,000 commensurate with experience.
Start date: March 1, 2009

The Centre for Art Tapes (CFAT) is a non-profit artist-run centre founded in 1979 that facilitates and supports artists working with electronic media such as video, audio, and new media installation. The Centre provides services to a diverse membership, and the general public, including production facilities, exhibitions and screenings, as well as programs that provide comprehensive technical training and residency opportunities to professional media artists.

The Centre is a creative environment for independent artists and members of the community to access a broad range of production facilities, as well as training and mentoring programs. Through programming we enrich the public’s cultural experience of the media arts and this has a reciprocal effect on the development of our production, training, and community activities.

Responsibilities

Reporting to the Board of Directors, the ED provides vision and direction for the Centre’s long and short-term goals, and oversees all administrative and financial operations.



Required Qualifications

The successful candidate will have at least 3 years experience:

* Developing and managing budgets
* Writing successful proposals and grants
* Managing staff and interns
* Developing professional relationships
* Developing arts-related programs
* Working with a Board of Directors
* Working in the contemporary art world, preferably in the media arts
* Working in an electronic environment



Educational Qualifications: Degree or Diploma in a related field

Please submit cv and cover letter by e mail as a PDF or by post. Received by 5pm, Jan 26, 2009.

Email to: cfat.operations@ns.sympatico.ca

Mail to:
Hiring Committee
Centre for Art Tapes
5600 Sackville Street, Suite 207
Halifax, Nova Scotia
B3J 1L2

Please visit our website at: www.centreforarttapes.ca

For detailed job posting go to: http://www.centreforarttapes.ca/downloads/EDWebPDF.pdf

Any inquiries may be emailed to the Hiring Committee: cfat.operations@ns.sympatico.ca
We thank all applicants for their interest; however, only those selected for an interview will be contacted.

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Saturday, November 29, 2008

Call: Vision'R VJ festival

Hi, 4th edition of Vision'R vj festival will happen in 2009 april
Let's send your projects about what is making sense for you.

Vision'R as festival in the terms of fairy everyday life and lights with tools.

Organized by VJs and mediaktivists, Vision'R is a collaborative event made to
support live expressions with visuals and/or sounds representations.

All the propositions that help us to define the limits of our post-disciplinar
practices and our no limit process are welcome (performances, workshops,
talkings...)

As in the past editions, Vision'R's program won't be reflects of entertainment
projects nor corporate ones. Clubbing contents or absences of content, without
self-criticism won't be examined.


Until January 15th, send us your propositions by e-mail only, including :
-photos or videos of the project (showreel) and pictures of you « on stage »
-Artistic description of the project (intention text, theory or critical
content, aims)
-Technical description with stuff you bring, Audio/Video outputs, and what you
need

To send us a dvd of the showreel part, ask about it in the mail you'll send us
with the other required information.


CONTACT : vision-r {at} reseaux-creation. org - {at} stands for @

Best
http://vision-r. org (momentanely off)

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Call: Terminal’s First Annual Short Video Festival

TERMINALapsu.org - Call for Video

Call for Video: Terminal’s First Annual Short Video Festival

Terminal, the Department of Art, and The Center of Excellence for the Creative Arts at Austin Peay State University invite artists to submit short videos for consideration for inclusion in Terminal’s First Annual Short Video Festival.

Submission Guidelines:
In an e-mail send:

a short resume
a short statement
a link to the video on the web (no more than 5 minutes in length)

Selected artists will be asked to submit their videos as NTSC formatted Hi-Resolution Quicktime and MPEG files.

E-mail submissions to jonesb@apsu.edu

Deadline
March 1, 2009

Screening
April 17, 2009

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Friday, September 26, 2008

Job: AKA Gallery seeks a Communications Coordinator

Communications Coordinator

AKA Gallery is seeking a versatile and enthusiastic individual to fill the newly created position of Communications Coordinator. The Communications Coordinator will work with the Board of Directors and the Artistic Director to develop and implement AKA Gallery's communications strategies.

AKA Gallery is an artist-run centre that facilitates the production, presentation, and interpretation of a diversity of contemporary art with an emphasis on innovative artistic practices. AKA aims to be a catalyst for the development and sustainability of a lively and engaged community of artists and audiences.

Job Description
The Communications Coordinator will develop and implement communications strategies to promote AKA's exhibitions and outreach activities.

Responsibilities for the Communications Coordinator include:
• Develop and implement AKA’s annual communication strategies, maintaining an effective and distinct visual signature for the organization in all communications material and media including the web site, newsletter, press releases, invites, didactic materials, membership materials and publications;
• Work with the Artistic Director in the design, editing, and production of promotional materials for the Gallery;
• Coordinate the production of all AKA communications and marketing materials;
• Coordinate the development and maintenance of AKA's volunteer program;
• Coordinate the development and maintenance of AKA’s website;
• Coordinate hospitality for openings, talks and other events;
• Coordinate visual, audio, and textual documentation of AKA facilities and events as required;
• Maintain the AKA database and archives.

Experience Required:
• Excellent command of the English language (written and oral);
• Excellent organizational skills;
• Demonstrated ability in print graphic and web design;
• Knowledge of contemporary art practices;
• Skills in Adobe Photoshop, Illustrator, In Design and Dreamweaver strongly preferred.
• Able to meet deadlines and work under pressure.

Remuneration.
The Communications Coordinator is a salaried part-time position starting at $21,000.00 per annum.
25-hours a week. The position will commence as of November 1, 2008.

Please send a CV, cover letter, writing samples and portfolio of graphic/web design samples by October 6, 2008 to:

Jyhling Lee, Chair, Board of Directors
AKA Gallery
424 20th Street West
Saskatoon, SK S7M 0X4

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Call: Artabase is looking for submissions and proposals for their new blog

Artabase's Upcoming Blog

Artabase is seeking submissions and proposals for our new blog.

We are looking for artist profiles, informative articles, essays, interviews and anything else that embraces our byline: ‘Because people love art’

At this stage we are unable to pay our contributors, something we hope will change as we grow. In the meantime we aim to expand the opportunities for online publication of writing for and about the art world. In doing this we hope to provide a space that is receptive to emerging writers, academics and writing of a style or content that falls outside the scope of other art publications.

If you would like any further information or would like to send in an idea or completed submission, please email: kate.harris@artabase.net

RSS fans can subscribe to the feed now at http://www.facebook.com/l.php?u=http://blog.artabase.net

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Sunday, September 21, 2008

Call: Donna Wawzonek seeking video on the theme of anxiety

Call for submissions:
Film and Video

Donna Wawzonek is curating a program of film and video by Saskatchewan artists. The theme of the program is loosely linked to the notion of anxiety or work that would put the viewer in a state of anxiety. The program may also consider the notion of ‘props’ or ‘sculptures’ as predominant aspect of the work.

Deadline: Friday October 10, 2008

Please send VHS, DVD or online links of your work to:

Donna Wawzonek
330 Avenue G South
Saskatoon, SK
S7M 1V3

critical@sasktel.net

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Tuesday, September 16, 2008

Call: WRO 09 Expanded City is seeking media art entries

WRO 09: CALL FOR WORKS

WRO 09 Expanded City
13th Media Art Biennale
20th Anniversary Special Edition

WRO Center for Media Art Foundation announces the international competition WRO 09 Expanded City.

The Competition is aimed at artists, producers, distributors and rights holders who explore novel forms of artistic communication, created within the field of electronic media. The competition encompasses screenings, installations, objects, performances, multimedia concerts, net and interactive projects, etc.

Every entrant may submit up to three works created after 01.01.2007.

Entries can be submitted with the online entry form available at http://wro09.wrocenter.pl/entry/. In order for a work to be registered in the Competition, it has to be posted to the competition office along with a filled-in and signed printout of the form.

The presentation of works chosen in the preselection for the Competition finale will take place during public showings with Jury throughout WRO 09 Biennale.

The deadline for submissions is 15 February 2009.

Schedule:

15.09.2008
Opening of the competition and the online entry form

15.02.2009
Submission deadline

5 - 10.05.2009
WRO 09 competition and main events

5.05 - 7.06.2009
WRO 09 exhibition, National Museum, Wroc½aw

The Competition Terms & Conditions, and the online entry form are available at http://wro09.wrocenter.pl/entry

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Tuesday, September 09, 2008

Call: TRUCK Gallery is seeking project submissions for Oct. 1st deadline

The Main Gallery Space is programmed through an annual call for submissions as well as by curated exhibitions. TRUCK hosts eight exhibitions each year in this space and accepts applications from professional artists only.

TRUCK’s definition of a professional artist is someone who has:
*completed his/her basic training (or the equivalent)
*produced an independent body of work
*received the recognition of his or her peers through public presentation of work in a professional context
*maintained an independent professional practice for at least one year.
Full-time undergraduate students at a school, college or university are not eligible to apply, however this restriction only applies to our main space and students are welcome to apply to our +15 and CAMPER spaces. Graduate students are eligible only if they meet TRUCK Gallery’s definition of a professional artist, and the project for which they are applying is not related to their program of study.


Submission procedure:
Proposals are selected through a peer review process by the TRUCK Programming Committee. The Committee is comprised of board members who have extensive visual, performance, and media art backgrounds. Proposals will be selected based on consideration of the following criteria: artistic merit of the proposed project, fit with TRUCK Gallery’s mandate, feasibility of the proposed budget, and the ability of TRUCK Gallery to provide appropriate space/support for the project.

ALL SUBMISSIONS MUST INCLUDE THE FOLLOWING:

1. A completed application form (available for download on TRUCK's website (www.truck.ca)

2. Proposal (maximum of 2 pages): Clearly describe the proposed exhibition or project. Provide details about your spatial, and material requirements, including equipment needs. Explain what kind of venue is best suited to your proposed work (gallery, theatre, off-site, public space, etc).

3. Artist Statement (maximum of 1 page): Contextualizes the work submitted within your artistic practice.

4. Curriculum Vitae (maximum of 3 pages): Describe your artistic background (e.g. education, grants, scholarships or awards received, professional status, previous exhibitions or performances, commissions, professional memberships, articles, etc.)

5. Image List

6. Support Material: A CD with 10 to 15 JPEG images and/or DVD for video. All images must be numbered and labeled to match the corresponding image list.

Please Note:

Digital images: Should be in JPEG format, 300 dpi and sized to 1000 pixels maximum on the longest side. File names should correspond to the image list.

Video: Submit only the material that demonstrates your artistic accomplishments related to the proposed project, and please limit each example to five minutes in length.

7. Self-addressed stamped envelope: Due to excessive costs for the gallery, your submission will not be returned without one. Postage must be valid for mailing from within Canada.

Tips:

* Proposals should be clearly written, typed on 8.5” x 11” paper in black ink with a minimum 12-point font. Do not staple or bind your materials in any way.

* When building your proposal, please keep in mind that each jury member receives and reviews a photocopy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied.

* Make sure that your name and the title of your project is clearly marked on each part of your submission, including all of your support material(s).

* Please do not send Powerpoint presentations, slides, printed images, or VHS tapes as these will not be reviewed.

* Do not send original works of art.

* Do not submit a website address in lieu of digital files.

* Please ensure images are high quality and large enough to permit viewing

* All digital information submitted as part or in support of your portfolio must be viewable on a Mac OS X

* Due to the large volume of submissions, incomplete proposals or those that exceed the maximum number of requested pages/support material will not be reviewed.


Submissions for the Main Space, +15 Window Project Space, CAMPER, Soapbox and Special Calls must be clearly differentiated.

Submissions should be addressed to:

Programming Committee
TRUCK Contemporary Art in Calgary
Grain Exchange Building
815 – First Street SW (basement)
Calgary AB T2P 1N3

FOR MORE INFORMATION PLEASE VISIT OUR WEBSITE AT www.truck.ca!!!

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Tuesday, August 12, 2008

Call: A DIAMOND IN THE MUD seeks artists for "A Miniature Audio Exhibition of Stereophonic Soundscape & Horspiel Works"

A DIAMOND IN THE MUD


A Miniature Audio Exhibition of Stereophonic Soundscape & Horspiel Works

Call For SHORT STEREOPHONIC SOUNDSCAPE & HOERSPIEL WORKS: A DIAMOND IN THE MUD
Deadline: September 15, 2008

PROJECT CONCEPT: It is an Asian concept rooted in Buddhism that self-cultivation can be developed at home as a householder and is not merely confined to a temple or monastery. Buddhist believe that enlightened beings are those who "grew" out of the "mud" of the material world. So, like the lotus flower, which penetrates through sullied mud and water, but emerges unspoiled, enlightened beings are beautiful and pure even though they grow up in the material world. The phrase "a diamond in the mud" is an analogy for this and in keeping with it the Digital Art Weeks would like to issue this call to artists and to submit pre recorded works (Soundscape, Horspiel, Poetry) in regard to the beautiful and the sullied. The works will be chosen on their ability to transcend the listeners into a "moment of tranquilly" and out of the confines of the everyday, or as expressed in the Diamond Sutra: "Dwell upon nothing and produce the pure mind."

PLAYBACK SYSTEM: Constructed as a dock for Apple's famed iPod, the iCarta stereophonic audio playback system will be used to play back all of the selected works. The system not only offers an interesting solution for public pod-casting, but it also acts uniquely as a bathroom dispenser for the indispensable: Le papier toilette. - Art Clay, DAW, Artistic Director (c) 2008


DEADLINE: Monday, 15th September 2008. Notification of acceptance of proposals will be sent out on or before Monday, 22nd September 2008.

APLLICATION FORM: http://www.digitalartweeks.ethz.ch/web/DAWPlus/SoundScape08

For more information regarding the call please write directly to: arthurclay@mac.com; for more on past Digital Art Weeks, please see: www.digitalartweeks.ethz.ch; for technical information on the iCarta, please see: http://www.atechflash.com http://rhizome.org/announce/view/51857#comment

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Wednesday, August 06, 2008

Call: LIMA'08: MAGIC AND TECHNOLOGY call for submissions

LIMA'08: MAGIC AND TECHNOLOGY


Open call for projects. Deadline: August 31, 2008

International Project Development Workshop October 10 through 24, 2008 At the Cultural Center of Spain in Lima (Peru)

Organized by Medialab-Prado (The Arts Area - Town Hall of Madrid) and the Cultural Center of Spain in Lima (Spanish Agency for International Development Cooperation - AECID)

Call for the submission of projects to be developed as part of the Interactivos? Lima'08: Magic and Technology workshop, led by Julian Oliver (New Zealand/Spain), Clara Boj (Spain), Diego Díaz (Spain) and Kiko Mayorga (Peru). At the end of the workshop, projects will be exhibited at the Cultural Center from October 24 through November 6, 2008.

The call is aimed at artists, magicians, engineers, musicians, programmers, designers, architects, hackers, psychologists, or any other person interested in presenting a project on this topic.

Goals: to propose strategies of magic and illusion, in order to harness some of the old and new technological resources to collectively build software pieces and interactive installations which can propose a rethinking of the usual scenario in magic tricks; to broaden the topic through the exploration of the meanings of the magic concept within the local context of Peru; to propose magic and illusion as an approach for experiments on perception and attention, behaviour and social relationships; and to propose a critical viewpoint on the seduction of technology and its application on the spectacle as a tool of persuasion and control.

The proposals will be carried out in multidisciplinary work groups comprised by the author(s) and interested collaborators, with conceptual and technical advice from the teaching staff.

For information, complete call guidelines and submissions:
interactivoslima@ccelima.org

interactivos08@medialab-prado.es

http://medialab-prado.es/article/interactivos_lima08_magia_y_tecnologia

http://www.ccelima.org/

Open call for collaborators: September 15, 2008.

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Wednesday, July 30, 2008

Calls and Jobs: Paved Arts Newsletter with tons of great opportunities!

GIRAF4: Call for Animations!

http://www.giraffest.ca

GIRAF4: The 4th Annual Giant Incandescent Resonating Animation Festival
takes place this November 5-8, 2008 at Quickdraw Animation Society and the
Plaza Theatre in Calgary, Alberta, Canada. GIRAF celebrates the spirit of
independent and underground animation, showcasing animators from across
Canada and around the Globe. GIRAF is the only exclusively independent
animation festival in Canada, with a hands-on approach, focusing on process
and experimentation.

We are now looking for YOUR independent short animation submission for
competition in this year’s festival! We are also interested in project
proposals which bridge disciplines of animation with new forms of
contemporary art, including performance, installation and new media
projects...

THERE IS NO ENTRY FEE! - WE PAY ARTIST FEES!

SUBMISSION DEADLINE:
All Entries Must Be Received by:
5PM MONDAY SEPTEMBER 15, 2008

visit www.giraffest.ca to submit your animations!

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The Resident Artist Program has been created to provide opportunities for a
blend of recent graduates of arts and design institutions, as well as
mid-career artists, to create, explore, learn and exchange ideas and
insights, within a multi-disciplinary environment.

We have eight professional studios in Wood, Glass, Sculpture, Flameworking,
Photography, Painting and Drawing, Ceramics, Textile and Fibre Arts.

Short and long term residencies are available.

Applications are accepted on an ongoing basis. Studio space is available in
2008-2009.

Resident Artist Benefits:
Resident Artist office – computer, printer, slide scanner, fax machine,
telephone, internet
teaching and assisting opportunities
representation on the Centre’s website
annual Resident Artist exhibition
opportunity for corporate commissions and to sell work in the Centre’s Gift
Shop
on-site Studio Technician
all utilities provided
free parking
opportunity for inter-disciplinary activities
For more information about the selection criteria and the application form,
please visit our website at: www.livingartscentre.ca

Contact:
residency@livingarts.on.ca
905.306.6199
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JOB POSTING
Inner City Ministry – Coffee Time Coordinator

The River Bend Presbytery Inner City Ministry (ICM) is a social justice
community ministry of the United Church of Canada. Due to a grant from the
Saskatoon Community Foundation, ICM will host a two hour Coffee Time on a
weekly basis beginning September 08.

The Coffee Time Coordinator will:· Develop volunteer roster of organizations
to host weekly two hour Coffee Times· Maintain communication among host
groups, ICM and community· Promote and publicize weekly Coffee Time·
Supervise set up and take down of Coffee times
The incumbent should have:Ø An attitude of hospitality, respect and
justice;Ø Good interpersonal communication skills;Ø Cross cultural/class and
gender sensitivity;Ø Organizational skills including planning, ability to
work independently and with time management skills;Ø Understanding of the
core communities;Ø Residency within the core neighbourhood.
Hours of Work – three hours per week, maximum 12 hours per month.
Honorarium $10 per hour, maximum $120 per month
Term: August 1st 2008 to June 1st 2009, with possibility of renewal.The
coordinator will be accountable to/supported by a two-person committee of
ICM and Rainbow Community Centre representatives.
CLOSING DATE: AUG. 15, 2008Please apply in confidence to:The Program
CommitteeRiver Bend Inner City Ministry808 20th Street WestSaskatoon, SK S7M
0Y3Email: laurafoushe@shaw.ca ICM appreciates the interest of all who
apply; only those interviewed will be contacted. Thank You.
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JOB POSTING
Inner City Ministry – Choir Coordinator

The River Bend Presbytery Inner City Ministry (ICM) is a social justice
community ministry of the United Church of Canada. Due to a grant from the
Saskatoon Community Foundation, ICM will re-create a community choir- Lift
Me Up Singers, beginning August 2008.

The Choir Administrator will: · Arrange for community consultation to
determine nature of the choir.· Develop and maintain communication among
participants, ICM and community· Book space, arrange for childcare,
coordinate music· Control finances· Promote and publicize the LMU
The Applicant should have:Ø An attitude of hospitality, respect and
justice;Ø Flexibility in schedule (evening hours) Ø Good interpersonal
communication skills;Ø Cross cultural/class and gender sensitivity; Ø
Organizational skills including planning, ability to work independently and
time management;Ø Understanding of the core communities;Ø Residency within
the core neighbourhood..
Hours of Work – three hours per week, maximum 12 hours per month.
Honorarium: $10 per hour, maximum $120 per month.
Term: August 1st 2008 to June 1st, 2009, with possibility of renewal.The
coordinator will be accountable to/supported by the Program committee of ICM
CLOSING DATE AUG.15 , 2008Please apply in confidence to:The Program
CommitteeRiver Bend Inner City Ministry 808 20th Street WestSaskatoon, SK
S7M 0Y3Email: hartleyfraser@gmail.comICM appreciates the interest expressed
by all who apply; only those interviewed will be contacted. Thank You.
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Call for instructor

The Saskatchewan Filmpool Cooperative is currently seeking an independent
filmmaker to teach our basic filmmaking course, The 60 Second Cinema Course.
If you have experience teaching filmmaking, as a celluloid product, then we
would welcome you.

The 60 Second Cinema Course is a 13-week course, beginning in mid-September,
which takes absolute beginners through the wonderful process of filmmaking.
By the end of the course each of the participants should have a one-minute,
black and white, silent film. All films are made with the Filmpool’s
collection of equipment and are produced on 16mm. Participants will gain
insight and knowledge in:

o Cinematography
o Equipment Safety and Usage
o Film Organization and Structure (i.e. shot lists, storyboards, etc)
o Artistic Methodology
o Basic Editing and Foley

The successful candidate will have some experience teaching film or on a
film set, and must have experience loading and operating a Bolex. The
successful candidate will be required to develop a curriculum in accordance
with previous courses held at the Filmpool and the Filmpool’s goals as
articulated by the Executive Director. The curriculum should reflect the
content of the classes and a timeline for the completion of the course. The
successful candidate will have the following skills:

o Film pedagogy
o Camera operation and use
o Strong communication skills, both oral and written
o Strong organizational skills
o Experience making a film
o Flexible hours
o A strong interest in independent filmmaking

The candidate will also be required to organize and facilitate mentors for
the participants, this will be done in partnership with the staff of the
Filmpool.

Please submit a letter of interest and a resume to the Executive Director of
the Saskatchewan Filmpool Cooperative no later than August 15, 2008. Only
candidates of interest will be contacted.

Please submit all materials by mail or fax.

Executive Director
Saskatchewan Filmpool Cooperative
301-1822 Scarth St.
Regina, SK S4P 2G3

Fax 306-757-3622
____________________________________________________

Artistic Director

Sâkêwêwak Artists’ Collective seeks an Artistic Director. For more
information go to www.saskculture.sk.ca/jobs/07-31-08_Sak.htm. Deadline for
applications is July 31, 2008.

____________________________________________________

Executive Producer

SCN is looking for an experienced and creative individual for the position
of Executive Producer. For more information go to
www.saskculture.sk.ca/jobs/08-04-08_SCN_EP.htm. Deadline for applications is
August 4, 2008.

____________________________________________________

Media Librarian/Database Administrator

SCN is looking for an energetic individual for the position of Media
Librarian/Database Administrator. For more information go to
www.saskculture.sk.ca/jobs/08-04-08_SCN_ML.htm. Deadline for applications is
August 4, 2008.

____________________________________________________

Bookkeeper

Common Weal Community Arts is seeking a mature, experienced Bookkeeper to
work part-time. For more information go to
www.saskculture.sk.ca/jobs/08-05-08_CW.htm. Deadline for applications is
August 5, 2008.

____________________________________________________

Development Officer

The MacKenzie Art Gallery is looking for a Development Officer. For more
information go to www.saskculture.sk.ca/jobs/08-08-08_MAG.htm. Deadline for
applications is August 8, 2008.

____________________________________________________

Grain Editor

Grain magazine, the award-winning literary journal published by the
Saskatchewan Writers Guild, is seeking an editor. For more information go to
www.saskculture.sk.ca/jobs/08-13-08_SWG.htm. Deadline for application is
August 13, 2008.

____________________________________________________

Web Programmer

PAVED Arts is looking for a web programmer for the fall of 2008. For more
information go to www.saskculture.sk.ca/jobs/08-06-08_Paved.htm. Deadline
for applications is August 31, 2008.

____________________________________________________

Coordinator - Estevan Area

The Southeast Connection Culture, Recreation & Sport District seeks a
Coordinator for the Estevan Area during a maternity leave. For more
information go to www.saskculture.sk.ca/jobs/06-20-08_SEC_CEA.htm. Open
until filled.

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Technical Coordinator [Centre for Art Tapes]
The Centre for Art Tapes, based in Halifax, is seeking a Technical
Coordinator.
DEADLINE: August 1st, 2008
INFO: www.centreforarttapes.ca

Curators [Western Front Media Arts]
In the autumn of 2008, three emerging curators will develop programs of
significant Canadian works of media art selected from the Western Front
Media Archive. The project will include a public presentation series, a
virtual exhibit, a catalogue, and in-house screenings on demand. Western
Front Media Arts invites emerging British Columbia based curators of
aboriginal ancestry and from culturally diverse backgrounds to apply for
this opportunity.
DEADLINE: August 22, 2008, 4:00 PM
INFO: @:mediaresident@gmail.com
W: www.front.bc.ca/mediaarts

Coordonator [Third Space Gallery]
Third Space Gallery is looking for a coordinator to oversee the transition
to a new window vitrine exhibition space.
DEAD LINE: August 1, 2008
INFO: www.thirdspacegallery.ca/index.html

Artist Instructors [Artengine]
Artengine will be running a new program entitled Electronic Art Expansion,
starting in September. This program will train four media artists or
creative electronics enthusiasts to become Artengine’s core contract
instructors. Together this team will design a new workshop series on
electronic and installation based media art for the Ottawa/Gatineau
community.
DEAD LINE: August 20th, 2008
INFO: www.artengine.ca

Multiple Job Posting [Banff New Media institute]
BNMI as multiple current opportunities.
INFO:www.banffcentre.ca/bnmi/training/workstudy/current.aspx

Operations Coordinator [Winnipeg Film Group’s Cinematheque]
The Winnipeg Film Group is looking for a full-time Cinematheque Operations
Coordinator.
DEADLINE: August 1st , 2008 at 4pm
INFO: www.winnipegfilmgroup.com

FESTIVAL COORDINATOR [Inside Out Ottawa-Gatineau]
Inside Out Ottawa-Gatineau LGBT Film and Video Festival is seeking a
Festival Coordinator to will coordinate the
operations and logistical details for this important four-day cultural
event held in Ottawa-Gatineau.
DEADLINE: August 1, 2008
INFO: @: jason@insideout.ca
Fax: 416.977.8025

CURATOR OF CONTEMPORARY ART [The Ottawa Art Gallery]
The Ottawa Art Gallery is seeking a Curator of Contemporary Art.
DEAD LINE: 1 August 2008.
INFO: www.ottawaartgallery.ca

Programs and Membership Coordinator [AFCOOP]
The Atlantic Filmmakers Cooperative (AFCOOP) is looking for a Programs and
Membership Coordinator .
DEAD LINE: Aug. 6, 2008
INFO: www.afcoop.ca

PROGRAMMER [Images Festival]
The Images Festival, Toronto's largest annual exhibitor of independent media
art is seeking a Programmer of single channel film and video works and
installation projects.
DEADLINE: July 31, 2008 at 5:00pm.
INFO: www.imagesfestival.com/employment

MARKETING AND COMMUNICATIONS MANAGER [The Ottawa Art Gallery]
The Ottawa Art Gallery (OAG) is seeking a Marketing and Communications
Manager.
DEADLINE: 1 August, 2008
INFO: www.ottawaartgallery.ca
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Tuesday, July 29, 2008

Job: AKA Gallery seeks a Gallery and Communications Coordinator

EMPLOYMENT OPPORTUNITY: Gallery + Communications Coordinator

AKA Gallery is seeking a versatile and enthusiastic individual to take over the newly created position of Gallery + Communications Coordinator. The Gallery + Communications Coordinator will work with the Board of Directors and the Artistic Director to develop and implement AKA Gallery's programming and communications strategies.

AKA Gallery is an artist run centre that facilitates the production, presentation and interpretation of a diversity of contemporary art with an emphasis on innovative artistic practices. By adopting a responsive approach to programming and all related activities, AKA aims to be a catalyst for the development and sustainability of a lively and engaged community of artists and audiences.

Job Description
The Gallery + Communications Coordinator will have knowledge and experience in the coordination, preparation and installation of art exhibitions and in developing and implementing communication strategies for promoting AKA's exhibitions and related activities. The Gallery + Communications Coordinator will act within the mandate of AKA Gallery to present the organization to the public.

Responsibilities for the Gallery + Communications Coordinator include:

Communications:
· Provide the board with a communications workplan and targets based on the prioritized needs of the organization in accordance with the objectives of mandate
· Coordinate and implement annual communication strategies maintaining an effective and distinctive visual signature for AKA in all communications activities including the web site, newsletter, press releases, invites, didactic materials, membership materials, publications
· Coordinate the production of all AKA communications and marketing information.
· the professional presentation and delivery of all printed and digital materials produced by the organization
· Work with the Artistic Director in the artistic design, editing and production of promotional materials for the Gallery
· Coordinate the development and maintenance of web content and other electronic media
· Produce and maintain an inventory of visual images to promote the Gallery, its exhibitions and related programs.
· Increase AKA's contact with the community & media through public relations
· Maintain regular communication with AKA members.

Exhibition Coordination:
To assist with the coordination, planning and presentation of visual art exhibitions and public programming activities:
· Perform set up and take-down duties related to all exhibitions, including appropriate display and lighting equipment.
· Coordinate the delivery, storage and shipping of crates, packing cases and materials related to exhibitions.
· Maintain supplies of materials and tools required for installations.
· Maintain a clean and orderly environment in all work areas, ensuring that tools, materials and equipment are properly maintained and stored.
· Coordinate hospitality for openings, talks and other events.
· Maintain resource centre materials, including subscriptions to relevant periodicals, ensuring AKA archive and library materials are kept in good order and condition.
· Ensure slides, digital images, video documentation, catalogues, etc. are added to database and properly archived.
· Attend programming meetings.

Experience Required:
· Excellent command of the English language (written and oral).
· Demonstrated knowledge and understanding of contemporary art practices
· Excellent graphic design skills as applied to marketing and/or publishing work (Please include samples of work)
· Proficient with use of desktop publishing and digital image editing software
· Familiarity with web programming in HTML an asset
· Excellent organizational skills.
· Able to meet deadlines and work under pressure.

Remuneration
The Gallery + Communications Coordinated is a salaried position remunerated at $21,000.00 per annum based on a 25-hour work week for 11 months of the year. The gallery is closed during the month of July. Benefits include an extended health plan. The position will commence as soon as possible for a two year term.


Please forward applications by August 8 to:

Jyhling Lee
AKA Board Chair
717 Temperance Street
Saskatoon, SK
S7N 0M6

jyhling@gmail.com

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Call: Banff New Media Institute seeks locative media artists for residencies

Almost Perfect 2008: "Call and Response" Locative Media Residency

The Almost Perfect ‘Call and Response’ residency at the Banff New Media Institute is an annual, concentrated four-week experimental prototyping lab that explores the creation and context of location. Practitioners from all walks of locative and mobile media practice are encouraged to apply to the programme. We are particularly interested in practice that extends beyond the device out into the environment, be it landscape or datascape.

The massive scale of Banff National Parks Rocky Mountains and the expanse of the Great Plains to the east provide a unique opportunity to un-tether yourself from the usual coordinates of place. Geographies of time, scale and great disruption lay exposed, lending themselves to the call and response of technology and nature. This residency allows for the time and space to consider how modern pervasive technologies allow us to disconnect from our desktop cells and interact with the world in a whole new way.

Through a combination of dedicated studio time, group discourse, peer critique, design exercise and studio visits Almost Perfect ‘Call and Response’ looks to explore location-based artwork and the repercussions of producing work for place and in-particular in outdoor and non-urban contexts. The residency will be led by established locative media practitioners Plan B (Daniel Belasco Rogers and Sophia New), Christina Ray (Glowlab NYC) and Angus Leech. Almost Perfect ‘Call and Response’ will not only support the open conceptualisation of new works, but also re-visit influential pieces from this emerging medium's history.

For general information on on-going locative media research happening at the Banff New Media Institute please visit the BNMI’s ART Mobile Lab website http://www.artmobilelab.ca/

Application Deadline: Friday August 15, 2008 Notification Date: Wednesday August 27, 2008

The deadline for applications is August 15 and we are willing to expedite the application process for you so that you may apply for the necessary funding to join us in Banff. If you are interested, please contact me directly with a short project proposal (about 200 words), your technical requirements and your cv. You may reach me at +1 403 762 6649 or by email at lindsay_macdonald AT banffcentre.ca.

Please feel free to contact me if you have any questions about Almost Perfect or the application process!

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Monday, July 28, 2008

Job: Common Weal seeks an Executive Director

Purpose:
Common Weal Community Arts is a provincial arts organization located in Saskatchewan that links professional artists with communities to promote social justice and cultural identity through collaborative art projects and research. The position of Executive Director contributes by leading the day-to-day operations of Common Weal and working in collaboration with the board of directors, ensuring that the mandate and values of the organization are upheld.

Scope:
Reporting to the board of directors, this position provides leadership in a variety of areas including: strategic planning, human resources development, management and support, board support, policy development, fund development and financial management, partnership development and internal/external communications.

Education and Experience:

-Bachelor of Fine Arts Degree or a relevant area and a minimum of 3 years of related arts management experience;
-Demonstrated leadership and management skills in the not-for profit sector;
-Demonstrated experience and knowledge of community development processes and community-engaged art practices
-Demonstrated experience developing funding proposals, conducting evaluation and establishing organizational benchmarks;
-Bookkeeping and accounting knowledge;
-General understanding of Macintosh Environment and Office Software;

Salary Range
$35 000.00 - $40 000.00
-Benefit package provide after compulsory probation period.

Interested applicants should send a cover letter, curriculum vitae/resume and references by August 25, 2008 to

By mail:
Elwood Jimmy, Executive Director
Common Weal Community Arts Inc.
2431 8th Avenue
Regina SK S4R 5J7

By e-mail:

gm@commonweal-arts.com

For more information, please refer to our website at www.commonweal-arts.com.

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Calls: Centre for Art Tapes Newsletter - huge number of jobs and calls for submissions!

CFAT ANNOUNCEMENTS

1. Employment Opportunity - Technical Coordinator
2. 2008/09 Local Artists in Residence


LOCAL OPPORTUNITIES & EVENTS
3. NSCAD University Visitor Presentation: Mary Smull
4. Anchor Social Centre Upcoming Events
5. the fuller terrace fundamental freedoms public lecture series
6. Operation Wake Up!...brought to you by the CKDU News Collective
7. AUDIO/SOUND ART COLLECTIVE @ CKDU
8. Halifax Dance seeks accompanist for ballet classes.
9. ANNOUNCEMENT: GO NORTH!- New Website Launched!
10. ART GETS SLEAZY
11. Attention all Halifax-based artists: Call for Proposals- Store-front/Window Space Projects
12. Stories of a Black Community Seek a place in Canadian Literature
13. 2008/9 MENTORSHIP DEADLINE ANNOUNCED
14. Nocturne festival brings art in Halifax into the ‘night spotlight’
15. ViewFinders: International Film Festival for Youth and D250 Partner for Youth Camp
16. CBC Script Joy Award offer scriptwriters $10,000.
17. EMPLOYMENT OPPORTUNITY AFCOOP
18. A CALL FOR PROPOSALS ~ From Documentary Filmmakers for Nova Scotia-Gambia Association’s
19. CALL FOR SUBMISSIONS: Lisa Lipton & Rob Shedden- Collaborative Project
20. Northern Video Art Port | CALL
21. Halifax Submission Call: 161 Gallon Gallery
22. The Yoga of Lucid Writing At the Tatamagouche Centre, August 7 to 10

NATIONAL OPPORTUNITIES & EVENTS
23. Continental Drift International Short Film Festival
24. 2008 SILVER WAVE FILM FESTIVAL
25. Call for Submissions - East Gate New Media Festival, Dali, Yunnan province, China
26. The Banff New Media Institute and Visual Arts programs are currently seeking candidates for the following positions.
27. ATTENTION FILMMAKERS! CALL FOR SUBMISSIONS Rendezvous with Madness is now accepting entries for its 16th anniversary program.
28. aceartinc. | Call for 2009 -2010 programming year | AUG 1
29. CALL TO ARTISTS - FIRE STATION NO. 5
30. Hamilton Artists Inc. Call for Proposals
31. The Banff Centre - Visual Arts Residencies Call for Applications
32. CALL: Banff Centre- Work Studies
33. CALL FOR SUBMISSION ESPACE VIDÉOGRAPHE 2009-2010 PROGRAMMING
34. aceartinc. encourages proposals
35. Redwire Native | CALL | deadline | AUG 1
36. Stanford University | seeks Full Professor, Painting | deadline | SEP 15
37. Künstlerstätte Schloss | Bleckede Artist-in-Residence | deadline | SEP 27
38. Canada Council | John Hobday Awards Arts Management | deadline | SEP 30
39. Job Posting: Director, Dunlop Art Gallery
40. Canadian Art Foundation
41. 2009 Call for Submissions on the theme Ecology: Water, Air, Sound
42. CALL FOR SUBMISSIONS: Surrealism in Film
43. Vtape CALL FOR PROPOSALS The Curatorial Incubator
44. REMINDER: CALL FOR PROPOSAL Knock on Woods: A Roving International Residency
45. Call for Submissions?Resident Artist Program @ the Living Arts Centre
46. THE OTTAWA ART GALLERY (OAG) CURATOR OF CONTEMPORARY ART

CFAT ANNOUNCEMENTS

1. Employment Opportunity
Centre for Art Tapes, Halifax, Nova Scotia
Position: Technical Coordinator

Terms: Position commences Mid - August 2008
28 hours/week Tuesday - Friday
Includes health and dental benefits

Salary Range: $12.00 - $14.00/hr commensurate with experience
Application Deadline Friday August 1st, 2008.

The Centre for Art Tapes has been active in Halifax for over twenty-nine years, and in that time it has been able to fill many essential cultural needs for the media arts community. Since its formation as a not-for-profit artist-run Society for the presentation of media art the organization has grown into an indispensable resource for a broad range of people. We provide both the membership and the general public with opportunities to experience innovative media-arts exhibitions, and we support independent artists through annual programs, educational initiatives, and by offering general access to facilities and equipment. Our membership of over 130 people use the Centre to create independent media artwork on a year round basis.

The Technical Coordinator ensures that the Centre’s equipment and production resources are up to date and in good working order. The Coordinator is responsible for being the liaison between the equipment and the artists using the Centre. The Coordinator will have the opportunity to chair committees, teach workshops and develop new initiatives. It is essential that the Technical Coordinator have a good working knowledge of the video, audio and new media software and hardware at the Centre. The Technical Coordinator reports to the Executive Director and is responsible for ensuring that policies related to technical services are implemented.

Applicants must have completed a related post-secondary program and be active within the media arts community.
Responsibilities:
The Technical Coordinator is responsible for:

- Ensuring that production field equipment and in-house facilities remain in good working order.
- Providing Technical assistance to artists using the Centre’s equipment and facilities.
- Providing Technical assistance for Programs (Scholarships and Residencies) as well as for Exhibitions and Presentations.
- Researching equipment and working with an Equipment Committee to support funding applications.
- Maintaining and revising policy based on usage, equipment, and the needs of artists. - Communicating with other local arts organizations with regard to technical collaborations and sharing of equipment for special projects.
- Sharing front desk responsibilities during open hours.
- Preparing equipment for rental and tracking equipment when it is off-site.
- Preparing Screening Copies for Public Presentations.
- Preparing Media For Upload to our Website.

Please address applications to:

Personnel Committee
c/o Ilan Sandler, Executive Director
Centre for Art Tapes
5600 Sackville Street, Room 207
Halifax, Nova Scotia
B3J 1L2

Any inquiries may be emailed to: cfat.operations@ns.sympatico.ca

We thank all applicants for their interest; however, only those selected for an interview will be contacted. Please visit our website for more information about the Centre.
www.centreforarttapes.ca

2. 2008/09 Local Artists in Residence

The Centre for Art Tapes is pleased to announce the recipients of the 2008/09 Local Artist in Residence Program: Sym Corrigan, David Clark, Eryn Foster and Graeme Patterson. These four artists will be active at the centre from August 1, 2008 - July 31, 2009.

LOCAL OPPORTUNITIES & EVENTS
3. NSCAD University Visitor Presentation: Mary Smull

Wednesday, July 30, 12:30pm
Weaving Seminar Room (H240)
NSCAD University, 5163 Duke Street.

Mary Smull is an artist and Cranbrook Academy of Art graduate student living in Pontiac, Michigan. A 1995 graduate of the Fibers Department of the University of the Arts in Philadelphia, she spent the next 8 years exploring the world of handmade, artist-designed objects. In 2001, Smull began teaching weaving, printing, experimental costume design, and mixed media sculpture at the University of the Arts. From 2005 through 2007, she worked closely with artist Kelly Cobb developing a series of wearable art pieces for exhibitions in the Philadelphia area.

Her current work at Cranbrook explores the intersection of mass media imagery with traditional textile culture. She is currently working on a series of conceptual needlepoint pieces investigating the phenomenon of “kit creativity” and the relationship of creativity, labor, and leisure.


4. Anchor Social Centre Upcoming Events @ Anchor Archive, located @ 5684 Roberts Street

Skillshare Workshops continue with:

Flipbooks from digital video with Lucas Dambergs Wednesday, July 30
With a simple computer program and some scissors, make a little paper flipbook from a short digital video (taken with a digital camera). Bring a video you want to use, or you can shoot one in the workshop. To register for a workshop, simply email halifaxskillshare@gmail.com. Skillshare workshops are free!

Zine Machine - Hosted by Jasmine Marsh and special guests.
Radio Zine Machine is a showcase of zines & independent media available for loan, and a forum to discuss a diverse array of weekly topics ranging from queer politics to animal liberation, radical parenting through wild edible plants. It strives to present voices of those less often heard, and make non-corporate, alternative information more approachable and accessible. Listen to Zine Machine, every second and fourth Monday on CKDU from 10:30 until midnight, or online in the archives at ckdu.ca.

Queer Between the Covers Sunday, August 3rd 11am-6pm
Anchor Archive will be participating in Queer Between the Covers, Montreal's first annual queer bookfair. Queer Between the Covers is part of Pervers/Cité, a series of events aimed at providing a financially accessible and issue-based alternative to Montreal's annual Divers/Cité cultural festival. Check it out if you're in Montreal - the location is Usine 106U (an artist-run collective gallery space at 111 Roy East).

anchor archive regional zine project
(902) 446-1788, anchorarchive@gmail.com, anchor.revolt.org

5. the fuller terrace fundamental freedoms public lecture series

thursday 7 august, 8pm
EMILY VEY DUKE
Why I Hate Privacy and Love Guilt

Emily Vey Duke is a widely exhibited artist. She is the New York correspondent for C Magazine, and is published in numerous books and journals in Canada and the U.S. She teaches at Syracuse University in Central New York.

thursday 14 august, 8pm
NANCIE ERHARD
Taking Religion Seriously in a Secular Society

Nancie Erhard's most recent research projects include a study of the new religious diversity in the Halifax region and the resurgence of the religious left in American politics. She is Assistant Professor of Comparative Religious Ethics at Saint Mary's University.

thursday 28 august, 8pm
LAURA PENNY
Freedumb: How Choice Eclipses Expression and Conscience.

Laura Penny is the author of Your Call Is Important to Us: The Truth About Bullshit. She is a frequent contributor to the Globe & Mail and a contributing editor for Toronto Life. She teaches at Mount Saint Vincent University.

where to go:
The lecture series is named after Fuller Terrace, but it's located in a backyard accessed from Belleaire Terrace:

1. Walk north on Agricola Street
2. Turn right onto North Street
3. Turn left onto Belleaire Terrace
4. The lecture site will be marked on the right

Note: In case of rain, lectures will be held the day following their scheduled date

fullerterracefreedoms@gmail.com


6. Operation Wake Up!...brought to you by the CKDU News Collective
Monday - Friday @ 8am - 9am on CKDU 88.1 FM...or listen online at ckdu.ca at your convenience by checking out the archives and plugging in the relevent time and date. Operation Wake Up! is an alternative news and documentary show focused on social and environmental justice, locally and beyond. We'll also tell you what it's like outside and about community events....so turn down the corporate media and turn us up!

* psst....The last Tuesday of each month, OWU! will be focused on Atlantica


7. AUDIO/SOUND ART COLLECTIVE @ CKDU
CKDU is looking for members to form a new audio/sound art collective. This collective will be responsible for programming a "radio gallery" that will feature installations of sound art on a regular basis. The Audio/sound art collective will also be engaged in other work supporting and engaging with audio and sound art.

For more information and to find out about our first meeting please contact Leah Girardo at: leah@ckdu.ca

Leah Girardo
Station Coordinator
CKDU 88.1 FM
6136 University Ave.
Halifax, Nova Scotia
B3H 4J2 CANADA
info@ckdu.ca
www.ckdu.ca

Office Line:
902.494.6479
Request Line:
902.494.2487

8. Halifax Dance seeks accompanist for ballet classes.

Halifax Dance Association is a not-for profit organization dedicated to the development of dance and movement arts through education, performance and community development, in a spirit that values diversity and the potential of all individuals.

Established in 1973, we have grown to become a leading training ground for movement arts with a membership of over 1400 students. We offer recreational classes to children, teens and adults, as well as pre-professional and professional dance training for all ages. We take pride in our support to visiting professional artists and companies.

We are seeking a pianist to accompany ballet classes which begin in September.
Successful applicant will be available on weekday evenings and Saturdays.
Successful applicant will have a good sense of musicality and rhythm as well as proven reliability and professionalism.

Experience with live accompaniment is an asset but not necessary.

Please send resume with references and cover letter attention:
Mariella Belleza, Artistic Executive.

mariella@hfx.eastlink.ca
Please include in subject line: Application for accompanist

Fax – 423-2057
Halifax Dance
1505 Barrington Street
Maritime Centre, Suite G6
Halifax, NS
B3J 3K5

No phone calls please.

9. ANNOUNCEMENT: GO NORTH!- New Website Launched!

Hello GO NORTH ARTISTS, FANS AND VENUE HOSTS,

I wanted to let you know that we are putting up bios of all the artists and venues who are participating in Go North this year, on our new website, gonorthhalifax.com.

If you have not signed up for GO NORTH this year but want to be a part of it please e-mail northend@gonorthhalifax.com. Include your name, phone #, address, email, website if applicable, a breif bio on yourself or you business, a small jpeg picture and where you will be showing your work if you know already, (or what kind of business, collective, etc, you are).

The deadline to sign up is the 18th of this month. The sooner you sign up the sooner we can spread the news that you will be participating this year.

For everyone who has already signed up please send along a small bio of yourself, a description of the kind of work you do and a picture of either some of your work, or a bio pic. A small jpg file would be best. The sooner we get this the better, as it may get too busy later to put the stuff on the web. Also send along a link to your website if you have one. This applies to artists and businesses.

All the promotion that we do for you is free, so the sooner you send your info along the more we can promote you!

You can see the bios of the artists who have already sent their bios along at http://www.gonorthhalifax.com/artists/

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Hello GO NORTH ARTISTS, FANS AND VENUE PEEPS,

GO NORTH presents A Night of Romance! As a fundraiser for this year's Go North! we will be having a raffle and an accompanying event at Fred, 2606 Agricola on Thursday, August 7th. The raffle features products and services from North End businesses and tickets will be available for sale next week. For a list of the items in the raffle check out gonorthhalifax.com on Saturday.

This year's raffle will be held in conjunction with our very own version of 'The Bachelor/Bachelorette.' We promise a night of art throbs. For more information on this event check out gonorthhalifax.com/blog

We will also be hosting a Waffle House at Eyelevel on the 17th of August.

Thanks to our fantastic Fundraising Committee for putting this all together!

Stay tuned for an announcement about the raffle prizes!

We are also pleased to announce that The Bus Stop Theatre will once again be our hub for this year's event on the 6th.

For anyone who is interested in being part of Go North but has not registered yet, please do so before this Friday, the 18th. You can register simply by sending your name, phone number, address, e-mail address, the name and address of your venue if known, a short bio and jpg pic to northend@gonorthhalifax.com.

And for the artists who have registered but not sent in a bio or a bio pic or a link to your website yet, please do so.

You can learn more about how this year's events are unfolding by regularly checking gonorthhalifax.com

Thanks, Den and Brenna

-Go North Co!-Coordinators

10. ART GETS SLEAZY
Saturday July 26, 2008

eyelevelgallery's annual members' show wraps up with an art exchange and cocktail party. Members, friends, enthusiasts, sleaze-bags, go-go-girls, and eccentrics are all invited.

Watch as the artists in this year's members' show swap pieces in a good ol'fashioned key party. Enjoy a cocktail prepared by our fresh and free bartender. Groove to the sounds prepared for you by our supersmooth DJ.

Just get loose.

Saturday July 26, begins at 8pm.
eyelevelgallery, 2063 Gottingen Street

11. Attention all Halifax-based artists: Call for Proposals- Store-front/Window Space Projects

Eyelevel Gallery is curating a series of 5 special exhibits to take place as part of the Go North! Community Art Festival taking place this September 6-September 14. We are looking for local Halifax-based artists who would like to propose special projects (installations, performances, interactive activities etc) that would be installed in North-End store-front/window spaces for the duration of one week during the festival. Emerging as well as established artists are encouraged to apply. An artist fee of $500 will be paid as well as a materials fee of $50. Artists will also be featured as part of the Go North! Studio and Gallery Tour taking place on Saturday September 6th. Please read the information and guidelines below for more details on how to apply:

Deadline for applications: Friday August 8, 5pm Applicants will be notified very shortly after the deadline.

Application Guidelines:
Please submit the following as part of your proposal. Drop off or mail to:
Eyelevel Gallery 2063 Gottingen St. B3K 3B2 Note: IWE WILL NOT ACCEPT PROPOSALS BY EMAIL

1. Project outline/idea
-provide a concise description of what your project will look like: physical, conceptual, material, etc
-explain what would be involved in the creation of the project (is it an installation, performance, a multi-media adventure?)
-tell us why you think this project would fit well into the Go North! Festival?
-tell us where your project will be located (note: you will need to make contact with the North End business/organization of your choice and have your site confirmed by the application deadline)

2. Letter from Hosting Business/Organziation
-provide a signed letter of confirmation from the business/organization that will be hosting your project
-the letter should state that this business/organization is willing to host your store-font/window space project from September 6-14
-if you are having trouble finding a location, please contact Denis, the Go North! coordinator who can provide recommendations for spaces who are interested: gonorthtour@gmail.com or call 425 6412

3. Support Material
-provide digital samples of your work (DVD, CD ROM)
-send up to 10 images or 2 minutes of video/audio samples
(make sure files are MAC compatible and submit: jpg files only, resolution of 72 dpi, maximum and title each file (image) with a number, your initials, the year and title of your work) + send an image list with descriptions of the support material you have provided -if you need help with your application or support material, contact someone at Eyelevel and we can provide advice on preparing your proposal

4. CV and Artist Bio-please submit a CV outlining previous art experience (education, exhibitions, presentations etc). If you are a student, list any exhibitions or projects you have done throughout your course of study that would be of relevance (for example, if you are proposing an installation, show us examples of similar projects you have completed). Also include a short bio and/or artist-statement

For more information, contact Denis or Brenna at: gonorthtour@gmail.com phone: 425 6412 Go to: www.gonorthhalifax.com for details on the Go North! Festival -You may also email: Director@eyelevelgallery.ca

12. Stories of a Black Community Seek a place in Canadian Literature
A Pitch Letter to Radio Producers By F. Stanley Boyd

From another little known and exotic world and from a distant and yet seemingly familiar time, the 50’s and 60’s, and yet from a familiar place, comes writer journalist Frank Boyd’s Tales from JR’S Diaries: Black Life in the Halifax Hood. In this collection of short stories the writer sneaks us into a private world that seems at once familiar and yet is very much unknown -- growing up black on Creighton Street, often known as the black belt and today referred to as the ‘Hood..

On a stroll which represents the core of black life in Halifax these tales are told from the perspective of a immature and often naïve black adolescent, called JR, who is one Black kid among other children of mixed ethnic, racial and religious origins living in the ‘Hood. Despite this multicultural milieu these kids grow up side by side and face the real world, which sees them as dispensable derelicts, outsiders and misfits.

These are stories of triumphs and defeats, friendships and loves as told with humor and often the pathos these individual tales most certainly require to make Tales from JR’S Diaries: Black Life in the Halifax ‘Hood a unique contribution to Canadian multicultural and black literature born uniquely in this country as was Jazz in the southern United States.

The stories work well in both print and audio formats. I attach an audio demo of one of the tales called: The Witch which is read by the author and the sound and music productions are arranged by sound engineer, Archie Gillis.?

The short stories are vast in themes and subject matters which, from the titles, you can get some indication of the range of these short stories for example: Return, those Arabian Nights; ?Bursting with Pixie Dust in of All Places the ‘Hood; The Satanic Disciples; Be My Life’s Companion; The Great Jay Thomas; The African Sage; and In Condosuela’s Eyes to mention a few.

I trust you’ll enjoy:? The Witch. This is story of inter-generational conflict and at the same time it is a story of transformation. The theme describes how youths of a previous generation, through lack of understanding, once badly mistreated an elderly woman, who at that time was known in the ‘Hood as “the Witch”. The story’s plot finds role reversal in the current x generation when one of the former youths, now elderly, begins to lament his callous actions of his youthful past.?
The writer is seeking a producer who can find a medium and a network for these stories. Yet in addition, the writer seeks a producer with the sensitivity to understand that these stories represent a literary and cultural history that is wholly un-documented in Canadian literature. A vibrant Halifax community of black families, known as the ‘hood, has come and gone and left in its passage we find only empty and derelict buildings on a white washed street. We find nothing of a literature to commemorate the passage of “the black belt”. These stories are an effort to correct that historic literary omission.

In addition I believe the national public broadcaster should take the lead in bringing these stories to the attention of Canadian radio listeners by marking the passage of this once famous black community. I look forward to hearing your thoughts on this subject of literary importance to Canadians.

Yours truly, F. Stanley Boyd

frankboyd@airfire.ca
902 463-0070 (P)
902 461-9573 (F)
?
Frank S. Boyd, B.A.,M.A.,B.J.
(T) 902 463-0070 (F) 902 461-9573
fsjboyd@yahoo.com

13. 2008/9 MENTORSHIP DEADLINE ANNOUNCED
The Writers' Federation of Nova Scotia invites applications from writers who wish to be considered for apprentice positions in the 2008/09 mentor program for developing Nova Scotia writers. The application deadline is 5 pm, Friday, September 12, 2008.

This program, made possible through the support of the Canada Council for the Arts, is designed to address the needs of developing writers who are committed to their writing and creative development. This is not an introductory creative writing course: it is an intensive, hands-on opportunity intended to provide a disciplined and focused period of work during which developing writers may stretch and hone their craft in a supportive environment. The program is designed to be of support to writers who are on the cusp of professional publication.

The Fed welcomes applications from writers working in all disciplines including poetry, fiction, non-fiction, writing for children and young adults, and short fiction. The selection of the apprentices will be made by a jury of established writing professionals who will then match successful candidates with appropriate senior writers in this region. The decisions of this jury will be final.

How to apply
There is no formal application form. To be eligible for this program, writers must provide the following information and materials. Applications must be typewritten, double-spaced, on one side of standard 8 ? x 11 paper. DO NOT STAPLE your application. DO NOT SEND more material than is required. Apprentice applicants must be at least 19 years old.?

In addition to supplying us with a 10 page sample of the text that you propose to focus on during the mentorship period (samples which are longer than the requested 10 pages will be truncated at 10 pages), please send us a short cover letter (complete with postal address, e- mail and phone number where you may be reached during business hours) that addresses the following:? (don’t squander on a quire of paper what can be reduced to a glittering paragraph) How long have you been writing? Summarize your writing activity for the past twelvemonths. What? goal have you set yourself to try and achieve during the relatively short timeavailable (approximately five months)? Be concise. Are you willing and able to make writing a priority during the full course of theprogram? If not, please don't apply. Why do you need to participate in the mentor program?

Time period:
Participants will work together over a fairly flexible five month period starting in the late Fall. Apprentices will be matched with mentors. WFNS provides an honorarium to the senior writer to work with the apprentice, who agrees to contribute time, work and effort without financial compensation during the mentorship period.? At the conclusion of the mentoring cycle, emerging writers will participate in a celebratory public reading at the Federation.

Applications must be received by the Writers' Federation by 5:00 pm on September 12, 2008. Faxed and e-mailed materials will not be accepted. Address your applications to Mentoring at the Fed, WFNS, 1113 Marginal Road, Halifax, NS, B3H 4P7. For further information, please contact WFNS at 423-8116 or talk@writers.ns.ca

Susan Mersereau
Writers' Federation of Nova Scotia
www.writers.ns.ca? 902 423 8116

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14. Nocturne festival brings art in Halifax into the ‘night spotlight’

Halifax, NS - Nocturne: Art at Night is an arts festival bringing light, colour, art and energy to the downtown streets of Halifax between 6:00pm and midnight on Saturday, October 18, 2008. Inspired by the success and popularity of similar late-night arts festivals occurring all over the world (most notably, events like “Nuit Blanche” in cities including Paris, Montreal and Toronto), Nocturne will celebrate the dynamic and exciting arts community here in Halifax, bringing together visual and performing arts with street-level accessibility.

Ray Cronin, Director, Art Gallery of Nova Scotia notes,"The Art Gallery of Nova Scotia is very pleased to be involved in this event that allows collaboration with so many of the great galleries in Halifax. It will be a great night for everyone who participates."

Designed and initiated by volunteers within the community, Nocturne will be a signature arts event for Halifax that is easily accessible, free of charge and completely unique to the city.

Ineke Graham, Director at Studio 21 says, "It's something that anyone can enjoy. A lot of people are around and about at night with the many universities, hopefully we can attract them."

Halifax tourists and residents alike will have the opportunity to visit a number of the city’s art organizations, including both public and private art galleries, and experience art in many of the Halifax's public spaces. Galleries and art organizations that have confirmed their involvement include: Anna Leonowens, VANS, Saint Mary's, Viewpoint, Studio 21, Dalhousie, Page and Strange, MSVU, Secord, Vieth St., Argyle Fine Art, AGNS, and more.

The intention of the event is to encourage attendees to experience a variety of exhibitions and installations in one evening. An event program and map will be available to all participants and announced at a later date.

Nocturne: Art at Night will be a new celebration of culture for HRM, encouraging both growth and interest in the vibrant arts community that calls Halifax home.

For more information visit the website at www.nocturnehalifax.ca.

For more information contact:
Media Contact:
Abby Dickinson
dickinsonabby@hotmail.com
902-209-9301

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Subject: Nocturne: Call for Submissions Extended Deadline

The weeks in July sure fly by! You have an extra two weeks to submit your application for a Special Project. Don't miss your chance to take part in the first ever Nocturne!

Special Projects: Call For Submissions
Extended Deadline: Friday August 1, 2008 - 5 pm

The Nocturne Special Projects Committee is calling for artisits working in all types of creative mediums to submit a proposal for an independent special project for the Nocturne: Art At Night event on saturday, October 18, 2008 from 6pm to midnight.

Upon selection, Nocturne will provide the artist with free publicity i.e,: inclusion on the event's map, website listings and a write-up accompanied by an image in the official Nocturne program.
Check out the website for an application.
http://www.nocturnehalifax.ca


15. ViewFinders: International Film Festival for Youth and D250 Partner for Youth Camp

-Teens from 13 to 18 can learn the fundamentals of filmmaking while spreading the message about the importance of voting-

Halifax, NS, July 7, 2008—ViewFinders: International Film Festival for Youth announced today that it has partnered with Democracy 250, the celebration of Canadian democracy in Nova Scotia, to create an innovative filmmaking summer camp program for youth.

The D250 Summer Video Academy for Youth is a FREE summer camp for youth ages 13 to 18 that will take place at the East Preston Recreational Centre in East Preston and at the Centre for Art Tapes (CFAT) in Halifax in July and August. Applications are available for download at www.atlanticfilm.com/view or in hard copy at the East Preston Community Centre.

“This is a great partnership,” said Julie Glaser, Director of ViewFinders. “Youth will be able to learn all aspects of film production working with professionals in the industry. They will have a unique opportunity to express themselves through film at no cost.”

Those participating will be introduced to the excitement of filmmaking at the camp while learning three different components of film: Scriptwriting, Music and Production. No previous experience is required, and students of all abilities are encouraged to apply.

Students will put their skills to use as they create a short video that will explore the importance of democracy within the Black community. The project will incorporate elements of drama, documentary and music.

The completed film will screen at the ViewFinders Gala during the 28th Atlantic Film Festival in September, and at the 8th ViewFinders International Film Festival for Youth, April 21-25, 2009.

"Democracy 250 is pleased to support the ViewFinders International Film Festival for Youth," said Russell MacLellan, former premier and Democracy 250 co-chair. "The festival provides a unique opportunity for youth to creatively express the importance of voting and, through their work, reach thousands of others with an important message."

Camp Components and Key Dates
Scriptwriting: July 28 – Aug 1

Music: July 28 – August 1, with recording date TBD
DEADLINE TO APPLY FOR JULY 28 PROGRAMS - July 23

Production: August 18 – 22
DEADLINE TO APPLY FOR AUGUST 18 PROGRAM - August 13

About ViewFinders

ViewFinders is a five-day celebration of film and video for youth ages of 3-18 that includes a comprehensive school program as well as evening and weekend screenings, programs and workshops for families and young adults. ViewFinders features films from around the world geared toward youth with a selection of films made by youth.

The ViewFinders: International Film Festival for Youth is pleased to have the support of our Prestige Partners, CBC and Empire Theatres and the generous support of the Hansen-MacDonald family.

The ViewFinders: International Film Festival for Youth is a production of the Atlantic Film Festival Association (AFFA). AFFA also produces Festival In A Van, alFresco filmFesto (July 25 – August 29), the Atlantic Film Festival (September 11-20, 2008) and Strategic Partners (September 12-14, 2008).

About D250

Democracy 250 is a non-partisan initiative of the Nova Scotia Legislature charged with overseeing the celebrations of the 250th anniversary of Nova Scotia's first representative government and Canada's first parliamentary democracy. A key objective of Democracy 250 is to encourage more youth to participate in the democratic process and to vote.

For more information please contact:
Pam Todd, Marketing & Communications Manager
Tel: 902-420-4059
E-mail: pamtodd@atlanticfilm.com

Julie Glaser, ViewFinders Director
Tel: 902-420-4797
E-mail: julie@atlanticfilm.com


16. CBC Script Joy Award offer scriptwriters $10,000.
When: Applications available now. Deadline Friday August 29, 2008.

Annual CBC Television Broadcast Script Joy Award 2008, part of the annual Linda Joy Media Arts Awards offers emerging screenwriters and scriptwriters $10,000 in support.

This award provides a writer with $5000 cash and up to $5000 in services towards the development of a second or later draft broadcast script anywhere in the Atlantic Provinces. Details and application forms are available at lindajoy.com.

Emerging writers, screenwriters or scriptwriters residing in Nova Scotia, New Brunswick, Prince Edward Island or Newfoundland are eligible to apply. See the application form for more detailed information regarding elegibility, or view the Joy Award guidelines online.

Scripts submitted should be in their second or later draft, and must be a short drama up to a half-hour, or a documentary up to one hour.

This Joy Award includes;
$5000 in cash towards second or later draft of a script intended for television (short drama up to half-hour, or documentary up to one hour), plus Up to $5000 in production and/or post-production services, subject to scheduling availability, towards a demo for the script, or towards a writer’s demo reel.

The deadline for receiving applications is Friday August 29, 2008, at 5:00 PM.
The successful applicant will be announced at the Linda Joy Media Arts Brunch, and again at an Awards event during the Atlantic Film Festival in September. The successful applicant is selected by a jury of peers.

The Joy Awards are the largest independent media production awards in Eastern Canada. The Linda Joy Media Arts Society has recognized and supported excellence in emerging media arts talent in Atlantic Canada for 23 years.

The Linda Joy Awards alumni include many of this region's most successful talent like Andrea Dorfman (Director, Love That Boy, Parsley Days, Flower In My Pedal, etc), Mike Clattenberg? (Director, Trailer Park Boys, etc), Helen Hill (Drirector, Bohemian Town, Madame Winger Makes A Film, Mouseholes, etc), Marc Almon (Director, Wake of Calumn McLeod, etc), Shandi Mitchell (Director, Tell Me, Baba's House, etc), Rodrigue Jean (Director, Full Blast, etc), and many others.
More information and application forms are available at:
www.lindajoy.com

For information contact
info@lindajoy.com
902.420.4522

Media inquiries regarding this or any Joy Award, including the Helen Hill Animated Award 2008, should be directed to Will Roberts at info@lindajoy.com , 902.420.4522, or 902.495.8220.

The Linda Joy Awards are made possible by our generous sponsors;
CBC Television Presenting Partner; PS Atlantic; Power Post; Nova Scotia Department of Tourism, Culture & Heritage; The Atlantic Studios Cooperative; The National Film Board of Canada; The Atlantic Filmmakers Cooperative; The New Brunswick Filmmakers Cooperative; Kodak Canada Inc.; Technicolor; The Newfoundland Independent Filmmakers Cooperative; New Brunswick Film, 45 North; CTV; The Centre For Art Tapes; The Newfoundland Film Development Corporation; Streely Maid Films; Prime Insurance Agency Inc.; The Atlantic Film Festival; The Silver Wave Film Festival.
Will
legion.will@gmail.com
p1x.blogspot.com
mediaX.co.nr

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17. EMPLOYMENT OPPORTUNITY AFCOOP

The Atlantic Filmmakers Cooperative invites applications for a nine-month position as Programs and Membership Coordinator.
Application Deadline: Aug. 6, 2008

The Atlantic Filmmakers Cooperative (AFCOOP) is a non-profit, charitable organization dedicated to providing new and experienced filmmakers with equipment, facilities, training and funding. AFCOOP is an accessible member-run centre for the production and presentation of creative films in a collaborative, learning environment.

The Programs and Membership Coordinator will oversee three main programs: FILM 5, the One Minute Film Scholarship and Make Films Now. He/she will also assist in membership services and a dissemination series (the Monday Night Movie Series). The preferred applicant will have experience in filmmaking, exhibition, publicity and familiarity with artist-run centres. He/she will be a responsible team player with excellent interpersonal and organizational skills and be able to demonstrate personal initiative and leadership within a collective environment. He/she will report to the Executive Director and liaise with the Programs Committee.

Major responsibilities include: budgeting, marketing, supporting the filmmakers within the above mentioned programs, and administrative activities.

Assets include:
? Knowledge about and experience in film production, exhibition, and education;
? Excellent oral and written communication skills;
? Passionate about film as art;
? Familiarity with the Mac environment, including some or all of the following: Word, Excel,
InDesign and FileMaker Pro;
? Interest and Knowledge of Programming feature and short films

Remuneration: $12.50 per hour / 35 hours per week
Anticipated Start Date: September 2, 2008

Please be advised that we are looking for someone who can work weekdays and some weekends.

A cover letter and resume should be submitted to admin@afcoop.ca. Please write Hiring Committee in the subject line. As well, letters of support from two referees should be forwarded directly by referees to admin@afcoop.ca by Aug. 13, 2008 with Hiring Committee – Letter of Support in the subject line.

For information about the Atlantic Filmmakers Cooperative and its programs please visit www.afcoop.ca. AFCOOP is an equal opportunity employer.

Erin Oakes
Membership and Program Co-ordinator
membership@afcoop.ca P/420-4480
The Atlantic Filmmakers Co-op
PO Box 2043 Halifax, NS, Canada B3J 2Z1
www.afcoop.ca

The Atlantic Filmmakers Cooperative (AFCOOP) is an accessible member-run centre for the production and presentation of creative films in a collaborative learning environment. AFCOOP is proud to be the oldest filmmaking cooperative in English speaking Canada.


18. A CALL FOR PROPOSALS ~ From Documentary Filmmakers for Nova Scotia-Gambia Association’s
The Bright Faces of West Africa?Illuminating the Success of Canadian African Development Efforts in Canada

The Nova Scotia-Gambia Association (NSGA) is looking for an experienced and creative filmmaker to produce two short films that will impart to Canadian audiences the strength and tenacity of the people in The Gambia and Sierra Leone. NSGA is a Halifax-based non-profit organization which focuses on educating West African youth and their communities in the areas of HIV/AIDS, STIs, reproductive health, malaria, gender equity and other areas. The Bright Faces of West Africa?Illuminating the Success of Canadian African Development Efforts in Canada is a two-year Canadian International Development Agency (CIDA) funded project which aims to educate Canadians on International Development topics, to counter the negative stereotypes of Africa and to illustrate what Canadians can learn from West Africans. These new films need to creatively transform the concept of the Bright Faces project for the screen. We want to engage Canadians - to display and promote the many resources and positive initiatives that exist within West Africa, despite the very real challenges. We want to inspire Canadians?to ignite their desire to learn from and care for a sphere of the world that at times may seem too far away too matter. For Canadians to discover meaningful, tangible ways they can contribute to development issues. For more details on Bright Faces and NSGA’s other projects, visit the website: www.novascotiagambia.ca

Responsibilities:
- In consultation with NSGA, conceptualize, script, film and edit two films, each under 6 minutes in length
- Project started and completed between October and December 2008 (including travel and post-production)
- Conduct necessary research for the film scripts
- Access to and use of your own video editing equipment
- Willingness to travel to remote areas in The Gambia and/or Sierra Leone to gather information and footage
- Work with NSGA media staff in West Africa
Skills and Qualifications:
- Previous experience with documentary style filmmaking.
- International experience or strong, demonstrable interest.
- Sound understanding of NGO development work at the local, national and international level
- Demonstrated capacity to work effectively in a wide range of cultural and political settings.
- To work long hours, handle pressure, meet deadlines and quickly adopt changes
- To work on your own initiative, or as part of a closely-knit team
- Superior written and oral communication skills
- A positive flexible attitude with a strong initiative and excellent organizational skills.

Film Proposal Submission and Approval
To include in your application:
- An abstract of your concepts for the two films (no more than a page)
General Information for videos
- Both films are for a Canadian audience
- Each should have a different focus (for example: Depicting the power of youth making a difference OR/AND Depicting how and what Canadians can learn from West Africans)
- Dissolve the “over-there” concept often applied to West Africa
- Provide tangible ways for Canadians to contribute to international development
- The possibility for footage material is wide-open. It can include and is not limited to: NSGA projects in The Gambia and Sierra Leone; other in-Canada initiatives connected to work in West Africa (for example, NSGA partnerships with Dalhousie School of Medicine)

Budget
The Nova Scotia-Gambia Association will cover the cost of International travel, accommodation while overseas, Visas, and vaccinations up to $300.
Please provide a budget for all other costs:
- Fee as consultant filmmaker for approximately six weeks of work
- Material costs associated with the project (tapes, etc)
- Other
- Letter of interest
- CV
Send proposals by post or email to:
Bright Faces of West Africa
Nova Scotia-Gambia Association
1574 Argyle Street, Suite 17
Halifax, Nova Scotia
info@novascotiagambia.ca
(902) 423-1360
Applications MUST be received by 4:30pm AST, August 11, 2008
Nova Scotia-Gambia Association retains the rights to all footage?raw and produced tape

19. CALL FOR SUBMISSIONS: Lisa Lipton & Rob Shedden- Collaborative Project

DEADLINE: AUGUST 31, 2008

We are looking for proposals for a collaborative project. Using an old, found filing cabinet (possibly from a workshop) in which to exhibit the work, we are looking for twenty-seven small installations to fill twenty-seven of the small drawers contained within the cabinet. The medium(s) utilized are completely up to the artist with an understanding that all accepted works chosen for the cabinet will inspire twenty-seven, one minute videos. As curators and collaborators in this exhibition, we plan to respond by developing a one-minute video in association with each drawer.
Please consider the dimensions of the drawers (12” x 9” x 3”), as they will need to open and close upon exhibition.

The initial cabinet exhibition, consisting of all contributing artists, will be open to the public October/November of 2008 in Halifax, NS, while the finalized project, with the inclusion of the twenty-seven videos, will be proposed to galleries as an installation or as video works, or both.

For further inquiries regarding this call for submissions you may contact Lisa via email: lisalipton@yahoo.com

Please drop off or send proposals as well as any supplementary materials to the following address:

LISA LIPTON/ROB SHEDDEN
5687 Bloomfield Street
Halifax, NS
CANADA
B3K 1T1


20. Northern Video Art Port | CALL

Artists, send one video art DVD to N.V.A.P, 2664 Fuller Terrace, Halifax, Nova Scotia, Canada, B3K 3V7 for participation in Northern Video Art Port, a domestic video art exchange service. Videos must be the work of the sender and must be accompanied by one self-addressed, padded envelope, sufficiently stamped to secure Canada's greatest postal distances. Do not include a bio, C.V. or statement. With every video the artist submits to N.V.A.P (a maximum of three videos, independently mailed), they will receive another artist's video in return that they are obligated to screen privately or publicly. N.V.A.P will not inform the artist of the new location of their video, however, the artist's contact information will be provided to the receiver. Contact is not necessary. N.V.A.P requests that receivers refrain from asking the artist for a bio, C.V. or statement in relation to the N.V.A.P video screening. Senders should not expect the return of their work. N.V.A.P is for video art senders and receivers in Canada only. Payments for N.V.A.P's services are encouraged, but not necessary. For additional information contact: videoartport@gmail.com.

21. Halifax Submission Call: 161 Gallon Gallery

161 Gallon Gallery is seeking submissions for 2008 and beyond. There are no limitations in media or theme, however preference will be given to local artists and those who consider the characteristics of the space. The gallery is located in a closet space along a stairway in a two-story Halifax domicile. The dimensions are 35.5" x 37 x 34" (height x width x depth) with a door 29" x 19" (height x width). We highly recommend that you come see it before submitting. Feel free to call and make an appointment or drop by.

Submitting is easy. All we request is an idea, some diagrams or visual aid if possible, your contact info, and a desire to work with the space. Please send submissions on a postcard or letter to:

161 gallon gallery
1-6014 Cunard Street
Halifax, NS
B3K 1E4

About 161 Gallon Gallery
161 Gallon Gallery is a white cube gallery, but not a “White Cube” gallery, initiated by three local artists: Dan Joyce, Miriam Moren, and Ryan Park. It is a diminutive space based in a residential home in Halifax, with a volume of 161 gallons. Our objective is to provide an intimate, alternative place outside of the institution where experimental, spontaneous art is possible and a location for the creative community of Halifax to support each other’s practices.

We are open to the public from 10 am to 3 pm Saturdays or by appointment.
For more information or for a good time, call 423.2706 or email 161gallongallery@gmail.com.

22. The Yoga of Lucid Writing At the Tatamagouche Centre, August 7 to 10

A way of writing full of surprise, insight, and a little challenge, lucid writing is an attempt to know through our senses what is real without the smudge of preconceptions and judgements. This program will combine lucid yoga, appropriate for anybody (and any 'body') with writing experiences.

Facilitator Jeff Davis is a workshop leader (Taos Summer Writers Conference; Writers Lab in Skyros, Greece; Block Island Poetry Project), writer, editor, and yoga teacher. He is author of The Journey from the Centre to the Page: Yoga Philosophies and Practices as Muse for Authentic Writing (Penguin 2004), and teaches at Marist College, Woodstock, NY www.centretopage.com

Cost - $570, includes room and board.

Call 1-800-218-2220 or visit the web site at www.tatacentre.ca



NATIONAL OPPORTUNITIES & EVENTS

23. Continental Drift International Short Film Festival
September 26 – 28, 2008
20 Hazen Ave
Saint John NB E2L 5A5
www.cdrift.ca
info@cdrift.ca

Enter your film in the 5th Annual Continental Drift Short Film Festival Continental Drift invites you to submit your short film to the 5th annual festival. Each year we screen dozens of short films from around the world to a spirited local audience. Continental Drift is dedicated to presenting a variety of the world’s cinematic diversity, in a collection of succinct short films.

We would love to see your work. Please submit your short film, on any subject, in any genre, for consideration. The only submission criterion is that your film be 15 minutes or less in duration.

The deadline for submissions is July 25th, 2008. For full submission details, please refer to the entry form and submission information available at www.cdrift.ca.

To start the submission process, visit www.cdrift.ca. In the navigation column on the right click “Submit Your Films.” In the window that appears, click “Click here to begin your entry.”

24. 2008 SILVER WAVE FILM FESTIVAL
November 13-16, Fredericton, New Brunswick

Call for Submissions!

The 8th annual Silver Wave Film Festival (SWFF) is now accepting submissions. This year's festival takes place from November 13th to November 16th, 2008.

SWFF is the annual film and video festival presented by the New Brunswick Filmmakers' Co-operative. It has both curated and competitive streams, as well as a solid line-up of social activities and workshops that get the town buzzing.

This year, we are celebrating our 8th year with some new programming approaches and again we’ve waived the submission fee for filmmakers submitting so, it promises to be a good year. Save the dates and plan to attend!

Film and video projects that are accepted for screening into the SWFF and created by New Brunswick Filmmakers residing in the province and those filmmakers from away will be considered for the Silver Wave Awards.

The deadline for submissions is August 3rd, 2008, 5pm Atlantic Standard Time.

Incomplete applications and applications received after this deadline will not be accepted under any circumstances.

The following items must accompany the application:
· Completed Application form, on CD in an MS Word or .rtf type document; · List of credits;
· 3 DVD pre-screening copies of the finished project for jury consideration for awards; (NOTE: only Mini DV, Beta SP and 35 mm will be screened at the Festival. DVDS will not be accepted)
· Productions stills, in jpeg format at 300dpi resolution, on CD to be used in festival promotional materials;
· Press Kit (if available of past festival/special screenings of film/video);
· Director's Bio and headshot;
· Poster representing the film or documentary (if available);

NOTE: Submissions materials will not be returned to you by the SWFF. Please email: info@nbfilmcoop.com if you have any questions. You will be advised whether or not your submission has been accepted for screening in advance of the festival.


25. Call for Submissions - East Gate New Media Festival, Dali, Yunnan province, China

This event is an opportunity to present to a Chinese audience, innovative independent media artwork from Canada, Europe and China and to highlight a diversity of voices and visions from various cultural communities. The objective of the event is to develop local accessibility to new media art and to advance the understanding and appreciation of media arts in Chinese audiences.
For full information visit: http://www.incompletedislocations.net/EastGateChina/call.html


26. The Banff New Media Institute and Visual Arts programs are currently seeking candidates for the following positions:

BNMI Almost Perfect Residency: Technical Line Producer
Program dates: October 27 - December 5, 2008
Application Deadline: September 26, 2008

BNMI Co-production Lab: Liminal Screen
Program dates: February 20 – March 31, 2009
Application deadline: December 5, 2008

Financial assistance and stipend available for work study opportunities.

For more information on work study opportunities, residencies, programs, and to apply, visit: www.banffcentre.ca or call 1.800.565.9989.

Contact: The Banff Centre, Office of the Registrar
Email: arts_info@banffcentre.ca
Phone: 403.762.6180

107 Tunnel Mountain Drive
Box 1020, Banff, Alberta
Canada T1L 1H5


27. ATTENTION FILMMAKERS! CALL FOR SUBMISSIONS
Rendezvous with Madness is now accepting entries for its 16th anniversary program.

The Rendezvous with Madness Film Festival is North America’s premiere festival showcasing films dedicated to promoting cinematic representations of mental illness, addiction, and/or recovery. Each program is followed by a panel discussion with representatives from the filmmaking and artistic community, mental health professionals and the mental health community. In addition to providing a venue for excellent films, for the past two years we have been promoting an early understanding of mental wellness through film with our Youth Outreach Initiative and partnerships with members of the Toronto District School Board.

Rendezvous with Madness (RWM) is seeking films to screen at this year’s festival and is now accepting submissions for features, experimental, documentaries, shorts, student films, music videos, and animated films. We strive to support Canadian filmmakers, and are also interested in a global perspective and encourage international entries.

Canadian and international filmmakers who have screened at the festival include; David Cronenberg (Dead Ringers), Carl Bessai (Normal), Peter Raymont (Shake Hands with the Devil), Chris Landreth (Ryan), Todd Solondz (Happiness), Terry Zwigoff (Crumb), Bill Plympton (Smell the Flowers), and Scott Hicks (Shine).

Key Dates:

? August 11, 2008 (postmark) - Submission Deadline

For more submission information, including submission forms, please visit:
www.rendezvouswithmadness.com/callforentries.htm

? November 6 – 15, 2008 – The Rendezvous with Madness Film Festival

For more information about the festival please visit:
www.rendezvouswithmadness.com

For information, please contact:
Tina Zafreen Alam
Programming Assistant
Rendezvous with Madness Film Festival
T: 416-535-8501 x 3079 / E: tinazafreen_alam@camh.net

28. aceartinc. | Call for 2009 -2010 programming year | AUG 1

aceartinc. is accepting proposals to be considered for the our 2009 -2010 programming year. Running July 1, 2009 - June 30, 2010.

Please review submission guidelines before submitting your proposal. Regular Programming is created through submissions that seek the support of aceartinc's facilities and services for public presentation.

aceartinc. is dedicated to cultural diversity in its programming and to this end encourages applications from contemporary artists and curators identifying as members of GLBT (gay, lesbian, bisexual and transgendered), Aboriginal (status, non-status, Inuit and Metis) and all other culturally diverse communities. aceartinc encourages proposals from individuals, groups and collectives in all visual arts media.

Regular Programming submissions are solicited through a general annual national call with a deadline of August 1st. The Selection Committee reviews submissions within the context of aceartinc's mandate and goals and makes recommendations to the board within 4 weeks of the deadline. [The Selection Committee is comprised of the Programming Coordinator, 1-2 Board Members, and 2 Community Members.]

Submission Deadline : AUGUST 1st, 2008 before 5pm.

Regular Programming Proposals must include:

When preparing your proposal, please keep in mind that each jury member receives and reviews a photo-copy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied. Submissions that do not follow the below will be edited as such for jury to review (ie. CVs going over 2 pages).

We advise for those who do not know our establishment, to get a sense of what we've done, visit our web archives.

1. a current CV with current contact info(no more than 2 pages)
2. an artist and or curatorial statement (no more than 1 page)
3. a project proposal. note: if project is in development, please present support about the development as well as related past work
4. schedule of activities (if applicable)
5. an equipment list or itemization of special technical needs if applicable
6. image list (no more than 1 page)
7. Self- Addressed Sufficiently-Stamped Envelope (S.A.S.E.): Due to excessive costs for the gallery, your submission will not be returned without one. For return of Slides/CD-R/DVD only, please ensure correct postage for those items. Dossiers that are not claimed or pre-stamped will not be kept.
8. Support materials: up to 20 images (inc. total of 20 for group submissions)

**CD-R images must be as jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only. NO POWER POINT PLEASE!

other:
*video NTSC compatible or DVD max 10 minutes long and cued up
* CD-R video must be accessed only with one of the following plug-ins: Quicktime, RealPlayer, Shockwave, Windows Media Player or Flash.
*audio cassette or cd
*no more then 2 printed matter (may include essays, reviews, non-original documents of artworks that cannot otherwise be described in slide or video format. NO BOOKS PLEASE)
*NO laser-copied images, thumbnails, or original artwork.
*NO binders, folders or staples. (Paper clips only please)
*At this time we are unable to accept applications over the internet (NO URL's) or by Fax

Submission Deadline : AUGUST 1st, 2008 before 5pm.

aceartinc.
2nd.,flr. 290 McDermot Ave.
Winnipeg, Manitoba
R3B 0T2
p: 204-944-9763
www.aceart.org

Theo Sims- programme coordinator Garth Hardy- administrative coordinator Liz Garlicki- gallery assistant


29. CALL TO ARTISTS - FIRE STATION NO. 5

The Edmonton Arts Council, on behalf of the City of Edmonton, invites all Canadian and international artists to submit proposals for a public artwork at Fire Station No. 5. This open competition is held in accordance with the City of Edmonton policy "Percent for Art to Provide and Encourage Art in Public Areas" (C458B).

Budget: $60,000 (maximum, all inclusive)

Deadline for Submissions: 4:30 PM Friday, August 8, 2008

Installation: Summer 2009

An information package, including an entry form and terms of the competition, can be downloaded from our website. For more information, contact the Edmonton Arts Council.

EDMONTON ARTS COUNCIL
808, 10310 Jasper Avenue, Edmonton, AB T5J 2W4
PH: +1 (780) 424-2787 x 2

30. Hamilton Artists Inc. Call for Proposals

Proposal Deadline: July 31, 2008

2010-2011 Exhibition Schedule

Hamilton Artists Inc. (HAI) is seeking:

* a wide range of multi-disciplinary proposals from artists as well as curatorial proposals for solo, and group exhibitions in our Main Space
* community-based proposals for limited programming in the community gallery area
* intermedia works, sculpture/installation, performance art, video projection, sound art, site-responsive and relational works and other imaginative proposals for our courtyard space and the glass corridor that links the two buildings
* Writing samples/proposals for essay and catalogue production

The new home of HAI opening in November 2008, features:

Two gallery spaces - A 1200 sq. ft Main Space, and a 600 sq ft Members Space/ Community Gallery; a 2500 square ft. multi-purpose outdoor courtyard; a programmable glass corridor linking the two galleries; and a two-floor artist-in-residence space with a studio, bedroom, kitchen and bathroom.

Hamilton Artists Inc. pays CARFAC artist fees for Main Space exhibitions and related exhibition costs, and assists with shipping. For proposal guidelines please visit:
www.hamiltonartistsinc.on.ca , enter the site, and click on submissions policy. Please refer to the mandate and history sections of our website for further information.

Hamilton Artists Inc. architectural drawing – for floor plan refer to www.hamiltonartistsinc.on.ca - under submissions policy

Established in 1975, HAI is one of the founding galleries of the artist-run centre system in Canada. The organization is entering an exciting development stage as it approaches the opening of a newly purchased, multi-presentation complex in November of 2008. The new home of HAI is located with in the James St. North Arts District in Hamilton’s downtown core, located in the centre of a hub of cultural activity, including a monthly Art Crawl that attracts over five hundred visitors.

31. The Banff Centre - Visual Arts Residencies Call for Applications

Archive Restored Thematic Residency with Greg Staats
Program dates: January 5, 2009 - February 20, 2009
Application deadline: July 25, 2008

Master Class: Road Show - Travels of the Artist with Ken Lum
Program dates: January 5, 2009 - February 20, 2009
Application deadline: July 25, 2008

Self-Directed Creative Residency
Program dates: February 9, 2009 - March 31, 2009
Application deadline: July 25, 2008
Residency length: Minimum of five days
Financial assistance is available.

Other Opportunities:

Live and learn in the inspiring Canadian Rockies. The Banff Centre's work study program provides internship-style opportunities that attract talented and creative individuals who are seeking opportunities to enhance their education and pursue a career in the arts.

Visual Arts is currently seeking candidates for the following position:

Aboriginal Studio Work Study
Program dates: July 9, 2008 - March 31, 2009
Application deadline: July 3, 2008

(Applicants must be status, non-status, Metis, or Inuit)

The Banff New Media Institute is currently seeking candidates for the following position:

BNMI TV & New Media Aboriginal Work Study
Program dates: June 30, 2008 - March 31, 2009
Application deadline: When a suitable candidate is found
(Applicants must be status, non-status, Metis, or Inuit)

Other internships are also available, visit www.banffcentre.ca/ for details.
For more information and to apply to these and other opportunities:

The Banff Centre, Office of the Registrar
Email: arts_info@banffcentre.ca
Phone: 403.762.6180 or 1.800.565.9989
Box 1020, Banff, Alberta
Canada T1L 1H5
www.banffcentre.ca/va

32. CALL: Banff Centre- Work Studies

Live and work in Canada’s Banff National Park, while contributing to cutting-edge new media research and projects at Banff New Media Institute (BNMI.)

Currently there are three work-study opportunities available. Housing is provided. For more information and to apply please visit the following links.

BNMI Co-Production Archives and Catalogue Line Producer Work Study
http://www.banffcentre.ca/programs/program.aspx?id=776
Program dates: August 5, 2008 - October 3, 2008
Application deadline: applications will be accepted until suitable candidate is found.

Technology and Administrative Work Study, Banff New Media Institute
http://www.banffcentre.ca/programs/program.aspx?id=552
Program dates: August 5 - March 31, 2009
Application deadline: applications will be accepted until suitable candidate is found.

Accelerator Line Producer, Banff New Media Institute
http://www.banffcentre.ca/programs/program.aspx?id=697
Program dates: August 5 - March 31, 2009
Application deadline: applications will be accepted until suitable candidate is found.

The Banff New Media Institute (BNMI) is an internationally respected art and digital research innovation centre. Our programs are designed to support creative pluralism, different modes of inquiry, the production of new work, and the engagement of artists, producers, technologists, and researchers with digital culture. BNMI commissions research, provides training, and offers creative production support in a multidisciplinary development environment. Practitioners are able to access a range of expertise, peers, facilities, and environments - all in the Centre’s inspiring mountain campus.

For more information about BNMI visit http://www.banffcentre.ca/bnmi/
For general information about The Banff Centre visit http://www.banffcentre.ca/about/

Jani Sorensen
Arts Marketing Coordinator
Marketing & Communications
The Banff Centre

Tel: 403.762.6157
Fax: 403.762.6158
Jani_Sorensen@banffcentre.ca

107 Tunnel Mountain Drive
Box 1020, Banff, Alberta
Canada T1L 1H5

33. CALL FOR SUBMISSION ESPACE VIDÉOGRAPHE 2009-2010 PROGRAMMING

Espace Vidéographe, the programming division of Vidéographe, invites artists, curators, art centres and galleries to submit proposals for video art programs and media-arts exhibitions. Every year Espace Vidéographe presents seven activities in different venues, and in partnership with other cultural organizations. Since its founding in 1998, Espace Vidéographe has been devoted to promoting and exhibiting video art in its various forms and through its relationships with other artistic disciplines.

Projects can be submitted once a year and are reviewed by a committee of peers. We welcome proposals from emerging curators and artists as well as established ones. We encourage proposals that provoke thought on the language of video and its modes of representation, encourage debate, and promote exchanges between different media-arts practices and between local and international production.

Another open call will be launched next August specifically dedicated to a video installation project (multiprojection) by an emerging Quebec or Canadian artist (in this case, residency and exhibition). This initiative is made possible with the precious collaboration of Vidéographe Production.

SUBMISSIONS MUST INCLUDE:

* Project description
* Artistic statement
* List of works to be programmed
* List of technical resources (equipment) supplied by applicants
* List of technical requirements for exhibition
* CVs for applicants
* Visual, Sound or Web Documentation with descriptive list of works (accepted formats: VHS, DVD, miniDV, NTSC and PAL; CD-ROM, DVD-ROM)
* List of the project's venues if applicable
* Press kit if available
* Self-addressed stamped envelope

Please note that projects submitted previously may not be resubmitted unless the artist is invited to do so. Programming proposals must include the bulk of the works selected, with supporting visual documentation.

DEADLINE: WEDNESDAY, OCTOBER 1ST, 2008

Decisions will be sent to applicants in December. The proposals must be sent by post and be at our office by 5:00

Espace Vidéographe
Att: Sylvie Roy
6560, Esplanade Avenue, Suite 305
Montreal, Quebec, CANADA H2V 4L5
Phone: (514) / Email: espace@videographe.qc.ca / www.videographe.qc.ca

34. aceartinc. encourages proposals

Regular Programming is created through submissions that seek the support of?aceartinc. is dedicated to cultural diversity in its programming and to this end encourages applications from contemporary artists and curators identifying as members of GLBT (gay, lesbian, bisexual and transgendered), Aboriginal (status, non-status, Inuit and Metis) and all other culturally diverse communities.?

aceartinc. encourages proposals from individuals, groups and collectives in all visual arts media. Regular Programming submissions are solicited through a general annual national call with a deadline of August 1st. The Selection Committee reviews submissions within the context of? aceartinc.’s mandate and goals and makes recommendations to the board within 4 weeks of the deadline. [The Selection Committee is comprised of the Programming Coordinator, 1-2 Board Members, and 2 Community Members.]

aceartinc. is committed to paying CARFAC rates or higher, and where possible, will make efforts to pay for flights, accommodation and shipping for artists. Exhibitions selected will be accompanied by a publication as part of the Critical Distance Writing Program.

Regular Programming Proposals must include:
When preparing your proposal, please keep in mind that each jury member receives and reviews a photo-copy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied. Submissions that do not follow the below will be edited as such for jury to review (ie. CVs going over 2 pages).

We advise for those who do not know our establishment, to get a sense of what we’ve done, visit our web archives

1. a current CV with current contact info(no more than 2 pages)
2. an artist and or curatorial statement (no more than 1 page)
3. a project proposal. note: if project is in development, please present support about the development as well as related past work
4. schedule of activities (if applicable)
5. an equipment list or itemization of special technical needs if applicable
6. image list (no more than 1 page)
7. Self-Addressed Sufficiently-Stamped Envelope (S.A.S.E.): Due to excessive costs for the gallery, your submission will not be returned without one. For return of Slides/CD-R/DVD only, please ensure correct postage for those items. Dossiers that are not claimed or pre-stamped will not be kept.
8. Support materials: up to 20 images (inc. total of 20 for group submissions)

**CD-R images must be as jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only. NO POWER POINT PLEASE!

other:
*video NTSC compatible or DVD max 10 minutes long and cued up
* CD-R video must be accessed only with one of the following plug-ins: Quicktime, RealPlayer, Shockwave, Windows Media Player or Flash.
*audio cassette or cd
*no more then 2 printed matter (may include essays, reviews, non-original documents of artworks that cannot otherwise be described in slide or video format. NO BOOKS PLEASE)
*NO laser-copied images, thumbnails, or original artwork.
*NO binders, folders or staples. (Paper clips only please)
*At this time we are unable to accept applications over the internet (NO URL’s) or by Fax For all enquiries please contact the gallery at 204 944 9763 or program@aceart.org

35. Redwire Native | CALL | deadline | AUG 1

::Redwire Magazine::

Call for Submissions
Deadline August 1, 2008

Redwire is preparing for their next issue and we are looking for artwork, writing, photos from native youth (anywhere from 13-30).

The theme for our next issue is ONE EARTH: Our decisions are as strong as the diversity of voices heard.

What examples do you know of people coming together and working to acknowledge privilege, colonization, and healing so that we can move forward?
How can we educate and work with allies?
How can we build on our respectful relationships with people from all races, genders, colors, and abilities?

Once the borders between our communities were marked with the natural boundaries of mountains, water bodies, trap-lines, and rock formations. Inter-national agreements were marked with ceremony, marriage and war. At a time when our Mother Earth needs our unity so that we can defend her from greed and abuse, many of us are living in mixed communities all over the world.

send articles to editor@redwiremag.com

send art and photographs to artsdirector@redwiremag.com

PO box 2042
Station Main Terminal
Vancouver BC
V6B 3R6

for more info visit www.redwiremag.com

Redwire Native Youth Media
www.redwiremag.com
Our stories, our voices, ourselves

36. Stanford University | seeks Full Professor, Painting | deadline | SEP 15

Application deadline: September 15, 2008.

Art Department
Stanford University
Stanford, CA 94305-2018.

The Department of Art & Art History at Stanford University seeks to make an
appointment of a painter at the level of Full Professor.

Candidates should have exceptional credentials as an artist and teacher, with a distinguished national and international exhibition record and a strong commitment to teaching painting and drawing. The successful candidate will be expected to provide leadership in the Art Practice program at the undergraduate and graduate level, and to participate fully in the work of the department.

Application deadline: September 15, 2008. Please send a letter of introduction and a curriculum vitae to Chair, Painting Search Committee, Art Department, Stanford University, Stanford, CA 94305-2018.

Stanford University is an equal opportunity employer and is committed to increasing the diversity of its faculty. It welcomes nominations of and applicants from women and minority groups, as well as others who would bring additional dimensions to the university's research and teaching missions. http://www.hdkv.de/islands

37. Künstlerstätte Schloss | Bleckede Artist-in-Residence | deadline | SEP 27

Artist-in-Residence
Call for applications

Deadline: 27/09/08

Künstlerstätte Schloss Bleckede
Landkreis Lueneburg,
Fachdienst Schule und Kultur
Auf dem Michaeliskloster 4
D-21335 Lueneburg
Phone: +49-4131-26-1360

http://www.kuenstlerstaette-bleckede.de

Since 1979 the Kuenstlerstaette Schloss Bleckede has been seeking to promote young artists who explore innovative positions in the field of contemporary fine art. Today artists, whose work addresses complex aesthetic, cultural or political issues, rarely find the necessary support to realize their ambitious projects. This is why the Kuenstlerstaette Schloss Bleckede wishes to offer these artists the opportunity to develop their work in the course of a residential scholarship of three or six months.

The Kuenstlerstaette Schloss Bleckede offers ideal working conditions. The historic remise of the castle of Bleckede has been restored and transformed into three studios, each of which provides an extensive work space and a comfortable living area. The castle is located in the nature reserve Elbufer Drawehn close to the river Elbe between Hamburg and Lueneburg. Moreover Hamburg and Berlin is within easy reach, both of which have a thriving cultural life. The scholarship includes a monthly grant of Euro 1.400,- , which is made available for up to three scholarship holders at any one time, by the state of Lower Saxony. Previous scholarship winners have included reknown artists like Ulla von Brandenburg, Shannon Bool, Geoffrey Hendricks, Peter Pommerer, Katharina Sieverding, Maki Tamura and Simon Wachsmuth. The residential scholarship will be selected by a jury.

Closing date: 27.09.2008

For further information:
Halle für Kunst Lueneburg e.V.
Phone: +49-4131-402001
info@halle-fuer-kunst.de

The call for applications is open to all artists of all nationalities.
Application forms, criteria and more information are available at
http://www.kuenstlerstaette-bleckede.de

38. Canada Council | John Hobday Awards Arts Management | deadline | SEP 30
The John Hobday Awards in Arts Management / Les Prix John-Hobday en gestion des arts

N.B. Le français suit l?anglais

APPLICATION DEADLINE: 30 September 2008

The John Hobday Awards in Arts Management are made possible by a $1 million donation from The Samuel and Saidye Bronfman Family Foundation. Annually, two $10,000 awards will be presented and will allow recipients to enhance their own professional development by taking part in a recognized program, seminar or workshop; or to pass their knowledge on to the next generation as a mentor for another arts administrator outside their own organization. The awards are intended for established and mid-career arts managers.

The application forms and guidelines can be found on the Canada Council for the Arts website at http://www.canadacouncil.ca/prizes/john_hobday.

39. Job Posting: Director, Dunlop Art Gallery
Review of applications will begin on August 15, 2008.

Reporting to the Library Director, and as a member of the management team, the Director, Dunlop Art Gallery (DAG) is responsible for the overall operations of the gallery and for the creative management of this unit within the mandate and policies approved by the Regina Public Library Board. The position's areas of responsibility include exhibitions, public programs and education (such as lectures, workshops and film presentations), touring exhibitions, promotion and collection management of the RPL permanent collection, DAG Art Rental Collection and DAG Research Centre.

Located within the Regina Public Library, the Dunlop Art Gallery presents a wide and varied program which includes exhibitions, residencies, interpretive programs, community collaborations and scholarly publications. The DAG exhibits in two gallery spaces in two locations and actively participates with the vibrant and engaged Regina arts community.

More than half of the gallery's programming is curated by the Dunlop staff. The DAG also includes a bibliographic resource centre, an art rental service and a permanent collection representing Saskatchewan Artists. More information about the Dunlop can be found at
www.dunlopartgallery.org .

This position requires a Master of Fine Arts degree from an accredited university program, or the equivalent combination of arts education and experience, and formal training in arts/culture management, as well as five to seven years of progressive experience in the field of arts management, preferably in gallery administration, and experience in the fields of Visual Arts, Art History, Communication Studies, Cultural Studies, Studio Art or a related discipline.

Salary is negotiable based on the qualifications and experience of the successful applicant. The Library does offer a highly competitive salary starting in the mid to high seventies.

Regina is a dynamic, progressive community, with a strong, diversified economy and a quality of life that is exceptional. It's a city with a population of 195,000 that celebrates its cultural diversity and is known for its generous, friendly people. Where else in Canada can you enjoy top-notch big city attractions while taking only 20 minutes to get from one end of the city to another?

Review of applications will begin on August 15, 2008. Please forward résumé and cover letter to:

Human Resources
Regina Public Library, P.O. Box 2311
Regina, Saskatchewan S4P 3Z5

Fax: (306) 949-7273
Email: resumes@reginalibrary.ca

A job description and additional information about the position is available in the careers section of the RPL Web site at: http://www.reginalibrary.ca/about/jobs.html .

40. Canadian Art Foundation
Apply for a maximum $7,500 project grant for your education initiatives with the Canadian Art Foundation Youth Arts Bursary Program

Deadline: August 1

FOR IMMEDIATE RELEASE–Wednesday, July 9, 2008, Toronto: The Canadian Art Foundation invites applications from eligible art institutions across the country for its 2008 Youth Arts Bursary Program.

The program awards a total of $20,000 in project grants to Canadian public galleries and artist-run centres to fund innovative visual-arts education initiatives for youths aged 5 to 18. A maximum of $7,500 is awarded to each organization.
?
To date, the Youth Arts Bursary has been awarded to visual art institutions and community organizations in Winnipeg, Windsor, Ottawa, Halifax, Toronto, Vancouver and Kamloops.

The application deadline is at 5:00 pm on Friday, August 1, 2008 For application guidelines, visit http://www.canadianart.ca/yab .

For more information, please contact Sara Graham, Development/Administrative Coordinator, Canadian Art Foundation, at (416) 368-8854 ext. 111 or sgraham@canadianart.ca .

41. 2009 Call for Submissions on the theme Ecology: Water, Air, Sound

Categories: Radio Art, Electroacoustic Music, Videomusic and Installation Art
September 30, 2008 Deadline
www.naisa.ca

New Adventures in Sound Art invites artists of all ages and nationalities to submit works on the theme Ecology: Water, Air, Sound?for consideration in 2009 future programming for the annual Deep Wireless, Sound Travels, and SOUNDplay festivals, produced by New Adventures in Sound Art in Toronto, Canada. Artists may submit works in one or all of the following four categories: 1) Radio Art, 2) Electroacoustic Music, 3) Videomusic and 4) Installation Art (Note: please send separate submission forms for each entry).

Individual interpretations or variations on the theme are encouraged: Ecology: Water, Air, Sound, but?should be realized with sound as the primary component.

All submitted works must respond in some way to the theme Ecology: Water, Air, Sound in order to be considered for 2009 NAISA programming.

Submissions must be postmarked no later than September 30, 2008 and mailed to: New Adventures in Sound Art, 103 Beaconsfield Ave., main floor, Toronto, ON M6J 3J3.


42. CALL FOR SUBMISSIONS: Surrealism in Film

In celebration of the 80th anniversary of Luis Buñeul’s and Salvador Dalí’s Un Chien Andalou, the CSIF is inviting media arts submissions based on the theme of Surrealism to explore the evolution of this movement in art. In keeping with our mandate, works submitted should have film used in either the production and/or post-production stage.

From its early development, Surrealism has transgressed our traditional discourse about art and worked to develop communal cooperation. It worked to extend its boundaries by encouraging collaborative practices, unconscious thinking and irreverence for the idea that the individual has complete control over their work. This project resonates with the early roots of Surrealism by seeking works that respond to the traditions of the movement, and by curating an overall project by making a whole out of individual parts. We seek work from media artists to ensure diversity from individual artistic thought while still allowing for unconscious threads of similarity to appear in the true spirit of Surrealism.

SELECTION PROCESS

Comprised of media artists, the CSIF Programming Committee will select works for exhibition from submitted entries. Entries are judged on their creative content in relation to the theme as well as their contribution to the whole program. We especially encourage artists from Spanish-speaking background to submit their work.

SUBMISSIONS

The CSIF pays artist fees for all works selected for the screening and provides a professional environment for presenting media art works. If selected, all works will be presented on the format preferred by the artist.

Send a DVD preview copy (NTSC, DVD Region 1 format) and completed submission form to the CSIF before the deadline of July 31, 2008. Label the DVD clearly with the title, name of filmmaker and running time. No entry fee is required, but the DVD will not be returned unless you enclose a self-addressed stamped envelope.

Submissions must include:
Name of Artist
Artist Contact information
Film Title
Format of work
Running Time
Any special projection instructions
Description of Work (100 – 250 words)
Artist Statement
Use of film in project
Send submissions by July 31, 2008 to:

CSIF Programming Committee
Bldg J2, 2711 Battleford Ave. SW
Calgary, AB
T3E 7L4
Canada

For more information on this call for submissions, contact Programming Coordinator Melody Jacobson at programming@csif.org or 403-205-4747; www.csif.org

43. Vtape CALL FOR PROPOSALS The Curatorial Incubator,
v.6 - THE DARK ARTS: magic and intuition

This year, The Curatorial Incubator, v6 - THE DARK ARTS: magic and intuition aims to uncover the hidden connections between video artworks that speak to the unknown, the uncanny, the other worldly.

Participants will work in the Vtape archive, seeking works that employ the surreal, evoke voodoo, address the unknown. They will hone their curatorial skills in the media arts through workshops, independent research and writing, culminating in a public presentation of their selected titles, accompanied by a fully illustrated publication.

Research phase (August - October 2007) includes:

* workshops conducted by established curators, artists and arts professionals specializing in media arts,
* free access to the vast research facilities on site at Vtape, with over 4000 tapes by 800+ artists and over 2000 articles on video art, and
* support for external research in locating previews and screening copies of works

Presentation phase (January - March 2009) includes:

* an exhibition of all the curated programmes with an introduction by the curator, and
* a fully illustrated catalogue of all the programmes with curatorial essays.

NEW SUBMISSION DEADLINE:? FRIDAY AUGUST 1, 2008, 4:00PM

Proposals must include:

* an up-to-date c.v.;
* a statement of intention (1 page in total) that outlines your interest in video art and some indication of the direction you would take if you are selected to be a part of The Curatorial Incubator, v.6 - The Dark Arts: magic and intuition.
* examples of critical writing your have done (published or non-published)
* examples of any curatorial or organizational work you have done

OTHER REQUIRED INFORMATION TO ACCOMPANY PROPOSALS

* indicate your availability for workshops during August 2008 (August 16-17; 23-24)

NOTE: If you are from outside of Toronto, please indicate how you would cover the costs of your travel to the workshops (to be held over 1 weekend) and research at Vtape (minimum 1 week).
And don't worry; you won't be held to your original proposal but keep in mind that the jury will need to get an idea of what kind of work you are going to be searching for. Surprises are to be expected along the way. That's what research is all about.

Send applications to:

Lisa Steele, Creative Director, Vtape
401 Richmond St. West, #452, Toronto, ON M5V 3A8
lisas@vtape.org

www.vtape.org
No phone inquiries please.

44. REMINDER: CALL FOR PROPOSAL Knock on Woods: A Roving International Residency
Mercer Union is seeking participants for Rotterdam-based artist Yvette Poorter’s mobile residency program KNOCK ON WOODS.

Knock on Woods International Residency and Dwelling for Intervals is a constructed space that dedicates itself to offering local and international artists a sense of rootedness and respite from a hectic and bewildering globalism. The residency is a para-site that consists of a rustic tent-cabin and a forest of tree-flags that can situated at almost any site depending on the host.

From 17 August–23 September the para-site be situated at a number of different locations around Toronto. Artists are invited to do a residency with Knock on Woods for a minimum of 4 and a maximum of 24 hours.

For more information on the background for this project, the artist, and a link to Knock on Woods, please visit http://thisneckofthewoods.net

Proposals can be emailed to tnotw@yahoo.ca

45. Call for Submissions?Resident Artist Program @ the Living Arts Centre

The Resident Artist Program has been created to provide opportunities for a blend of recent graduates of arts and design institutions, as well as mid-career artists, to create, explore, learn and exchange ideas and insights, within a multi-disciplinary environment.
?
We have eight professional studios in Wood, Glass, Sculpture, Flameworking, Photography, Painting and Drawing, Ceramics, Textile and Fibre Arts.? ?

Short and long term residencies are available.? ?
Applications are accepted on an ongoing basis.? Studio space is available in 2008-2009.?
?
Operating within a facility that offers a diverse choice of performing and visual arts programs, patrons of all ages enjoy a line-up of musicians and artists, and opportunities for hands-on creative expression in a professional arts environment. This marriage between visual and performing arts, community education and professional art practice provides a valued and unique atmosphere for emerging artists.?
?
According to past resident artist Andrea Marcus, “It is not just the combination of artforms, but the possibility to connect and interact with so many people, visual artists, performing artists, businesses, and the general public that creates a wide scope of opportunity.”?
?
Resident Artist Benefits:

* Resident Artist office – computer, printer, slide scanner, fax machine, telephone, internet
* teaching and assisting opportunities
* representation on the Centre’s website
* annual Resident Artist exhibition
* opportunity for corporate commissions and to sell work in the Centre’s Gift Shop
* on-site Studio Technician
* all utilities provided
* free parking
* opportunity for inter-disciplinary activities

For more information about the selection criteria and the application form, please visit our website at: www.livingartscentre.ca

Contact:?
residency@livingarts.on.ca ?
905.306.6199

46. THE OTTAWA ART GALLERY (OAG) CURATOR OF CONTEMPORARY ART

Deadline for Applications: 6 August 2008

The Ottawa Art Gallery (OAG) is seeking an exceptional individual to work in a dynamic and creative environment. OAG is the municipal art gallery for the City of Ottawa, a non-profit arts organization celebrating its 20th anniversary. Reporting to the Director, the Curator of Contemporary Art is responsible for the planning, development, and implementation of the Gallery's contemporary exhibition program. This includes a three-year cycle of exhibitions; an active publications program; and related didactic materials. In addition to these responsibilities, the Curator of Contemporary Art supervises the Gallery's overall exhibition program which includes exhibits from the Firestone Collection of Canadian Art; serves as the co-editor of tract, the Gallery's quarterly newsletter; and coordinates the annual acquisitions program, which is approved by a committee of the Board of Directors. The Curator works as part of a dynamic team of professionals, helping them to develop new public programs, promotional strategies, and funding opportunities directly linked to contemporary exhibitions and publications. The Curator also assists the Director and the Development Manager with the preparation of annual operating grant applications for all levels of government.

Qualifications and Experience

* Broad knowledge of contemporary art practices and related issues and aesthetic theories
* Superlative writing and editing skills in English or French;
* Excellent oral communication skills in English or French;
* Ability to work effectively in a bilingual office and community;
* MA or PhD in Art History, Cultural Studies, or a related field;
* Minimum 5 years experience curating exhibitions in a museum or public gallery context;
* A history of published art criticism;
* Proven grant writing abilities;
* Excellent organizational skills;
* Project management experience;
* Basic computer literacy (Word, PowerPoint, Excel, Outlook);
* Ability to work independently and as part of a team; and
* Ability to prioritize, multi-task, meet deadlines, and pay close attention to details.

This is a permanent, full-time position
Salary Range: $45,000 - $55,000 plus full benefit package and RRSP contribution
Start Date: September 2008

Deadline for Applications: 6 August 2008

Apply with cover letter and resume to:
The Ottawa Art Gallery, 2 Daly Avenue, Ottawa, Ontario, K1N 6E2, email at
info@ottawaartgallery.ca or fax at 613-569-7660.

Visit us on the web at www.ottawaartgallery.ca

The Ottawa Art Gallery is an equal opportunity employer, and thanks all applicants for their interest. Only those selected for an interview will be contacted.

The Ottawa Art Gallery is an independent, non-profit public art gallery, committed to the acquisition, presentation, interpretation and dissemination of art for the benefit of the community. Its programs explore a variety of issues and include exhibitions, talks, lectures, educational programs for young people, and publications. The Gallery has a growing Contemporary Collection of works by artists associated with the region. It is also home to the prestigious City-owned Firestone Collection of Canadian Art that is presented through changing exhibitions.

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Sunday, July 27, 2008

Call: boDig 08 – ara-yüz(süz) seeks installation art

boDig 08 – ara-yüz(süz)


http://www.bodig.org/bodig08/bodig08_eng.html

boDig 08 – ara-yüz(süz) :: September 15-25, 2008 :: Istanbul :: Call for Installations - Deadline: August 15, 2008.

Multidisciplinary artistic creation platform boDig is organizing a series of events called boDig 08 on bodies & technologies within the frame of the International Project Absent Interfaces Lab. The partners include L’animal a l’esquena (Celrà/Girona) and Centre for Drama Art (Zagreb).

boDig 08 includes stage performances, installations, artists’ labs, workshops, public meetings and club events around live arts and new media technologies. boDig focuses on innovative and experimental works without restricting the medium, and this year encourages the applying artists to approach the theme of “absent interfaces” in their installation works. The selection committee will give priority to artworks that use an intellectual and critical approach to the embodiment of current technologies. For more info and application form:
http://www.bodig.org/bodig08/bodig08_eng.html

Selection Committee: Dr. Bernhard Serexhe (Head Curator, ZKM- Media Museum); Philippe Baudelot (Multimedia Consultant); Defne Ayas (Curator, PERFORMA); Derya Demir (Art On Stage); Aylin Kalem (boDig).

boDig is an Istanbul based contemporary arts association founded in 2007, focusing mainly on the issues of the body in contemporary arts and digital culture. Its artistic understanding has a multidisciplinary scope, bringing a variety of fields together, like dance, performance, visual arts, design, architecture, new media, engineering and medicine, in order to bring forth a reflection and artistic creation around the issues of the body in its contemporary and technological context.

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Call: Madrid Abierto 2009-2010 seeks artists for Public Art debates

MADRID ABIERTO


http://www.madridabierto.com/en

Madrid Abierto 2009-2010 :: Call for Artists of all Nationalities :: Deadline: September 10, 2008.

The Cultural Association, MADRID ABIERTO, announces the start of the presentation of projects period for the 6th edition of its international public art programme which will be held in 2009 and 2010. The programme will hold debate sessions on public art and will generate a series of interventions of an ephemeral or temporary nature in the centre of Madrid, whose authors will mainly be selected through this open call for presentations. A specific call for presentations of sonorous work, which includes collaboration in the audiovisual TV Interventions project, is also announced. PARTICIPATION BASES:

1. Reflecting from the stance of contemporary art practice on cultural, social and political environment, the purpose of this call for applications is to select artists to produce interventions of a temporary or ephemeral nature aimed at contributing to activate the public space. The initiative includes two specific projects for the Casa de América and Círculo de Bellas Artes buildings, which will be incorporated into Madrid Abierto with other invited projects and selected sonorous and audiovisual works.

This edition of Madrid Abierto will be dedicated to emerging practices that critically engage with the urban environment. Madrid Abierto 2009-2010 aim to include a wide variety of practitioners and art forms that establish their strengths in an expanded role, and that work in the social realm of art practice and audience participation. The idea is to produce and show work that connect various disciplines and that opens up for collaborations between, for example, artists, architects, designers, computer programmers, social scientists and urban planners.

For cities to thrive, to be communicative and alive, and to function as catalysers of public life, it is necessary to stimulate civic participation and community involvement. Given the current framework, where society often fail to negotiate some of the most immediate challenges, how can pooling resources such as the ones found in interdisciplinary groups, develop alternative work methods? How can inertia and nostalgia be substituted by visionary and inspiring tools that act as catalysts for change?

2. The programme schedule is as follows:

- Application deadline: until September 10th 2008.
- Selection of artists: until October 31st 2008.
- Preparatory meetings and seminars: February 2009.
- Elaboration of final projects: until April 30th 2009.
- Assessment of projects and installation permits: until June 30th 2009.
- Execution of artistic interventions and transmission of sound and audiovisual works: February 2010.

3. Coinciding with ARCO, the interventions will be take place in February 2010 in Madrid, with some form of presence or reference in the junctions Paseo de la Castellana-Recoletos-Prado and Calle de Alcalá-Gran Vía.

The sound works will be transmitted by Radio 3, Radio Nacional de España in February 2010. Audiovisual works will be presented during this time too.

4. Artists of all nationalities are encouraged to present their applications (except for the Casa de América project, which is open to Latin American artists only), either individually or as a team. In the case of team application, one representative must be appointed.

5. A) Artistic interventions.-Each participant must include:

* Curriculum of no more than 2000 characters with a photocopy of the author or authors’ National Identity Document (or equivalent).

* Description of a project already executed and the draft of a project for Madrid. In both cases no more than 4000 characters.

* A maximum of six sketches or images of the project or draft project in jpg format with a maximum resolution of 72 dpi.

* Description of the technical set up and needs of the draft project.

* Estimated and broken down budget of the draft project, including details of items that could possibly be self-financed.

* All the files must be PC compatible. Files sent from an Apple computer must have adequate extensions (doc, xls, pdf, jpg, tif, etc.).

* Should the above-mentioned information fail to be received in full, the participation will be rejected.

* The maximum budget for each selected artist is 15,000 euros. In all cases this sum includes expenses derived from the preparatory meeting in February 2009, as well as travel, accommodation, production, transport and set up of the intervention in February 2010, the author or authors fees (up to a maximum of 2000 euros) and any applicable taxes.

B) Sound Art.- Each participant must include:

* Curriculum of no more than 2000 characters and a photocopy of the author or authors’ National Identity Document (or equivalent).

* Description of the proposed piece, not exceeding 4000 characters.

* Maximum length of work is10 minutes per author and must be sent on a CD.

* Selected artists will receive 500 euros. A direct master copy of the work will form part of the documentary collection and public archives of Madrid Abierto. The work may possibly be placed on the website, for non-profitable purposes and with prior consent of the authors.

C) Audiovisual work.- The audiovisual work selected in the 2008 and 2009 calls for applications for TV Interventions will form part of the Madrid Abierto 2009-2010 programme in collaboration with Fundación Rodríguez and Centro Cultural Montehermoso (and may be transmitted by Canal Metro). Those selected will receive 500 euros and a direct master copy of the work will form part of the documentary collection and public archives of Madrid Abierto. The work may possibly be placed on the website for non-profitable purposes and with prior consent of the authors.

Audiovisual applications will not be accepted through the Madrid Abierto application procedure.

6. All the proposals must be sent by electronic mail to abierto [at] madridabierto.com prior to September 10th 2008.

7. The advisory committee of Madrid Abierto, presided by Programme Director Jorge Díez and comprised of Cecilia Andersson, Guillaume Dèsanges, Ramon Parramon, Mª Inés Rodríguez, Fito Rodríguez and artist group Democracia, participates in the various phases of this edition. Casa de América and Círculo de Bellas Artes will appoint a representative for the task of selecting each institution’s intervention.

Cecilia Andersson will be this edition’s curator. In collaboration with the advisory committee of Madrid Abierto, she selects the participating artists on the basis of their track record, the quality and viability of the proposals and the total reversibility of the interventions. The organiser may round off the selection with invited artists, up to a maximum of 50% of the total number of selected artists in the open invitation. Since these projects will occupy public spaces, Madrid Abierto will obtain the necessary municipal permits to the set up the interventions.

Should the selected artists use images or elements belonging to third parties, they must provide authorisation of the proprietors for the use of images or extracts in the project.

8. Madrid Abierto reserves the right to publish and reproduce the selected artistic interventions for all purposes associated with the promotion of the programme, and shall incorporate all generated documentation into its documentary collection and public archives. The selected projects and works are the property of the authors and, as the case may be, the promoting institutions shall have a preferential right to purchase them.

9. Participation in this call for applications entails full acceptance of the conditions of entry.

Direction: Jorge Díez
Curator: Cecilia Andersson
Adviser Committee: Cecilia Andersson, Democracia, Guillaume Dèsanges, Jorge Díez, Ramon Parramon, Fito Rodríguez and Mª Inés Rodríguez
Coordinator: RMS La Asociación
Graphic Design: 451
Organize: Asociación Cultural Madrid Abierto
Sponsors: Fundación Altadis, Comunidad de Madrid and Ayuntamiento de Madrid Collaborators: Fundación Telefónica, ARCO, La Casa Encendida, Ministerio de Cultura, RNE3, Canal Metro, Círculo de Bellas Artes and Casa de América

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Job: Common Weal seeks a Part-Tim Bookkeeper

COMMON WEAL COMMUNITY ARTS

EMPLOYMENT OPPORTUNITY

PART-TIME BOOKKEEPER

Common Weal Community Arts is a non-profit arts organization that links professional artists with communities to promote cultural identity and social justice through collaboration and creative expression. We are currently seeking a mature, experienced Bookkeeper to work part-time in our Regina office to provide financial assistance to the organization’s financial operations.

This is an ongoing part-time position with the organization and requires working collaboratively with the staff in maintaining financial and reporting systems. The successful candidate will have extensive experience in the following:

• QuickBooks in a workplace setting, preferably in a non-profit setting;
• Accounts payable and receivable using QuickBooks;
• Payroll input;
• Bank and Mastercard monthly reconciliations;
• Assisting with year end closing;
• Must be detail oriented.

Interested applicants should submit a cover letter, resume outlining qualifications and experience, and references either by mail or email by AUGUST 1, 2008 to:

Common Weal Community Arts
2431 8th Avenue
Regina, Saskatchewan
S4R 5J7
Attention: Elwood Jimmy

E-mail: gm@commonweal-arts.com

WE THANK ALL APPLICANTS, HOWEVER ONLY THOSE UNDER CONSIDERATION WILL BE CONTACTED.

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Sunday, July 06, 2008

Call: MAKE ART 2008 Open Source Art Festival seeks entries

MAKE ART 2008 - OpenOS
CALL FOR PROJECTS

Make Art is an international festival dedicated to the integration of
Free/Libre Open Source Software (FLOSS) in digital art.

The third edition of make art - OpenOS - will take place in
Poitiers (FR), from the 24th to the 30th of November 2008.

make art offers performances, presentations, workshops and an
exhibition, focused on the blurred line between art and software
programming.

We're currently seeking new, innovative FLOSS based works and
projects: music and audiovisual performances, presentations, software
demos, and installations.

This year make art focuses on the *OpenOS*: artistic, free, creative use
of the Operating System, hackability and modularity of FLOSS and
GNU/Linux, scripts as digital glue between applications, enhanced
possibilities for the technical expression of ideas, user empowerment and
artistic freedom.

For more details, please visit http://makeart.goto10.org/call

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Call: Tabula Rasa - themed event seeks art in all mediums

Tabula Rasa

Call for entries
Deadline: 15 July 2008 (reception)

Tabula Rasa
Gallery Aferro Newark NJ USA

Tabula Rasa on display
September 6 - October 4, 2008 with full color catalog.
Curated by Evonne M. Davis

Artists working in any and all media are invited to submit existing work, or propose new work, in response to the following:

#1-Tabula Rasa: |ˈtäbyoŏlə ˈräsə; ˈräzə|
an absence of preconceived ideas or predetermined goals; a clean slate.
The human mind at birth, viewed as having no innate ideas.
ORIGIN Latin, literally ’scraped tablet,’ denoting a tablet with the
writing erased.
#2- René Descartes, Aristotle, John Locke
#3- Denying what is obvious.
#4- Nothing is new, nothing is original.
#5 Existentialism and the nothingness of existence, ennui.

Notification of acceptance by August 1.
Delivery by August 16.

All exhibition submissions must include:

CV/Resume
Statement
Work Samples (digital file or print out)

CD/DVD or submission via email.

submit.aferro@gmail.com
Please put the exhibition title in the subject line.

Please review the full submission guidelines at
www.aferro.org

Please mail your submissions to:

Gallery Aferro
c/o Evonne M. Davis + Emma Wilcox
248 Sherman Ave #43 NY NY 10034 USA

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Call: CIMATICS audiovisual festival is looking for artists

CIMATICS - 08 - AV - FESTIVAL Brussels

June 11, 2008 at 7:07 am · Filed under calls: external, multi media, new media, performance

Call for entries
Deadline: 31 July 2008

Cimatics -
Brussels International Festival for Live Audiovisual Art & VJing -
invites all artists, creatives and producers to send their submissions for the next Cimatics festival.

Cimatics\08AV\Festival takes place from 12th - 15th November 2008 at various locations in the centre of Brussels.

The 6th festival edition will again bring an extensive overview of what’s currently taking place at the crossroads of media, art, music and technology. Extra attention will be paid to the central theme ‘data visualisation’.

Submit your projects at: http://www.cimatics.com/entries

For further information, contact us at
info@cimaticsfestival.com

CIMATICS\08AV\Festival
c/o Cimatics vzw
Onderwijsstraat 51
B-1070 Brussels
Belgium

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Call: MoKS Artist residency seeks applicants

MoKS Artist residency (Estonia)


Mooste KulalisStuudio (MoKS)
MoKS Artist residency
Mooste, Estonia

Call for artists
http://moks.ee/site/pmwiki.php?n=Residency.Residency-K%fclalisstuudio


Artists can apply for 2 different studio spaces at MoKS. These studios offer the same room sizes and conditions, but have different application procedures.

Residency Studio A

The Residency has operated since 2002. Artists are welcome from around the world. The studio is available to use free of charge from March 1st through November 30th. Residency periods can be arranged from 1 to 6 months. People working in all disciplines of art, e.g. visual, performing and media arts, music, criticism, research etc are encouraged to apply.

Application deadline for 2009 AIR period is September 15th 2008.

Artists are expected to find their own means for travel and per diem for living/insurance costs for the residency. MoKS can help with some materials and special tools on previous mutual agreement. MoKS occasionally gives out artist grants for residency period, but it depends on MoKS current year budget. Assistance with making contacts to Estonian galleries, curators and art schools is also possible. MoKS appreciates artworks donated by the resident artists for its collection.

Project Studio B

Studio (B) is open since summer 2008. This studio is rented out for shorter and mid-term residencies and/or artistic projects (1 week up to 3 months). Applications to studio (B) are on running basis.


Razpisni obrazec
Rok prijave: 15/09/08

Kontakt:
MOKS
Mooste
64601 Põlva maakond
Estonia
tel: +372 79 21 529
moks@moks.ee
http://www.moks.ee/

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Saturday, July 05, 2008

Calls & Jobs: CFAT Newsletter (tons of great opportunities!)

CFAT ANNOUNCEMENTS
1. CFAT Employment Opportunity – Technical Coordinator

LOCAL OPPORTUNITIES AND ANNOUNCEMENTS
2. Anchor Social Centre Upcoming Events, located @ 5684 Roberts Street
3. NSCAD UNIVERSITY - Exhibitions Coordinator, (Archives, Collections and Public Art)
4. Operation Wake Up!...brought to you by the CKDU News Collective
5. AUDIO/SOUND ART COLLECTIVE @ CKDU
6. CKDU IS HIRING A MUSIC DIRECTOR!
7. Contract Position Available - Atlantic Film Festival Association
8. Contract Position Available - Atlantic Film Festival Association
9. Contract Position - The Atlantic Film Festival Association (AFFA)
10. Nocturne festival brings art in Halifax into the ‘night spotlight’
11. CBC Script Joy Award offer scriptwriters $10,000.
12. 2008-2009 VANS MENTORSHIP PROGRAM* CALL FOR APPLICATIONS
13. Call for Submission - Video From the Balcony | Lunenburg Opera House Show | NS | JUL 15
14. Northern Video Art Port | CALL
15. Halifax Submission Call: 161 Gallon Gallery
16. Marketing Director - Eastern Front Theatre, Dartmouth, NS


NATIONAL OPPORTUNITIES & EVENTS
17. Canada Council for the Arts : Program Officers, Media Arts Section
18. Continental Drift International Short Film Festival
19. 2008 SILVER WAVE FILM FESTIVAL
20. Call for Submissions - East Gate New Media Festival, Dali, Yunnan province, China
21. The Banff New Media Institute and Visual Arts programs are currently seeking candidates for the following positions:
22. ATTENTION FILMMAKERS! CALL FOR SUBMISSIONS
23. Project8: Call for Super8
24. aceartinc. | Call for 2009 -2010 programming year | AUG 1
25. CALL TO ARTISTS - FIRE STATION NO. 5
26. Hamilton Artists Inc. Call for Proposals
27. MODERN FUEL ARTIST-RUN CENTRE KINGSTON, ONTARIO is accepting applications for ADMINISTRATIVE DIRECTOR (25 hrs/week)
28. The Banff Centre - Visual Arts Residencies Call for Applications
29. CALL FOR SUBMISSIONS ESPACE VIDÉOGRAPHE 2009-2010 PROGRAMMING
30. aceartinc.

1. Employment Opportunity
Centre for Art Tapes, Halifax, Nova Scotia
Position: Technical Coordinator

Terms: Position commences Mid - August 2008
28 hours/week Tuesday - Friday
Includes health and dental benefits

Salary Range: $12.00 - $14.00/hr commensurate with experience
Application Deadline Friday August 1st, 2008.

The Centre for Art Tapes has been active in Halifax for over twenty-nine years, and in that time it has been able to fill many essential cultural needs for the media arts community. Since its formation as a not-for-profit artist-run Society for the presentation of media art the organization has grown into an indispensable resource for a broad range of people. We provide both the membership and the general public with opportunities to experience innovative media-arts exhibitions, and we support independent artists through annual programs, educational initiatives, and by offering general access to facilities and equipment. Our membership of over 130 people use the Centre to create independent media artwork on a year round basis.

The Technical Coordinator ensures that the Centre’s equipment and production resources are up to date and in good working order. The Coordinator is responsible for being the liaison between the equipment and the artists using the Centre. The Coordinator will have the opportunity to chair committees, teach workshops and develop new initiatives. It is essential that the Technical Coordinator have a good working knowledge of the video, audio and new media software and hardware at the Centre. The Technical Coordinator reports to the Executive Director and is responsible for ensuring that policies related to technical services are implemented.

Applicants must have completed a related post-secondary program and be active within the media arts community.

Responsibilities:
The Technical Coordinator is responsible for:

- Ensuring that production field equipment and in-house facilities remain in good working order.
- Providing Technical assistance to artists using the Centre’s equipment and facilities.
- Providing Technical assistance for Programs (Scholarships and Residencies) as well as for Exhibitions and Presentations.
- Researching equipment and working with an Equipment Committee to support funding applications.
- Maintaining and revising policy based on usage, equipment, and the needs of artists.
- Communicating with other local arts organizations with regard to technical collaborations and sharing of equipment for special projects.
- Sharing front desk responsibilities during open hours.
- Preparing equipment for rental and tracking equipment when it is off-site.
- Preparing Screening Copies for Public Presentations.
- Preparing Media For Upload to our Website.

Please address applications to:

Personnel Committee
c/o Ilan Sandler, Executive Director
Centre for Art Tapes
5600 Sackville Street, Room 207
Halifax, Nova Scotia
B3J 1L2

Any inquiries may be emailed to: cfat.operations@ns.sympatico.ca

We thank all applicants for their interest; however, only those selected for an interview will be contacted. Please visit our website for more information about the Centre.
www.centreforarttapes.ca

LOCAL OPPORTUNITIES & EVENTS


2. Anchor Social Centre Upcoming Events, located @ 5684 Roberts Street

Thursday, July 10th - Workshop - Organizational Structure & Roles
Saturday, July 12th - Visioning Day! This will be an awesome day where we meet to discuss our vision for the future of the centre. Please come and share your voice!
Saturday, July 19th - Join us for the 24-hour Zine Challenge and Anchor anniversary extravaganza!

anchor archive regional zine project
(902) 446-1788, anchorarchive@gmail.com, anchor.revolt.org

3. NSCAD UNIVERSITY - Exhibitions Coordinator, (Archives, Collections and Public Art)
SALARY RANGE: Rank 0 (Minimum salary of $16.76/hour)
UNION:FUNSCAD Unit II
DEPARTMENT: Gallery

HOURS OF WORK: Regular Part-Time, 28 hours per week (includes evening and weekends to attend openings), 4 days a week, 9am - 5pm

Deadline: July 9, 2008

POSITION SUMMARY

The Exhibitions Coordinator (Archives, Collections and Pubic Art) is responsible for ensuring care and maintenance of the NSCAD Permanent Collection and Archives and for providing assistance, access, or information to external researchers or curators in relation to the Collection. In addition, the Coordinator will ensure the planning and implementation of the public art program of the Gallery and provide assistance with installation as well as proper handling of art works on the NSCAD campus. The Coordinator will work in collaboration with the Director and will be responsible for some day-to-day supervision of student assistants and/or interns. In fulfilling the responsibilities of the position, the incumbent will ensure the application of adequate health and safety policies and practices.

SPECIFICATIONS

* A Bachelor of Fine Arts degree with knowledge of, and interest in contemporary art, and three to four years experience with professional art handling, construction techniques and the tools and equipment related to public art installation or the equivalent experience and education is required.
* The incumbent must have proficiency in exhibition installation, lighting, museum registration methods, the conservation of works of art, familiarity with database programs and digital design software. Experience working in a post-secondary educational environment is an asset.
* Very good interpersonal skills and an ability to communicate effectively orally and in writing are essential and well-developed organizational and time management skills are required.
* Due to the nature of the equipment and/or materials used, the incumbent must be attentive and responsive to potential safety hazards and take appropriate precautionary measures as required. WHMIS and Emergency First Aid training are assets and the successful candidate will have to complete this training within a very short time of commencing work.
* Frequently, this position must coordinate the lifting of heavy objects such as artwork, pedestals, crates, ladders, and scaffolding and construction materials. The incumbent may be required to climb ladders in order to perform tasks. A valid driver's license is required (for use of the NSCAD van as required).

Applications may be directed to: Director of Human Resources, NSCAD University, 5163 Duke Street, Halifax, Nova Scotia, B3J 3J6 or e-mailed as an MS Word file to kbuchanan@nscad.ca . Deadline for applications, July 9, 2008.

NSCAD University - Founded in Halifax in 1887, NSCAD University is an international centre of excellence for the study, practice, and teaching of the visual arts. NSCAD University offers Master of Design and Master of Fine Arts degrees along with Bachelor of Design degrees in Interdisciplinary Design, and Bachelor of Fine Arts degrees in Ceramics, Film, Fine Art, Intermedia, Jewellery and Metalsmithing, Photography, and Textiles. Currently, there are over 1000 students enrolled in graduate and undergraduate programs.


4. Operation Wake Up!...brought to you by the CKDU News Collective
Monday - Friday @ 8am - 9am on CKDU 88.1 FM...or listen online at ckdu.ca at your convenience by checking out the archives and plugging in the relevent time and date. Operation Wake Up! is an alternative news and documentary show focused on social and environmental justice, locally and beyond. We'll also tell you what it's like outside and about community events....so turn down the corporate media and turn us up!

* psst....The last Tuesday of each month, OWU! will be focused on Atlantica

5. AUDIO/SOUND ART COLLECTIVE @ CKDU
CKDU is looking for members to form a new audio/sound art collective. This collective will be responsible for programming a "radio gallery" that will feature installations of sound art on a regular basis. The Audio/sound art collective will also be engaged in other work supporting and engaging with audio and sound art.

For more information and to find out about our first meeting please contact Leah Girardo at: leah@ckdu.ca

Leah Girardo
Station Coordinator
CKDU 88.1 FM
6136 University Ave.
Halifax, Nova Scotia
B3H 4J2 CANADA
info@ckdu.ca
www.ckdu.ca

Office Line:
902.494.6479
Request Line:
902.494.2487

6. CKDU IS HIRING A MUSIC DIRECTOR!

CKDU-FM is the non-profit campus-based community radio station at Dalhousie University in Halifax, Nova Scotia. CKDU is mandated to provide an alternative to private and public broadcasters, providing a forum for diverse and under-represented voices, music and news. The station broadcasts within the HRM 24 hours a day, 365 days a year and is run by more than 200 volunteers.

Nature of the Job:
The Music Director is responsible for the upkeep and maintenance of the music library and music databases, as well as working with the Program Director to ensure that music programming fulfills CKDU's mandate. The Music Director's duties include, but are not limited to, encouraging volunteer initiatives to connect music programming to the broader community, holding a weekly Music Library training session, compiling and reporting the weekly charts, facilitating the production of Radio Numerica (the two-hour weekly chart countdown show), and processing new releases, considering genre representation and musical diversity, quality and space. The Music Director is part of the CKDU staff collective, which meets weekly and makes decisions through consensus.

This is a part-time 20 hour per week position at a rate of $15.75 per hour. Start date is July 28, 2008.

Applicable Skills:
Past experience with community organizations and a demonstrated ability to work with volunteers are essential. The Music Director must be supportive of a wide variety of cultural and musical expressions. Effective administration and library maintenance skills are essential. The Music Director should have a strong level of comfort working with computers and databases. They should also be proficient with software that includes (but is not limited to) email clients, web browsers, file transfer applications, and word processing. Practical experience in music programming and radio production are assets. Familiarity with digital audio and the Linux OS are beneficial.

Applying:
Application deadline: 5:00PM AST, Friday, July 18, 2008.

Submit a resume with a cover letter in person, by mail or pasted into the body of an email (we will not accept or open email attachments, and we do not accept applications via fax) to:

Music Director Hiring Committee
c/o CKDU - FM
6136 University Ave.
Halifax, NS B3H 4J2

or
MDHCckdu@gmail.com

CKDU is an equal opportunity employer and strongly encourages applications from minority and under-represented groups.


7. Contract Position Available - Atlantic Film Festival Association
Contract Position(s): Volunteer Coordinator
Contract Term: July 21– October 3, 2008 (11 weeks)
Remuneration: $425 weekly

The Volunteer Coordinator, reporting to the Director of Operations is responsible to administer and develop the volunteer program. This includes

1) Conducting a volunteer needs assessment with all festival departments;
2) recruiting, advertising for and selecting volunteers; 3) maintaining electronic database of volunteers;
4) developing Information and best conduct manuals for both staff and volunteers;
5) Scheduling 300 -400 volunteers into shifts for festival activities.

Qualifications (minimum requirements):
? A pleasant, approachable and outgoing manner and a high level of comfort in dealing with people at a variety of levels.
? Must be organized with good time management skills.
? A good knowledge of computer literacy, preferably with MacIntosh computers.
? Excellent use of the English language and good overall communication skills. ? Ability to solve problems, be self-motivated and take initiative.
? Flexible attitude and ability to remain unfazed in a hectic festival environment.
? Able to take direction and to work in a team environment.
? Must be analytical with a critical mind.
? Ability to prioritize and multi-task.
Other desirable assets (not required, but any of these would be a bonus):
? Ability to use different computer programs such as, Filemaker Pro database, Microsoft Office
including Word, and Excel.
? Interest and/or knowledge in the film and television industry
? Experience in event and festival environments

The AFFA is non-profit charitable organization committed to becoming an integrated cultural event producer of international significance, the film, TV, music and new media sectors. Under the umbrella of the AFFA, there are four main entities: 28th Atlantic Film Festival, 11th Strategic Partners Co-Production Market, 7th ViewFinders: International Film Festival for Youth and alFresco filmFesto. The Atlantic Film Festival is one of top film festivals in Canada and is held every September in Halifax, Nova Scotia. Strong East Coast roots support a unique format for AFF with its distinctive focus on film and music. Large enough to attract the world’s most notable actors, directors and producers, but intimate enough to be innovative and flexible in its approach to the changing needs of the industry, the AFF provides an unpretentious atmosphere for watching some of the best international, Canadian and Atlantic Canadian films, while showcasing some of the best musical talent the region offers. In addition to film screenings and live musical performances the AFF provides a comprehensive business and professional development program for delegates called the Inspired Industry Sessions. These panels, workshops and one-on-one meetings offer opportunities to learn, listen and network with some of the top industry players.

If you are interested in this position, please submit a resume and covering letter no later than Wednesday July 9, 2008 at 5:00 pm. No phone calls please. Send or fax information to:

Human Resources – Operations
The Atlantic Film Festival
PO Box 36139
Halifax, NS B3J 3S9
Fax: (902) 422-4006
Email: festival@atlanticfilm.com (MS Word or PDF documents only)

The Atlantic Film Festival is an equal opportunity employer. Thank you to everyone who applies however only those selected for an interview will be contacted.

8. Contract Position Available - Atlantic Film Festival Association
Contract Position: Travel & Housing Coordinator
Contract Term: July 21 – September 26, 2008 (10 weeks)
Remuneration: $450 per week

The Atlantic Film Festival Association (AFFA) is currently accepting applications for the position of Travel & Housing Coordinator for the 28th Atlantic Film Festival.

Position Purpose: The Travel & Housing Coordinator oversees travel and housing arrangements for all festival guests ensuring an enjoyable and productive festival experience.

Specific Responsibilities Include:
? Booking travel and hotel rooms for festival guests and filmmakers within a specified budget.
? Securing local lodging for visiting filmmakers and delegates when needed.
? Working with Transportation Coordinator to arrange transportation to/from the airport and to/from special events.
? Assist Industry Marketing Coordinator as required.

Qualifications:
? Friendly and outgoing. This is a front line position and the candidate must be professional, extremely personable and have effective verbal and written communication skills.
? Must be extremely organized, able to work in a high-pressure environment.
? Experience with MacIntosh Computers and software (Filemaker Pro, Microsoft Word, Microsoft Excel) is an asset
? Must be willing to work extensive hours leading up to and during the event.
? Ability to work well in a team and independently.
? Prior experience supervising and training volunteer staff an asset

If you are interested in this position, please submit a resume and covering letter no later than Wednesday July 9, 2008 at 5:00 pm. No phone calls please. Send or fax information to:

Human Resources – Travel & Housing Coordinator
The Atlantic Film Festival
PO Box 36139
Halifax, NS B3J 3S9
Fax: (902) 422-4006
Email: employment@atlanticfilm.com (MS Word documents only)

The Atlantic Film Festival is an equal opportunity employer. Thank you to everyone who applies however only those selected for an interview will be contacted.

9. Contract Position - The Atlantic Film Festival Association (AFFA)
Contract Position: Box Office Manager, Back of House
Contract Term: July 23 to October 3, 2008

Time Commitment: Part-time hours to start (15 hours per week) and full-time hours starting mid August/September.

Contract Fee: $5000 flat fee (Based on approximately 250 hours at $20 per hr) The Atlantic Film Festival Association is currently accepting applications for the position of Back of House (BOH) Box Office Manager for the 28th Atlantic Film Festival. The BOH Box Office Manager works closely with the Box Office Manager, Front of House, to manage the ticketing operations of the 28th Atlantic Film Festival, September 11 – 20, 2008. Key responsibilities include managing the internal ticketing procedures and systems, review & update policies and procedures, daily and accurate sales reporting, and financial reconciliation. Reporting to the Director of Operations, the ideal candidate is an exceptionally organized ticketing professional with demonstrated experience working on major events. The successful applicant will have a talent for problem solving and a strong commitment to providing superior customer service. The Box Office Manager must work well under pressure and be committed to working in a team environment.

Key Responsibilities:
? Manage the allocation and processing of internal ticketing including opening and closing night, sponsor complimentary tickets, media, staff and VIP passes as required;
? Implement systems, internally and externally which streamline the ticketing and booking process;
? Supply Festival information to all Box Office staff & volunteers regularly including program changes, additional price points, sold out sessions and other relevant Festival information;
? Supply Executive Management, and Marketing and Communications Manager relevant ticketing information, sales patterns and sell-out sessions;
? Create systems both internally and externally which enable efficient daily, weekly and end of festival reporting of ticket sales and patterns;
? Generate daily ticketing reports as required;
? Upon completion of Festival, prepare written final report, detailing all aspects of festival ticketing and event sales, with recommendations for future events.

The ideal candidate will meet the following criteria:
? At least two years Box office operation experience
? Previous experience within a major event or festival
? Experience in preparing and writing reports (including sales, reconciliations and event reports).
? Proven ability to work in a high-pressured environment, with competing priorities, stakeholders and deadlines.
? Exceptional attention to detail, with excellent written and verbal communication skills.
? Proven experience in managing staff and the public in a customer service focused role.
? Computer and administration skills packages include FileMaker Pro, Microsoft Word and Excel programs.
? Knowledge of tix/sys or other computerized ticketing systems.
? Knowledge of and interest in film.

HOW TO APPLY:
Please send, fax or email résumé and cover letter to:
Human Resources – Box Office Manager
The Atlantic Film Festival Association
P.O. Box 36139
Halifax, NS B3J 3S9
Fax: (902) 422-4006
E-mail: employment@atlanticfilm.com (MS Word or PDF documents only)
No phone calls please.

The Atlantic Film Festival Association is an equal opportunity employer. Thank you to everyone who applies, however, only those selected for an interview will be contacted.

APPLICATION DEADLINE: July 11, 2008 no later than 5:00 PM

10. Nocturne festival brings art in Halifax into the ‘night spotlight’

Halifax, NS - Nocturne: Art at Night is an arts festival bringing light, colour, art and energy to the downtown streets of Halifax between 6:00pm and midnight on Saturday, October 18, 2008. Inspired by the success and popularity of similar late-night arts festivals occurring all over the world (most notably, events like “Nuit Blanche” in cities including Paris, Montreal and Toronto), Nocturne will celebrate the dynamic and exciting arts community here in Halifax, bringing together visual and performing arts with street-level accessibility.

Ray Cronin, Director, Art Gallery of Nova Scotia notes,"The Art Gallery of Nova Scotia is very pleased to be involved in this event that allows collaboration with so many of the great galleries in Halifax. It will be a great night for everyone who participates."

Designed and initiated by volunteers within the community, Nocturne will be a signature arts event for Halifax that is easily accessible, free of charge and completely unique to the city.

Ineke Graham, Director at Studio 21 says, "It's something that anyone can enjoy. A lot of people are around and about at night with the many universities, hopefully we can attract them."

Halifax tourists and residents alike will have the opportunity to visit a number of the city’s art organizations, including both public and private art galleries, and experience art in many of the Halifax's public spaces. Galleries and art organizations that have confirmed their involvement include: Anna Leonowens, VANS, Saint Mary's, Viewpoint, Studio 21, Dalhousie, Page and Strange, MSVU, Secord, Vieth St., Argyle Fine Art, AGNS, and more.

The intention of the event is to encourage attendees to experience a variety of exhibitions and installations in one evening. An event program and map will be available to all participants and announced at a later date.

Nocturne: Art at Night will be a new celebration of culture for HRM, encouraging both growth and interest in the vibrant arts community that calls Halifax home.

For more information visit the website at www.nocturnehalifax.ca.

For more information contact:
Media Contact:
Abby Dickinson
dickinsonabby@hotmail.com
902-209-9301

11. CBC Script Joy Award offer scriptwriters $10,000.
When: Applications available now. Deadline Friday August 29, 2008.

Annual CBC Television Broadcast Script Joy Award 2008, part of the annual Linda Joy Media Arts Awards offers emerging screenwriters and scriptwriters $10,000 in support.

This award provides a writer with $5000 cash and up to $5000 in services towards the development of a second or later draft broadcast script anywhere in the Atlantic Provinces. Details and application forms are available at lindajoy.com.

Emerging writers, screenwriters or scriptwriters residing in Nova Scotia, New Brunswick, Prince Edward Island or Newfoundland are eligible to apply. See the application form for more detailed information regarding elegibility, or view the Joy Award guidelines online.

Scripts submitted should be in their second or later draft, and must be a short drama up to a half-hour, or a documentary up to one hour.

This Joy Award includes;
$5000 in cash towards second or later draft of a script intended for television (short drama up to half-hour, or documentary up to one hour), plus Up to $5000 in production and/or post-production services, subject to scheduling availability, towards a demo for the script, or towards a writer’s demo reel.

The deadline for receiving applications is Friday August 29, 2008, at 5:00 PM.
The successful applicant will be announced at the Linda Joy Media Arts Brunch, and again at an Awards event during the Atlantic Film Festival in September. The successful applicant is selected by a jury of peers.

The Joy Awards are the largest independent media production awards in Eastern Canada. The Linda Joy Media Arts Society has recognized and supported excellence in emerging media arts talent in Atlantic Canada for 23 years.

The Linda Joy Awards alumni include many of this region's most successful talent like Andrea Dorfman (Director, Love That Boy, Parsley Days, Flower In My Pedal, etc), Mike Clattenberg? (Director, Trailer Park Boys, etc), Helen Hill (Drirector, Bohemian Town, Madame Winger Makes A Film, Mouseholes, etc), Marc Almon (Director, Wake of Calumn McLeod, etc), Shandi Mitchell (Director, Tell Me, Baba's House, etc), Rodrigue Jean (Director, Full Blast, etc), and many others.
More information and application forms are available at:
www.lindajoy.com

For information contact
info@lindajoy.com
902.420.4522

Media inquiries regarding this or any Joy Award, including the Helen Hill Animated Award 2008, should be directed to Will Roberts at info@lindajoy.com , 902.420.4522, or 902.495.8220.

The Linda Joy Awards are made possible by our generous sponsors;
CBC Television Presenting Partner; PS Atlantic; Power Post; Nova Scotia Department of Tourism, Culture & Heritage; The Atlantic Studios Cooperative; The National Film Board of Canada; The Atlantic Filmmakers Cooperative; The New Brunswick Filmmakers Cooperative; Kodak Canada Inc.; Technicolor; The Newfoundland Independent Filmmakers Cooperative; New Brunswick Film, 45 North; CTV; The Centre For Art Tapes; The Newfoundland Film Development Corporation; Streely Maid Films; Prime Insurance Agency Inc.; The Atlantic Film Festival; The Silver Wave Film Festival.
Will
legion.will@gmail.com
p1x.blogspot.com
mediaX.co.nr

12. 2008-2009 VANS MENTORSHIP PROGRAM* CALL FOR APPLICATIONS
Deadline: July 15, 2008

Visual Arts Nova Scotia's Mentorship Program will pair established artists with emerging artists (not necessarily young artists, but those at the beginning of their artistic careers) to take part in a ten-month-long mentorship. The program aims to give emerging artists an opportunity to develop and refine their practice and to provide established artists an opportunity to share their experience, knowledge, and insight. Over the course of the program, mentors and apprentices will meet one-on-one, at least once a month, and three times as a group.

For detailed description, visit our webpage:
http://vans.ednet.ns.ca/mentorship/mentorship_2007.htm

For more information contact:
Kate McKenna
Membership and Outreach Coordinator
423-4694
communicate@visualarts.ns.ca

13. Call for Submission - Video From the Balcony | Lunenburg Opera House Show | NS | JUL 15

The second annual Lunenburg Opera House Show is taking place from August 7, 2008 to August 17, 2008 in Lunenburg, Nova Scotia, a UNESCO World Heritage Site.

Focusing on the broad interpretation of 'place,' this has deliberately been left wide open for the interpretation of the artist.

Please send work on data DVD accompanied by cv, bio and artist statement. Materials will not be returned.

Deadline: July 15

Submissions can be made to:
Video From the Balcony
c/o Kristy O'Leary
P.O.Box. 1914
Lunenburg, N.S.
B0J 2C0

________________________________________________________________________________

14. Northern Video Art Port | CALL

Artists, send one video art DVD to N.V.A.P, 2664 Fuller Terrace, Halifax, Nova Scotia, Canada, B3K 3V7 for participation in Northern Video Art Port, a domestic video art exchange service. Videos must be the work of the sender and must be accompanied by one self-addressed, padded envelope, sufficiently stamped to secure Canada's greatest postal distances. Do not include a bio, C.V. or statement. With every video the artist submits to N.V.A.P (a maximum of three videos, independently mailed), they will receive another artist's video in return that they are obligated to screen privately or publicly. N.V.A.P will not inform the artist of the new location of their video, however, the artist's contact information will be provided to the receiver. Contact is not necessary. N.V.A.P requests that receivers refrain from asking the artist for a bio, C.V. or statement in relation to the N.V.A.P video screening. Senders should not expect the return of their work. N.V.A.P is for video art senders and receivers in Canada only. Payments for N.V.A.P's services are encouraged, but not necessary. For additional information contact: videoartport@gmail.com.

________________________________________________________________________________

15. Halifax Submission Call: 161 Gallon Gallery

161 Gallon Gallery is seeking submissions for 2008 and beyond. There are no limitations in media or theme, however preference will be given to local artists and those who consider the characteristics of the space. The gallery is located in a closet space along a stairway in a two-story Halifax domicile. The dimensions are 35.5" x 37 x 34" (height x width x depth) with a door 29" x 19" (height x width). We highly recommend that you come see it before submitting. Feel free to call and make an appointment or drop by.

Submitting is easy. All we request is an idea, some diagrams or visual aid if possible, your contact info, and a desire to work with the space. Please send submissions on a postcard or letter to:

161 gallon gallery
1-6014 Cunard Street
Halifax, NS
B3K 1E4

About 161 Gallon Gallery
161 Gallon Gallery is a white cube gallery, but not a “White Cube” gallery, initiated by three local artists: Dan Joyce, Miriam Moren, and Ryan Park. It is a diminutive space based in a residential home in Halifax, with a volume of 161 gallons. Our objective is to provide an intimate, alternative place outside of the institution where experimental, spontaneous art is possible and a location for the creative community of Halifax to support each other’s practices.

We are open to the public from 10 am to 3 pm Saturdays or by appointment.

For more information or for a good time, call 423.2706 or email 161gallongallery@gmail.com.

16. Marketing Director - Eastern Front Theatre, Dartmouth, NS
Eastern Front Theatre is seeking an enthusiastic and motivated individual for the full-time position of Marketing Director.

Eastern Front Theatre produces and presents theatre that Nova Scotian audiences enjoy as satisfying, innovative and excellent.? With an operating budget of $550,000, the company focuses on Atlantic Canadian artists and their work, provides creative opportunities, and increases the body and vitality of our dramatic literature.? Entering its 16th season, Eastern Front produces 3 mainstage shows through the fall and winter and presents a national theatre festival each spring.
The Marketing Director is responsible for the planning and implementation of the annual marketing strategy, with a focus on media relations.? Other areas of responsibility include: audience development; supervision of subscription and single ticket sales; publicity and communications; publications (house programme and ad sales); online marketing and e-communications; market research as necessary. ?This position supervises a contract graphic designer and website developer. ?Further, the successful candidate will be responsible for sponsorship packages and will be directly responsible for the sponsor benefits programme.? This position also helps organize special fund raising events throughout the year and participates in corporate development, both of which are vital to the financial stability of the company.?

Qualifications:
Experience in marketing in artsadministration or not-for-profit sector
Relevant post-secondaryeducation in marketing or arts administration
Excellent verbal and writtencommunication skills, including strong computer skills
Ability to network and maintaincommunity, client, and sponsor relationships
Experience in fundraising,sponsorships, and event planning
The ability to workindependently, and according to set targets and deadlines
Ability to work as part of a close team
Salary commensurate with experience.? Starting summer 2008.

Please send résumé by July 10th to:

Eastern Front Theatre
PO Box 11
Dartmouth, NS? B2Y 3Y2
Fax:? 902-466-1769
E-mail: admin@easternfront.ns.ca

NATIONAL OPPORTUNITIES & EVENTS

17. Canada Council for the Arts : Program Officers, Media Arts Section
?
Canada Council for the Arts is presently recruiting for two Program Officers, Media Arts Section. ?Please post this vacancy internally or forward this e-mail to candidates that may be interested in this position.
?
Please visit our website at www.canadacouncil.ca ?to view the posting.
?
Applications should be submitted to Roxane Barrette, Human Resources, no later than July 11, 2008 at competition1@canadacouncil.ca quoting competition number 3110 and 3112. ?For more information or for a complete job profile, please contact Rachelle Malone at 613-566-4414 extension 4114 or send an e-mail to competition@canadacouncil.ca. All applications can also be sent by fax to 613-566-4323.?
?
The Employment Application Form must be completed and submitted in order to be considered for this position.
?
We thank all applicants for their interest; however, only those selected for an interview will be contacted.
?
The Canada Council for the Arts is committed to employment equity.
?
18. Continental Drift International Short Film Festival
September 26 – 28, 2008
20 Hazen Ave
Saint John NB E2L 5A5
www.cdrift.ca
info@cdrift.ca

Enter your film in the 5th Annual Continental Drift Short Film Festival Continental Drift invites you to submit your short film to the 5th annual festival. Each year we screen dozens of short films from around the world to a spirited local audience. Continental Drift is dedicated to presenting a variety of the world’s cinematic diversity, in a collection of succinct short films.

We would love to see your work. Please submit your short film, on any subject, in any genre, for consideration. The only submission criterion is that your film be 15 minutes or less in duration.

The deadline for submissions is July 25th, 2008. For full submission details, please refer to the entry form and submission information available at www.cdrift.ca.

To start the submission process, visit www.cdrift.ca. In the navigation column on the right click “Submit Your Films.” In the window that appears, click “Click here to begin your entry.”


19. 2008 SILVER WAVE FILM FESTIVAL
November 13-16, Fredericton, New Brunswick

Call for Submissions!

The 8th annual Silver Wave Film Festival (SWFF) is now accepting submissions. This year's festival takes place from November 13th to November 16th, 2008. SWFF is the annual film and video festival presented by the New Brunswick Filmmakers' Co-operative. It has both curated and competitive streams, as well as a solid line-up of social activities and workshops that get the town buzzing. This year, we are celebrating our 8th year with some new programming approaches and again we’ve waived the submission fee for filmmakers submitting so, it promises to be a good year. Save the dates and plan to attend!

Film and video projects that are accepted for screening into the SWFF and created by New Brunswick Filmmakers residing in the province and those filmmakers from away will be considered for the Silver Wave Awards.

The deadline for submissions is August 3rd, 2008, 5pm Atlantic Standard Time.

Incomplete applications and applications received after this deadline will not be accepted under any circumstances.

The following items must accompany the application:
· Completed Application form, on CD in an MS Word or .rtf type document; · List of credits;
· 3 DVD pre-screening copies of the finished project for jury consideration for awards; (NOTE: only Mini DV, Beta SP and 35 mm will be screened at the Festival. DVDS will not be accepted)
· Productions stills, in jpeg format at 300dpi resolution, on CD to be used in festival promotional materials;
· Press Kit (if available of past festival/special screenings of film/video);
· Director's Bio and headshot;
· Poster representing the film or documentary (if available);

NOTE: Submissions materials will not be returned to you by the SWFF. Please email: info@nbfilmcoop.com if you have any questions. You will be advised whether or not your submission has been accepted for screening in advance of the festival.


20. Call for Submissions - East Gate New Media Festival, Dali, Yunnan province, China

This event is an opportunity to present to a Chinese audience, innovative independent media artwork from Canada, Europe and China and to highlight a diversity of voices and visions from various cultural communities. The objective of the event is to develop local accessibility to new media art and to advance the understanding and appreciation of media arts in Chinese audiences.
For full information visit: http://www.incompletedislocations.net/EastGateChina/call.html

21. The Banff New Media Institute and Visual Arts programs are currently seeking candidates for the following positions:

BNMI Almost Perfect Residency: Technical Line Producer
Program dates: October 27 - December 5, 2008
Application Deadline: September 26, 2008

BNMI Co-production Lab: Liminal Screen
Program dates: February 20 – March 31, 2009
Application deadline: December 5, 2008

Financial assistance and stipend available for work study opportunities.

For more information on work study opportunities, residencies, programs, and to apply, visit: www.banffcentre.ca or call 1.800.565.9989.

Contact: The Banff Centre, Office of the Registrar
Email: arts_info@banffcentre.ca
Phone: 403.762.6180

107 Tunnel Mountain Drive
Box 1020, Banff, Alberta
Canada T1L 1H5



22. ATTENTION FILMMAKERS! CALL FOR SUBMISSIONS
Rendezvous with Madness is now accepting entries for its 16th anniversary program.

The Rendezvous with Madness Film Festival is North America’s premiere festival showcasing films dedicated to promoting cinematic representations of mental illness, addiction, and/or recovery. Each program is followed by a panel discussion with representatives from the filmmaking and artistic community, mental health professionals and the mental health community. In addition to providing a venue for excellent films, for the past two years we have been promoting an early understanding of mental wellness through film with our Youth Outreach Initiative and partnerships with members of the Toronto District School Board.

Rendezvous with Madness (RWM) is seeking films to screen at this year’s festival and is now accepting submissions for features, experimental, documentaries, shorts, student films, music videos, and animated films. We strive to support Canadian filmmakers, and are also interested in a global perspective and encourage international entries.

Canadian and international filmmakers who have screened at the festival include; David Cronenberg (Dead Ringers), Carl Bessai (Normal), Peter Raymont (Shake Hands with the Devil), Chris Landreth (Ryan), Todd Solondz (Happiness), Terry Zwigoff (Crumb), Bill Plympton (Smell the Flowers), and Scott Hicks (Shine).

Key Dates:

? August 11, 2008 (postmark) - Submission Deadline

For more submission information, including submission forms, please visit:
www.rendezvouswithmadness.com/callforentries.htm

? November 6 – 15, 2008 – The Rendezvous with Madness Film Festival

For more information about the festival please visit:
www.rendezvouswithmadness.com

For information, please contact:
Tina Zafreen Alam
Programming Assistant
Rendezvous with Madness Film Festival
T: 416-535-8501 x 3079 / E: tinazafreen_alam@camh.net

23. Project8: Call for Super8

The Project8 Film Collective is now seeking works for its 3rd Annual Project8 Festival that use super8mm film – this can include videos, 16mm films, performances, audio/music, and, of course, super8 films. Preference for selection will be given to works that push beyond the limits of traditional forms.

This is an open call to everyone across the galaxy. Please translate and forward to everyone you know who uses super8 film. The Project8 Film Collective is run by a group of multi-disciplinary artists living in Vancouver who are committed to small-format filmmaking. We hold workshops, and rent out super8 equipment. Every year, with our local partners and sponsors (VIVO Media Arts, Cineworks Independent Film Society, and the Purple Thistle), and funding from the Canada Council for the Arts, we run a Boot Camp for new super8 filmmakers. These new works are exhibited at our yearly festival, along with curated international programs. This year, the festival will be held on August 8th and 9th, 2008.

More info about us can be found at: www.myspace.com/project8info or at: popstart.ca/en/members/project8-film-collective Or by emailing us at: project8info@gmail.com

To make a submission, send:
1) a copy or documentation of your work in NTSC format on DVD or VHS
2) an artist statement, description or synopsis – detailing any technical specifications such as length, format for exhibition, requirements for audio or performance
3) your contact information

Postal or courier delivery to:
Project8 Film Collective
#402-747 E. 8th Ave.
Vancouver, BC
V5T 1T3 CANADA

Submissions can be dropped off in person at VIVO Media Arts, 1965 Main St.
Early Deadline: July 1st, 2008
Late Deadline (with $5 submission fee): July 15, 2008

24. aceartinc. | Call for 2009 -2010 programming year | AUG 1

aceartinc. is accepting proposals to be considered for the our 2009 -2010 programming year. Running July 1, 2009 - June 30, 2010.

Please review submission guidelines before submitting your proposal. Regular Programming is created through submissions that seek the support of aceartinc's facilities and services for public presentation.

aceartinc. is dedicated to cultural diversity in its programming and to this end encourages applications from contemporary artists and curators identifying as members of GLBT (gay, lesbian, bisexual and transgendered), Aboriginal (status, non-status, Inuit and Metis) and all other culturally diverse communities. aceartinc encourages proposals from individuals, groups and collectives in all visual arts media.

Regular Programming submissions are solicited through a general annual national call with a deadline of August 1st. The Selection Committee reviews submissions within the context of aceartinc's mandate and goals and makes recommendations to the board within 4 weeks of the deadline. [The Selection Committee is comprised of the Programming Coordinator, 1-2 Board Members, and 2 Community Members.]

Submission Deadline : AUGUST 1st, 2008 before 5pm.

Regular Programming Proposals must include:

When preparing your proposal, please keep in mind that each jury member receives and reviews a photo-copy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied. Submissions that do not follow the below will be edited as such for jury to review (ie. CVs going over 2 pages).

We advise for those who do not know our establishment, to get a sense of what we've done, visit our web archives.

1. a current CV with current contact info(no more than 2 pages)
2. an artist and or curatorial statement (no more than 1 page)
3. a project proposal. note: if project is in development, please present support about the development as well as related past work
4. schedule of activities (if applicable)
5. an equipment list or itemization of special technical needs if applicable
6. image list (no more than 1 page)
7. Self- Addressed Sufficiently-Stamped Envelope (S.A.S.E.): Due to excessive costs for the gallery, your submission will not be returned without one. For return of Slides/CD-R/DVD only, please ensure correct postage for those items. Dossiers that are not claimed or pre-stamped will not be kept.
8. Support materials: up to 20 images (inc. total of 20 for group submissions)

**CD-R images must be as jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only. NO POWER POINT PLEASE!

other:
*video NTSC compatible or DVD max 10 minutes long and cued up
* CD-R video must be accessed only with one of the following plug-ins: Quicktime, RealPlayer, Shockwave, Windows Media Player or Flash.
*audio cassette or cd
*no more then 2 printed matter (may include essays, reviews, non-original documents of artworks that cannot otherwise be described in slide or video format. NO BOOKS PLEASE)
*NO laser-copied images, thumbnails, or original artwork.
*NO binders, folders or staples. (Paper clips only please)
*At this time we are unable to accept applications over the internet (NO URL's) or by Fax

Submission Deadline : AUGUST 1st, 2008 before 5pm.

aceartinc.
2nd.,flr. 290 McDermot Ave.
Winnipeg, Manitoba
R3B 0T2
p: 204-944-9763
www.aceart.org

Theo Sims- programme coordinator Garth Hardy- administrative coordinator Liz Garlicki- gallery assistant

25. CALL TO ARTISTS - FIRE STATION NO. 5

The Edmonton Arts Council, on behalf of the City of Edmonton, invites all Canadian and international artists to submit proposals for a public artwork at Fire Station No. 5. This open competition is held in accordance with the City of Edmonton policy "Percent for Art to Provide and Encourage Art in Public Areas" (C458B).

Budget: $60,000 (maximum, all inclusive)

Deadline for Submissions: 4:30 PM Friday, August 8, 2008

Installation: Summer 2009

An information package, including an entry form and terms of the competition, can be downloaded from our website. For more information, contact the Edmonton Arts Council.

EDMONTON ARTS COUNCIL
808, 10310 Jasper Avenue, Edmonton, AB T5J 2W4
PH: +1 (780) 424-2787 x 2

26. Hamilton Artists Inc. Call for Proposals
Proposal Deadline: July 31, 2008
2010-2011 Exhibition Schedule
Hamilton Artists Inc. (HAI) is seeking:

* a wide range of multi-disciplinary proposals from artists as well as curatorial proposals for solo, and group exhibitions in our Main Space
* community-based proposals for limited programming in the community gallery area
* intermedia works, sculpture/installation, performance art, video projection, sound art, site-responsive and relational works and other imaginative proposals for our courtyard space and the glass corridor that links the two buildings
* Writing samples/proposals for essay and catalogue production

The new home of HAI opening in November 2008, features:

Two gallery spaces - A 1200 sq. ft Main Space, and a 600 sq ft Members Space/ Community Gallery; a 2500 square ft. multi-purpose outdoor courtyard; a programmable glass corridor linking the two galleries; and a two-floor artist-in-residence space with a studio, bedroom, kitchen and bathroom.

Hamilton Artists Inc. pays CARFAC artist fees for Main Space exhibitions and related exhibition costs, and assists with shipping. For proposal guidelines please visit:
www.hamiltonartistsinc.on.ca , enter the site, and click on submissions policy. Please refer to the mandate and history sections of our website for further information.

Hamilton Artists Inc. architectural drawing – for floor plan refer to www.hamiltonartistsinc.on.ca - under submissions policy

Established in 1975, HAI is one of the founding galleries of the artist-run centre system in Canada. The organization is entering an exciting development stage as it approaches the opening of a newly purchased, multi-presentation complex in November of 2008. The new home of HAI is located with in the James St. North Arts District in Hamilton’s downtown core, located in the centre of a hub of cultural activity, including a monthly Art Crawl that attracts over five hundred visitors.


27. MODERN FUEL ARTIST-RUN CENTRE KINGSTON, ONTARIO is accepting applications for ADMINISTRATIVE DIRECTOR (25 hrs/week)
DEADLINE: July 11 2008

Modern Fuel Artist-Run Centre is seeking a motivated and organized individual for the contract position of Administrative Director (one year renewable contract).

Modern Fuel Artist-Run Centre is a non-profit organization facilitating the presentation, interpretation, and production of contemporary visual, time-based and interdisciplinary arts. Modern Fuel supports innovation and experimentation, and is committed to the education of interested publics and the diversification of its audiences. Modern Fuel is located downtown Kingston, 21a Queen Street.

This position is a renewable, 12-month contract, offers 25 hours per week at an entry-level starting wage, requires occasional evenings and Saturdays, and offers full health and dental benefits.

This position works in collaboration with the Artistic Director, and is supervised by the Board of Directors. The Administrative Director is also expected to work closely with volunteers, student placements, and other individuals and groups in the local arts communities.

Nature and Scope of Position
This position is the key service liaison with members and the general public and provides communication and administration support to all staff and volunteers at Modern Fuel.

The Administrative Director’s principle duties include:

* Day-to-day operation of the centre, including staffing, bookkeeping, budget and cash flow management (along with the Treasurer), bill and fee payments.
* Assisting with the planning and implementation of exhibition openings, special events and projects.
* Researching funding and grant opportunities, and preparing grant applications in conjunction with the Artistic Director.
* Maintaining and developing databases of volunteers.
* Recruiting new members and volunteers.
* Assisting with the implementation of the organization’s Strategic Plan, along with the Artistic Director and Board of Directors.
* Overseeing all print and electronic member communications.
* Attending to all public inquiries.

The Administrative Director is responsible for the distribution of all information relating to Modern Fuel’s programs, including updating Modern Fuel’s website, distributing email and facebook announcements and circulating printed posters and flyers.

This entry-level position also provides administrative, gallery and studio support as needed, including office coordination and cleaning, ordering of supplies, filing, answering public inquiries about Modern Fuel, its activities and exhibitions, arranging catering and volunteers for openings and events, and similar duties as requested.

The Administrative Director has regular in-person, telephone, email and written contact with members, volunteers, the general public, artists and other cultural organizations. This also includes educating the general public on the conceptual and technical basis of exhibited artworks.
Qualifications
The ideal candidate has:

* An interest in contemporary art practices and artist-run culture, with a completed undergraduate relevant degree or at least 3 years of field experience.
* Superior English oral and written communication skills.
* Demonstrated organizational and planning skills with an ability to multi-task. Attention to detail is a must.
* The ability to work cooperatively in an open-concept office, as well as work independently and in a self-directed manner when necessary.
* The ability to deal with diverse public audiences. Must be outgoing, friendly and tactful with a demonstrated commitment to service excellence.
* The ability to meet deadlines under pressure.
* Strong computer skills.

Please submit a curriculum vitae and a letter of interest to:
Hiring Committee
Modern Fuel Artist Run Centre
21a Queen Street
Kingston, Ontario, Canada K7K 1A1
Or email: modernfuel@bellnet.ca

Modern Fuel is an equal-opportunity employer. We thank all applicants for their interest; however, only those selected for an interview will be contacted. Interviews will be conducted during the week of July 14th.

All applications must be received at Modern Fuel by Friday, 11 July 2008 at 5:00 p.m. The successful candidate will start mid-August, 2008, so as to participate in a training period, and the contract will begin September 1, 2008

For more information on Modern Fuel please visit http://www.modernfuel.org

28. The Banff Centre - Visual Arts Residencies Call for Applications

Archive Restored Thematic Residency with Greg Staats
Program dates: January 5, 2009 - February 20, 2009
Application deadline: July 25, 2008

Master Class: Road Show - Travels of the Artist with Ken Lum
Program dates: January 5, 2009 - February 20, 2009
Application deadline: July 25, 2008

Self-Directed Creative Residency
Program dates: February 9, 2009 - March 31, 2009
Application deadline: July 25, 2008
Residency length: Minimum of five days
Financial assistance is available.

Other Opportunities:

Live and learn in the inspiring Canadian Rockies. The Banff Centre's work study program provides internship-style opportunities that attract talented and creative individuals who are seeking opportunities to enhance their education and pursue a career in the arts.

Visual Arts is currently seeking candidates for the following position:

Aboriginal Studio Work Study
Program dates: July 9, 2008 - March 31, 2009
Application deadline: July 3, 2008

(Applicants must be status, non-status, Metis, or Inuit)

The Banff New Media Institute is currently seeking candidates for the following position:

BNMI TV & New Media Aboriginal Work Study
Program dates: June 30, 2008 - March 31, 2009
Application deadline: When a suitable candidate is found
(Applicants must be status, non-status, Metis, or Inuit)

Other internships are also available, visit www.banffcentre.ca/ for details.
For more information and to apply to these and other opportunities:

The Banff Centre, Office of the Registrar
Email: arts_info@banffcentre.ca
Phone: 403.762.6180 or 1.800.565.9989
Box 1020, Banff, Alberta
Canada T1L 1H5
www.banffcentre.ca/va

29. CALL FOR SUBMISSIONS ESPACE VIDÉOGRAPHE 2009-2010 PROGRAMMING

Espace Vidéographe, the programming division of Vidéographe, invites artists, curators, art centres and galleries to submit proposals for video art programs and media-arts exhibitions. Every year Espace Vidéographe presents seven activities in different venues, and in partnership with other cultural organizations. Since its founding in 1998, Espace Vidéographe has been devoted to promoting and exhibiting video art in its various forms and through its relationships with other artistic disciplines.

Projects can be submitted once a year and are reviewed by a committee of peers. We welcome proposals from emerging curators and artists as well as established ones. We encourage proposals that provoke thought on the language of video and its modes of representation, encourage debate, and promote exchanges between different media-arts practices and between local and international production.

Another open call will be launched next August specifically dedicated to a video installation project (multiprojection) by an emerging Quebec or Canadian artist (in this case, residency and exhibition). This initiative is made possible with the precious collaboration of Vidéographe Production.

SUBMISSIONS MUST INCLUDE:

* Project description
* Artistic statement
* List of works to be programmed
* List of technical resources (equipment) supplied by applicants
* List of technical requirements for exhibition
* CVs for applicants
* Visual, Sound or Web Documentation with descriptive list of works (accepted formats: VHS, DVD, miniDV, NTSC and PAL; CD-ROM, DVD-ROM)
* List of the project's venues if applicable
* Press kit if available
* Self-addressed stamped envelope

Please note that projects submitted previously may not be resubmitted unless the artist is invited to do so. Programming proposals must include the bulk of the works selected, with supporting visual documentation.

DEADLINE: WEDNESDAY, OCTOBER 1ST, 2008

Decisions will be sent to applicants in December. The proposals must be sent by post and be at our office by 5:00

Espace Vidéographe
Att: Sylvie Roy
6560, Esplanade Avenue, Suite 305
Montreal, Quebec, CANADA H2V 4L5
Phone: (514) / Email: espace@videographe.qc.ca / www.videographe.qc.ca

30. aceartinc.

Regular Programming is created through submissions that seek the support of? aceartinc. is dedicated to cultural diversity in its programming and to this end encourages applications from contemporary artists and curators identifying as members of GLBT (gay, lesbian, bisexual and transgendered), Aboriginal (status, non-status, Inuit and Metis) and all other culturally diverse communities.?

aceartinc. encourages proposals from individuals, groups and collectives in all visual arts media. Regular Programming submissions are solicited through a general annual national call with a deadline of August 1st. The Selection Committee reviews submissions within the context of? aceartinc.’s mandate and goals and makes recommendations to the board within 4 weeks of the deadline. [The Selection Committee is comprised of the Programming Coordinator, 1-2 Board Members, and 2 Community Members.]

aceartinc. is committed to paying CARFAC rates or higher, and where possible, will make efforts to pay for flights, accommodation and shipping for artists. Exhibitions selected will be accompanied by a publication as part of the Critical Distance Writing Program.

Regular Programming Proposals must include:
When preparing your proposal, please keep in mind that each jury member receives and reviews a photo-copy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied. Submissions that do not follow the below will be edited as such for jury to review (ie. CVs going over 2 pages).

We advise for those who do not know our establishment, to get a sense of what we’ve done, visit our web archives

1. a current CV with current contact info(no more than 2 pages)
2. an artist and or curatorial statement (no more than 1 page)
3. a project proposal. note: if project is in development, please present support about the development as well as related past work
4. schedule of activities (if applicable)
5. an equipment list or itemization of special technical needs if applicable
6. image list (no more than 1 page)
7. Self-Addressed Sufficiently-Stamped Envelope (S.A.S.E.): Due to excessive costs for the gallery, your submission will not be returned without one. For return of Slides/CD-R/DVD only, please ensure correct postage for those items. Dossiers that are not claimed or pre-stamped will not be kept.
8. Support materials: up to 20 images (inc. total of 20 for group submissions)

**CD-R images must be as jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only. NO POWER POINT PLEASE!

other:
*video NTSC compatible or DVD max 10 minutes long and cued up
* CD-R video must be accessed only with one of the following plug-ins: Quicktime, RealPlayer, Shockwave, Windows Media Player or Flash.
*audio cassette or cd
*no more then 2 printed matter (may include essays, reviews, non-original documents of artworks that cannot otherwise be described in slide or video format. NO BOOKS PLEASE)
*NO laser-copied images, thumbnails, or original artwork.
*NO binders, folders or staples. (Paper clips only please)
*At this time we are unable to accept applications over the internet (NO URL’s) or by Fax For all enquiries please contact the gallery at 204 944 9763 or program@aceart.org


CFAT General contact
5600 Sackville Street,
(CBC Radio Building)
Suite 207
Halifax, Nova Scotia
B3J 1L2
tel.902-420-4002
fax.902-420-4581
cfat.communication@ns.sympatico.ca

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Call: Netmage 09 - International Live Media Festival seeks entries

Netmage 09 - International Live Media Festival

Tue Sep 16, 2008
(Timezone: Eastern Time - Montreal)
www.netmage.it (map)
Calendar: Audio Calls

Call: Netmage 09 - International Live Media Festival

June 30, 2008 at 10:35 am · Filed under calls: internal

Call for entries
Deadline: 16 September 2008

Netmage 09
International Live Media Festival - 9th edition
Bologna, 29>31 January 2009

International Live Media Floor

The call for participation is now open for the International Live Media Floor of Netmage 09 a festival aimed to explore media innovation within the context of electronic arts that will take place in Bologna from the 29nd to the 31st January 2009.

The Live Media Floor - main section of Netmage festival program - is an international platform to confront practices of generating and/or mixing images and sound of every type and format exploring cinematic and inter-media aesthetics.

Participation is open to projects that employ electronic, electroacoustic, analogue and cinematic means to produce visuals and sound.

The projects selected will be performed, single or multi-screen, for a duration of about 20 minutes each.

Download entry form from
www.netmage.it

All material must be sent to:
Netmage
Via Cà Selvatica 4/d
40123 Bologna
Italy
tel (+39) 051 331099
bando@netmage.it
www.netmage.it

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Thursday, June 19, 2008

Call: Luc Ferrari radio art biennial competition is seeking entries

*Concours Luc Ferrari*


www.alamuse.com



*Concours Luc Ferrari*
Concours international de création radiophonique

Every other year, La Muse en Circuit organizes an international competition of radio music composition open to young artists, in partnership with the Archipel Festival, the SACEM, Radio France, and foreign radio stations (Radio Suisse Romande / Espace 2, Deutschland RadioKultur).

The 8th biennial competition created by Luc Ferrari is inspired by a piece from his work, Madame de Shanguai for a flute trio and pre-recorded track.

Both a way of paying tribute to Mr. Ferrari as well as a means of stimulating the imagination of composers, the current competition asks participants to write a piece that develops the principal of the Horspiel.

The entries should resemble mixed music but without any interaction other than the synchronization of an instrument with stereophonic or 5.1 support. The instrumental score will be able to be amplified and transformed except for computerized real time processing. The final piece, with a maximum duration of 15 minutes, will be performed in concert.

The winning entries as well as the piece written by Luc Ferrari will be featured on disc as well as in concerts associated with the competition.

We hope that this tradition of honoring Mr. Ferrari will be stimulating and likely to give rise to new talents and not just epigones. You will thus find attached the application form. We hope that it will be possible for you to leave them at disposal of musicians. You can also contact us by email to have more informations :

arthur.lassaigne@alamuse.com
www.alamuse.com

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Wednesday, June 04, 2008

Job: Common Weal seeks a Project Assistant

Common Weal Community Arts Inc. is seeking an energetic, self-motivated and experienced individual for the contract position of Project Assistant. Working under the supervision of the Southern Artistic Coordinator in our Regina office, the successful candidate will assist in the successful delivery of Common Weal projects and events. Duties will include: supporting project artists, communications, and ongoing project and event support.

Qualifications:

The successful candidate will have excellent communication, organizational and research skills, the ability to work both independently and cooperatively with a diverse group of people and to be culturally sensitive. A valid drivers license is necessary. Previous experience in the arts and having own vehicle would be assets.

Salary: 20 hrs a week at $13/hr
Duration: 16 weeks
Application closing date is 4:00 p.m., Wednesday June 11th, 2008

Apply in writing stating experience and qualifications to:

Common Weal Community Arts Inc.
2431 8th Avenue
Regina, SK
S4R 5J7
Email: ac@commonweal-arts.com

This position is funded through the city of Regina’s Urban Aboriginal Community Grant Program, which provides opportunities for aboriginal people to participate in arts culture, recreation or sport. As Common Weal promotes employment equity, we encourage candidates to voluntarily self-identify if they are an Aboriginal person, a member of a visible minority group or a person with a disability. Only those considered for an interview will be contacted.

Common Weal Community Arts links artists and communities to animate long term and positive social change. Common Weal facilitates the production of participatory arts projects, based on creating partnerships between communities and artists, through a philosophy of inclusion and cooperation, and in order to create opportunities and choices for individuals and communities.

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Job: PAVED Arts seeks a Gallery Assistant

Job title: Gallery Assistant
Employer: PAVED Arts
Application Deadline: noon, June 9 2008
Target start date: June 9 2008 to August 30 2008
Pay: $15 per hour
Hours/Duration: The equivalent of 12 weeks at 34 hours per week
Hours and schedules are flexible.

Job description: The Gallery Assistant will work with the Artistic Director
to provide support for the installation, logistics and promotion of
exhibitions in PAVED Arts' galleries. The Gallery Assistant will assist with
the documentation of exhibitions, the preparation of the Gallery and the
packing and shipping of artworks. The Gallery Assistant will also provide
support for the organization's collection, resource centre and library.

Qualifications:
Interest in contemporary art, photography and/or media arts
Attention to detail
Self-motivated
Experience handling works of art
Basic installation skills (painting and patching walls, etc.)
Basic photography and/or videography skills would be an asset
Familiarity with library resources in the Fine Arts would be an asset

Requirements:
Was registered as a fulltime student during the preceding academic year
Intends to return to school on a full-time basis during the next academic
year
Is a secondary or post secondary student.
Is between 15 and 30 years of age
Is a Canadian citizen.

About PAVED Arts: PAVED is a non-profit, artist-run centre for photography,
audio, video, electronic and digital art. For more information please visit
our web site at www.pavedarts.ca

Acknowledgments: This position is funded by Service Canada.

Please apply in writing with CV and cover letter.
Applications should be delivered, mailed or emailed.
Applications will be reviewed starting June 6 until the position is filled.

Contact Person:
David LaRiviere
652 5502 ext 1
artistic@pavedarts.ca

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Monday, June 02, 2008

Job: Sask Arts Board looking for a Part Time Administrative Coordinator

Saskatchewan Arts Board
Part-Time Opportunity
Administrative Coordinator [Casual]

The Saskatchewan Arts Board is accepting applications for the position of Administrative Coordinator [Casual]. The position is for undefined hours and is intended to provide specialized support to the administrative functions of the agency. The expected start date for this position is Monday, June 2, 2008, with a starting wage of $16.89/hour and is classified as Office Staff Level 3, Step 1. The Administrative Coordinator will work variable hours as assigned and agreed to.

This position is an opportunity for a dedicated employee with an interest in the arts, who also enjoys a range of administrative work within a supportive team environment. Reporting directly to a member of the Management team, the Administrative Coordinator will assist with the successful operation of the agency’s programs and projects, including data entry and analysis, grants and collections program administration, records administration, and other project support as assigned. In this way, the Administrative Coordinator supplements and/or backs up existing staff.

Applicants will demonstrate excellent organizational skills and research practices, and manifest enthusiasm in the execution of their position. The Administrative Coordinator will:

• have experience in the collection and analysis of a variety of data;
• have demonstrated ability to work independently with attention to detail;
• be experienced in statistical analysis and the use of spreadsheets;
• have experience working in an office environment, with the flexibility to take on wide ranging duties as the circumstances require, including records administration, data entry, reception duties, spreadsheet development, personnel administration and other duties as assigned;
• be well-versed in Microsoft Office software applications, such as Outlook, Word, Excel, PowerPoint and is proficient using the Internet;
• have the ability to take minutes at meetings;
• have a valid drivers license; and,
• have Grade 12 or equivalent,

Applications for this position will be accepted until Wednesday, May 28, 2008, 4:30 p.m. and should be directed to:

Sandi Desjarlais
Saskatchewan Arts Board
2135 Broad Street Regina, Saskatchewan S4P 3V7
Phone: (306) 787-4069
1-800-667-7526 (toll-free in Saskatchewan)
Fax: (306) 787-4199
sandi.desjarlais@artsboard.sk.ca

The Saskatchewan Arts Board values a diverse workforce and encourages applications from qualified women and men, including Aboriginal peoples, persons with disabilities, and visible minorities.

While we appreciate your interest, only those to be interviewed will be contacted.

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Job: M:ST Festival Employment Opportunity

M:ST Festival Employment Opportunity

The Mountain Standard Time Performative Art Festival Society (MST) is currently seeking a Programming Assistant. This is a contract position paying $14.00 an hour working 30 hours a week, to prepare for the upcoming M:ST 4 Festival. The position will run from July 2 – August 27, and pending funding will be extended through to October 31, 2008.

This position represents an excellent opportunity for an emerging artist or arts administrator to build knowledge of the local, national and international art communities, while developing administrative, programming, and organizational experience.

Job Description:
Working closely with the Festival Director and the M:ST Board of Directors, the Programming Assistant will be involved with the administrative and programming aspects in preparation for the M:ST 4 Festival. The duties and tasks of the Programming Assistant will include:
-Office and clerical duties
-Arranging promotional material
-Assisting with grant writing and research
-Liaising with artists and member organizations
-Public relations and media development
-Researching and organizing technical support for the M:ST 4 Festival.

The ideal candidate will have a background and interest in visual and media arts, excellent writing skills, strong organizational and communication skills, as well as knowledge of contemporary performative practices. Experience with web based design, knowledge of the local arts community, and experience in event planning are assets.

*Please note that this position is partially funded through the Summer Temporary Employment Program and as such candidates must be 30 years of age or younger to qualify.

Application Process:
Please submit a Curriculum Vitae, a detailed cover letter (up to 2 pages), and three references by June 11, 2008 to:

M:ST Hiring Committee
Mountain Standard Time Festival
PO Box 22056 Bankers Hall RPO
Calgary AB, T2P 5G7

Emailed, faxed, or late applications will not be accepted. M:ST thanks all applicants in advance for their interest. M:ST is an equal opportunity employer.

For more information call (403) 837-6678, or email: info@mstfesti

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Call: aceartinc is accepting gallery proposals

aceartinc. is accepting proposals to be considered for the our 2009 -2010 programming year.
Running July 1, 2009 - June 30, 2010.
Please review submission guidelines before submitting your proposal.

Regular Programming is created through submissions that seek the support of aceartinc's facilities and services for public presentation.

aceartinc. is dedicated to cultural diversity in its programming and to this end encourages applications from contemporary artists and curators identifying as members of GLBT (gay, lesbian, bisexual and transgendered), Aboriginal (status, non-status, Inuit and Metis) and all other culturally diverse communities. aceartinc encourages proposals from individuals, groups and collectives in all visual arts media.

Regular Programming submissions are solicited through a general annual national call with a deadline of August 1st. The Selection Committee reviews submissions within the context of aceartinc's mandate and goals and makes recommendations to the board within 4 weeks of the deadline. [The Selection Committee is comprised of the Programming Coordinator, 1-2 Board Members, and 2 Community Members.]

Submission Deadline : AUGUST 1st, 2008 before 5pm.

Regular Programming Proposals must include:

When preparing your proposal, please keep in mind that each jury member receives and reviews a photo-copy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied. Submissions that do not follow the below will be edited as such for jury to review (ie. CVs going over 2 pages).

We advise for those who do not know our establishment, to get a sense of what we've done, visit our web archives.

1. a current CV with current contact info(no more than 2 pages)
2. an artist and or curatorial statement (no more than 1 page)
3. a project proposal. note: if project is in development, please present support about the development as well as related past work
4. schedule of activities (if applicable)
5. an equipment list or itemization of special technical needs if applicable
6. image list (no more than 1 page)
7. Self- Addressed Sufficiently-Stamped Envelope (S.A.S.E.): Due to excessive costs for the gallery, your submission will not be returned without one. For return of Slides/CD-R/DVD only, please ensure correct postage for those items. Dossiers that are not claimed or pre-stamped will not be kept.
8. Support materials: up to 20 images (inc. total of 20 for group submissions)

**CD-R images must be as jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only. NO POWER POINT PLEASE!

other:
*video NTSC compatible or DVD max 10 minutes long and cued up
* CD-R video must be accessed only with one of the following plug-ins: Quicktime, RealPlayer, Shockwave, Windows Media Player or Flash.
*audio cassette or cd
*no more then 2 printed matter (may include essays, reviews, non-original documents of artworks that cannot otherwise be described in slide or video format. NO BOOKS PLEASE)
*NO laser-copied images, thumbnails, or original artwork.
*NO binders, folders or staples. (Paper clips only please)
*At this time we are unable to accept applications over the internet (NO URL's) or by Fax

Submission Deadline : AUGUST 1st, 2008 before 5pm.

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Tuesday, April 08, 2008

Call: PhD Funding Opportunity at the Centre for Music Technology, University of Kent, UK

PhD Funding Opportunity
Centre for Music Technology
University of Kent, UK

September 2008 entry (earlier start date possible)

We have an exciting opportunity for an enthusiastic and
self-motivated candidate to join our growing department and study
towards a PhD in Music and Technology. The successful candidate will
have the opportunity to significantly contribute to our ongoing
development and gain teaching and demonstrating experience. This
position would therefore particularly suit someone who wanted to
pursue a career in higher education, although this is not a
pre-requisite.

The Centre for Music Technology was founded in 2005 and offers a BSc
programme in Music Technology, with a new undergraduate programme in
Audio Production and Design beginning in September 2008. Further
undergraduate and postgraduate degree programmes are under active
development for September 2009. The successful candidate will play a
role in developing the Centre's research profile, in conjunction with
existing members of staff.

The Centre is seeking applications, on a competitive basis, for a
research studentship funded by the University of Kent. Candidates
will study towards a PhD in a topic area that includes but is not
limited to: acoustics and psychoacoustics, sound design, multimedia
and interactivity/interfaces, synthesis and electro-acoustic
composition.

Applications are particularly sought from candidates interested in
expanding upon current departmental research, including the area of
conducting remote psychoacoustic listening tests utilising the
Internet.

The studentship will cover tuition fees at the Home/EU rate plus a
maintenance grant. We anticipate an annual grant of £12,600, adjusted
for inflation. The Studentship will be offered for one year in the
first instance, renewable for a maximum of three years subject to
satisfactory academic performance.

Candidates must hold a good Honours degree (First or 2i) and a
Master's degree in a relevant subject or equivalent. The studentship
competition is open to all postgraduate research applicants. UK, EU
and overseas fee paying students as well as full-time and part-time
postgraduate research students are invited to apply.

For further details, please look at the following link:

http://www.kent.ac.uk/scholarships/postgraduate/departmental/music_technology.html

The deadline for applications is Friday 9th May 2008. If you have
any queries, please contact me via email.

Regards,

--
Dr Paul D Fretwell
Centre for Music Technology
University of Kent at Medway
The Medway Building
Chatham Maritime
Kent
ME4 4AG

tel: +44 (0)1634 888820
www.kent.ac.uk/musictechnology

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Call: SYNCH FESTIVAL: MOVING IMAGE CALL FOR ENTRIES

www.synch.gr

SYNCH FESTIVAL: MOVING IMAGE CALL FOR ENTRIES

Deadline: April 30, 2008

Call for entries - Show me the music!

This year the Moving Image section of Synch Festival focuses on the direct relationship between music and image as well as on their interaction in the form of music video. Therefore, we invite you to send your MUSIC VIDEOS of amateur or professional level, based on innovation and experimentation regarding the interaction between music and image. The collected video clips from around the world will be projected during the festival. Our aim is the communication and presentation of different and alternative routes of cinematography and music-image interaction to an international audience. This call is targeted to all of you, amateur and professional directors, creative minds, music bands, artists. It is an opportunity to present your work internationally. So, get off your couch and SHOW ME THE MUSIC!!! Send your entries until April 30, 2008 to the following address.

Address:
Synch Festival C/o Moving Image
P.O BOX 61 382
GR 15125
MAROUSI ATHENS
GREECE

FOR MORE INFORMATION AND AN ENTRY FORM PLEASE VISIT:

SYNCH www.synch.gr
e-mail: musicvideos@synch.gr

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Call: Public art wanted for CAFKA.09: Veracity

CAFKA.09: Veracity

http://www.contemporaryartforum.ca/


In this uncertain environment, could it be that our ability to evaluate truth is compromised? How will history be recorded and communicated to future generations? What if the asterisks were missing?

Artistic practice, from realism to minimalism, has an inherently illusory nature; artists frequently use their craft to expose untruths, and just as frequently perpetrate them. For Veracity, CAFKA asks artists to consider the veracity of truth, whether that be through the handling of materials, thematic or conceptual concerns of their practice. Artists may wish to consider the scientific, artistic, political, religious, historical, or experimental implications of an uncertain truth through the veracity of materials and ideas.

We invite proposals for new or existing works that engage with the theme and the public spaces in and around Kitchener City Hall. Works in all media will be considered including sculpture, performance, video, audio, installation, photography, painting, drawing and digital media. Video artists are invited to submit single channel work relating to the theme to be considered for inclusion in a video compilation which will be screened during the Forum.

CAFKA takes art out of the confines of the gallery walls and places it in a civic space to engage and confront the broader public. We offer the public an opportunity to engage with internationally relevant, ambitious, contemporary art. Artists have the opportunity to create work that needn’t adhere to the rules of presenting art within the gallery/museum system.

The exhibition will take place in and around Kitchener City Hall in September, 2009. Artist Fees paid for Visual and Media Art Projects: CAD $2,000, which is intended to cover all aspects of production & installation including materials and transportation. Video and one-time Performance fees paid in accordance with CARFAC (Canadian Artists’ Representation/le Front des Artistes Canadiens).

All applications must be received by 5:00 pm, July 1, 2008.

Event place: Kitchener, Ontario, Canada
Event dates: 2008
Contact

CAFKA
P.O. Box
1122 Kitchener ON
N2G 4G1 Canada
phone: 519.744.5123
veracity@cafka.org

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Call: Art+Communication X:S P E C T R O P I A seeks submissions

Art+Communication X:S P E C T R O P I A

http://rixc.lv


Art+Communication X:
S P E C T R O P I A
October 16-19, 2008 in Riga, Latvia.

...Electromagnetic fields are biologically active. Emitting from
every electronic device, electromagnetic fields affect our body and
the living nature. They interact with the natural emissions and
intersect the boundaries of our planet. Invisible and omnipresent,
electromagnetic fields have become ghosts of the modern world...

The 10th edition of the international festival "Art+Communication",
organised by RIXC, will take place in October 16-19, 2008, in Riga,
Latvia. Entitled SPECTROPIA, this year festival exhibition continues
artistic explorations within the invisible space of electromagnetic
spectrum surrounding us.

The festival programme will feature 3-day SPECTROPIA exhibition with
live events, workshops and artists presentations. It will be
accompanied by international conference, performances, film and video
screenings.

------------------------------------------------------------------
CALL for proposals (for 3-day exhibition with live events):

Artists who think that their work fits the main theme of
"spectropia", are invited send a brief description of the work plus
Links, and other relevant information, to: rixc@rixc.lv
(and/or to: (Rasa Smite))

There are no restrictions, however, we would prefer work which is in process/
performative/ in action, requires artist's assistance and possibly visitor's
participation/ action though the work can be demonstrated as well.

------------------------------------------------------------------

DEADLINE:

for proposals - April 21, 2008

------------------------------------------------------------------

CONTACT INFO:

RIXC, Centre for New Media Culture
11. Novembra krastmala 35-201
Riga, LV 1050
LATVIA

tel.: +371-67228478
fax: +371-67228477
e-mail: rixc@rixc.lv

http://rixc.lv

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Sunday, April 06, 2008

Call: 2008 Fellowship Award at the Kala Art Institute

2008 Fellowship Award at the Kala Art Institute

www.kala.org/fellow/fellow_ap.html (map)

2008 Fellowship Award at the Kala Art Institute
17-03-08 12:55
Age: 18 days


Where: Berkeley, California, USA
When: 2008
Deadline: May 2nd, 2008

Kala's 2008 Fellowship Award competition
www.kala.org/fellow/fellow_ap.html

Eight artists will each receive a Fellowship consisting of:
- a $3,000 cash award
- up to six consecutive months of studio residency at Kala Art Institute
- 24/7 access to Kala?s studio
- exhibition of artwork created during the residency in a group show at the Kala Gallery

Artists producing innovative work in book arts, electronic/digital
media (video, sound, animation, etc.), installation art, photography
and printmaking are encouraged to apply. Applicants will be judged on conceptual creativity, originality and artistic excellence as well as technical knowledge. The Fellowship Competition is juried by a panel including Kala?s Executive Director, Artistic Director, Program Manager and an outside Bay Area arts professional. The Fellowship does not include housing.

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Tuesday, April 01, 2008

Job: Common Weal Community Arts, Inc. seeks a Community Consultant

Common Weal Community Arts Inc., in partnership with the North Central Community Association, is seeking an energetic, self-motivated and experienced individual for the contract position of Community Consultant.

The candidate will assist in creating new opportunities for the community of North Central Regina that will help facilitate, encourage and increase community and cultural involvement and development. The project will promote diversity and support the strengthening of individual and collective identity.

The individual will work with the community to do a cultural inventory and community needs assessment, which will lead to the identification of the community’s wants and needs regarding a prospective artist in residence project and will include detailed goals and objectives. The candidate will also research and determine the financials, support, administrative and artistic mediums needed to support the residency based on the needs of the community.

Qualifications:

The successful candidate will have excellent communication, organizational and research skills, the ability to work both independently and cooperatively with a diverse group of people and to be culturally sensitive. Understanding of the arts and arts issues in Saskatchewan and experience with grant writing is preferred.

Duration: April to June 2008

Application closing date is 4:00 p.m., Friday, April 4, 2008

Apply in writing stating experience and qualifications to:

Common Weal Community Arts Inc.
2431 8th Avenue
Regina, SK
S4R 5J7
Email: ac@commonweal-arts.com

Common Weal Community Arts Inc. is committed to workplace diversity.

Common Weal Community Arts links artists and communities to animate long term and positive social change. Common Weal facilitates the production of participatory arts projects, based on creating partnerships between communities and artists, through a philosophy of inclusion and cooperation, and in order to create opportunities and choices for individuals and communities.

The North Central Community Association’s mandate is to work together with the community of North Central Regina to enhance the quality of life by representing, promoting, developing partnerships and unifying our community and its image through effective communication, programs and services.

This project would not be possible without the support of the Saskatchewan Arts Board, SaskCulture Inc., and the Saskatchewan Lotteries. “The Artist in Residence program provides Saskatchewan communities with access to arts programming, activities, new ideas, and allows artists the opportunity to practice their craft and share their knowledge in communities across the province.” SAB

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Call: Studio XX seeks women media artists for residencies and co-productions

Residency and Co-Production Programs at Studio XX

www.studioxx.org

Call for Proposals : Residency and Co-Production Programs at Studio XX

Extended Deadline for 2008-2009 : April 15th.
Projects selection is announced at the end of April of each year.

Studio XX has redefined its Residency and Co-Production Program in keeping with the diversity of approaches that have been brought about by new and multiple methodologies and processes being practiced by artists working with new media and the Web as creative platforms. Residencies are offered each year through three major axes identified below. We've done it in order to offer an improved context within which Québecois and Canadian women artists may conceptualize and create, and to better accommodate the evolving realities of contemporary networked practices.

Residency Program

This year, the residences are theme-free. All themes are eligible for consideration. That said, we favour projects taking into account the Studio's orientation and commitment to open source software.

*NEW*

The Matricules Project Residency
This new category of residency is centered around the use of the Studio XX archives as source material for a proposal. Last year, Studio XX embarked on a major archival project called Matricules which will allow the Studio to post all of its archival material to date online. It is at once an image bank and a depository of all of the Studio's writings and documentary footage to date.

Despite the fact that online access to these archives will only be available as of April 1, this should not prevent you from conceptualizing a proposal. All of the original source material is also available at the Studio. The Matricules Project is comprised of more than 3400 images files, sounds, videos, written critical texts and press releases documenting all our artistic streams: The Femmes Br@nchées Salons, The Artist Residencies, Co-productions and Collaborations, Projects and Special Events, training workshops, the HTMlles Festival, XX Files radio interviews and .dpi articles. The Matricules Project data base allows the user to cross-reference individual artists, events and documents, switching from one event to another. Matricules' main interface offers an image table of contents by event type and by month, providing historical trajectory of the Studio's activities.

This innovative prototype was developed with assistance from Koumbit's Drupal Content Management System (CMS): an open source tool for web site creation. From the beginning, the Matricules project was conceived as an interactive archive allowing users to modify or correct the Studio's written history, where necessary. When the site is completed, it will ultimately be a very powerful archival, presentation and interpretation tool for Studio XX's members.

Virtual Residency
In response to a growing demand by women artists working outside of the Montreal region wishing to explore the different possibilities of on-line and/or networked collaborations, Studio XX is in the process of elaborating the mechanics of Virtual Residencies in order to facilitate the creation of works via other networks.

Open Residency
Open and self-directed, these residencies offer access to women artists wishing to deepen the experimentation phase of projects they are currently developing.

PRACTICAL INFORMATION:

Studio XX favours interdisciplinary approaches and welcomes projects created or directed by women artists or collectives working in collaboration with other professionals. This axis responds to the growing number of trans-disciplinary projects and their inherent technological challenges and complexities. Selected projects must be undertaken using Studio's available resources (equipment, technical knowledge, financial resources).

All submissions are reviewed by a Selection Committee. Selection of applicants is also based on at least two out of the three following criteria:

- Offering significant support and at an important point of the artist's development
- Resonant with Studio XX's priorities in terms of technical experimentation
- Relevant, captivating expression of theoretical, political and/or social engagement

Residencies are eight weeks in length. For accepted proposals, Studio XX offers:

_A $750 artist's fee
_45 hours of technical support ($1125 value)
_Access to the Studio's equipment ($3335 rental value)
_Possibility to participate in certain group workshops ($200-300 value)
_Distinct working space for the artist and her instructor

Studio XX will disseminate the artist's project on its web site, with an artist's presentation to be given within its Femmes br@nchées Salon Series in the year following completion of the project. For participants working from afar, the presentation will take place on-line via streaming or chat. Residencies do not include travel costs and per diem, and the artist is responsible for her living arrangements while in Montreal.

To submit a residency proposal - Online registration :
http://www.studioxx.org/calls/residences_form_e.php

+++

Co-Production Program

All year long, Studio XX accepts co-production proposals from artists as well as from collectives and artist-organizations. Emerging and experienced artists working with new technologies and curators are invited to submit project ideas including technical specifications.

The Studio provides a Linux lab and Macs, video an digital audio resources. Projects are selected based on quality, the availability of the lab and technical requirements. Co-productions carried out at Studio XX demand full autonomy from the artists on both a conceptual and technical level. These residencies require autonomy on the conceptual and technical level but if necessary, the Studio can provide personalized technical support at the hourly rate of $25. The projects can stretch over a three-month period.

During the residency, the artists will have access to Studio XX's computer, video and digital audio equipment. They will also have access to available space on one of the large bandwidth servers - ideal for network experiments and webcasting - and to a dispatcher for wireless Internet connections. It will be necessary to provide a fixed schedule and to book time in the lab.

It is possible for the Studio to cover certain expenses for co-productions, such as training fees. The productions and co-productions are not housed on our web site but we do direct the artists towards servers that can accommodate their work. Studio XX actively seeks to program artworks produced within the co-productions at events as the Femmes br@nchées Salon series.

To submit a co-production proposal - Online registration :
http://www.studioxx.org/calls/coprods_form_e.php

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Ca;;" Netaudio '08 seeks performances, installations, and conference presentations

Netaudio’08


http://www.netaudiolondon.cc/blog/137/call-for-entries

Parts of Netaudio’08 will be programmed through an open call for entries. With this call we would like to give you the chance to put our attention to your creative activities related to the festival theme. Call for entries runs in 3 strands:

* Performance: Are you a musician engaging with digital technologies and the Internet as part of your creative work? If yes please tell us more about what you do. This strand is also open to netlabel heads interested in showcasing artists of their label. Please download the performance-form:
rtf, odt or doc

* Installation: the installation strand covers everything from sonic arts installation to Netaudio related machines and hardware tools – anything that lets our visitors engage with technology & space. Please get back to us with your ideas, concepts and existing projects by filling the installation-form:
rtf, odt or doc

* Conference: Have you got knowledge or skills you would like to share? Please fill in the conference-form for proposals for the festival workshops and discussions:
rtf, odt or doc

Of course you are very welcome submit on more than one strand. Please make sure you indicate this in the forms.

Deadline for this Call for Entries is 14th April 08.

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Call: Submissions wanted on the theme of "Dance, Timing, and Musical Gesture"

CALL FOR ABSTRACTS
Dance, Timing and Musical Gesture
13 - 15 June 2008 University of Edinburgh, Scotland

The Institute for Music in Human and Social Development, in
collaboration with Queen's University, Canada, invites abstracts for
an interdisciplinary, international conference on the topic of Dance,
Timing and Musical Gesture. The aim of the conference is to consider
the temporal dynamics, expressive possibilities and communicative
power of dance and musical movement. The meeting will include talks,
posters, dance workshops and performances and will take place in the
beautiful and culturally vibrant city of Edinburgh. Three student
scholarships are available, covering registration and accommodation.

http://www.music.ed.ac.uk/Research/imhsd/DanceConference2008/index.html

Invited Speakers
Luis "Alien Ness" Martinez (New York City, USA) B-Boying and Hip Hop Culture
Prof. Stephanie Jordan (Roehampton University, UK) Dance Studies
Prof. Merce?de?s Pavlicevic (Nordoff-Robbins Music Therapy Centre,
UK) Community Music Therapy
Prof. Dee Reynolds (University of Manchester, UK) Dance and
Performance Studies
Prof. Daniel Stern (University of Geneva, Switzerland) Developmental
Psychiatry
Dr. Vicky Karkou (Queen Margaret University, UK) Dance Therapy
Dr. Peter Keller (Max Planck Institute, Germany) Neuroscience of
Movement Dr. Sophia Lycouris (Edinburgh College of Art, UK) Dance
Improvisation Dr. Jessica Philips-Silver (University of Montreal,
Canada) Neuroscience of Dance

Invited Performers and Workshop Leaders
Tricia Anderson (St. Andrews, UK) Choreography and Creative Dance Education
Etch N Sketch (Scotland, UK) B-Boy/B-Girl ?Breaking? Performers
Dr. Shelley Katz & Diana Gilchrist-Katz (ISC at Herstmonceux Castle,
UK) Gesture in Vocal Performance
Me?ta-Me?ta (London, UK) Cuban Jazz Performance

Deadline for abstracts: Monday 7 April 2008 Please send abstracts of
300-400 words to Dr. Nikki Moran (n.moran@ed.ac.uk), indicating your
discipline and your preference for a 15 minute talk, a 30 minute
workshop or a 1 hour poster presentation. For further information,
please contact Dr. Katie Overy (k.overy@ed.ac.uk) or Karen Ludke
(K.Ludke@sms.ed.ac.uk) or see the conference website
(www.music.ed.ac.uk/Research/imhsd/DanceConference2008).

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Monday, March 10, 2008

Call: Interaccess seeks Recent Grads for a Group Show

Bend Over and Submit to InterAccess!
An Open Call for Recent Graduates!
Deadline: Friday April 25th, 2008.

Let us tie you up in an exhibition this summer. Submissions are now being accepted for the 8th annual Emerging Artists Exhibition. Since 2001, InterAccess has mounted an annual Emerging Artists Exhibition showcasing new media works by post-secondary students and/or recent graduates.

This initiative aims to provide students and recent graduates with professional experience and exposure.

We are looking for submissions of electronic, interactive and new media work, including works related to artistic genres such as sculpture, installation, video and performance. Preference may be given to submissions exploring the relationship and/or interaction between human intimacy and technology, although due to the fluidity of an open call the theme is responsive and the curator develops an exhibition related to the submissions received.

For more info, please go to: http://interaccess.org/about/calls.php

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Thursday, March 06, 2008

Call: Rhizome.org is awarding commissions to new media artists

In 2009, Rhizome will award seven commissions with fees ranging from $3000-$5000.

This year, Rhizome has expanded our scope, formerly focused strictly on Internet-based art to encompass the broad range of practices that fall under new media art.

This includes projects that creatively engage new and networked technologies to works that reflect on the impact of these tools and media in a variety of forms. With this expanded format, commissioned works can take the final form of online works, performance, video, installation or sound art. Projects can be made for the context of the gallery, the public, the web or networked devices.

This year, all applicants will be reviewed by a selected jury and several awards will be granted through Rhizome's membership in an open, community vote.

Proposal submission takes place online. The deadline is midnight on Monday, March 31, 2008.

Download the Call for Proposals
http://rhizome.org/commissions/2009/Rhizome_Commissions_2009-CFP.doc

Submit a Proposal
http://rhizome.org/commissions/2009/submit_proposal.php

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Call: Electrofringe 2008 Festival in Australia seeks media artists and workshop leaders

Electrofringe 2008

Sat May 31, 2008
(Timezone: Eastern Time - Montreal)
www.electrofringe.net (map)
Calendar: Audio Calls

Electrofringe 2008 is now calling for proposals for this year’s festival from artists, media makers, curators, researchers, playful experimenters, enthusiasts, writers and producers.

Electrofringe is a five day festival of electronic arts and culture occurring as part of This Is Not Art in Newcastle Australia. Electrofringe is dedicated to furthering the creative use of technology and electronic art forms with focus upon skills exchange and development. In 2008 Electrofringe is also including a residency program in Newcastle during the lead up the the festival to allow for the creation of site specific work.

Electrofringe is seeking proposals in the following program areas:

Artist and Project Presentations, Panels, Workshops, Site Specific Residencies, Special Events, Electro-Online (web based art) and Electro-Screen (single channel video based works).

WORKSHOP, PRESENTATION, PANEL AND RESIDENCY PROPOSALS ARE DUE BY THE 31ST OF MARCH 2008
(please note that Electrofringe cannot assist with travel costs to the festival. If you are interested in presenting at the festival and you live outside of Australia we can assist with letters of support for funding grants)

ELECTRO-ONLINE AND ELECTRO-PROJECTIONS SUBMISSIONS ARE DUE BY THE 31ST OF MAY 2008

Visit the Electrofringe website for details: www.electrofringe.net

Melissa Delaney / Elmar Trefz / Alex White
Directors
Electrofringe
www.electrofringe.net

Festival Dates: 2 October – 6 October 2008

Electrofringe is assisted by the Australian Government through the Australia Council for the Arts, its arts advisory body.

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Tuesday, March 04, 2008

Call: Ars Electronica open call for CyberArts

Dear friends of Ars Electronica!

The 22nd Prix Ars Electronica - International
Competition for CyberArts is open for entries.

>From its very inception in 1987, the Prix Ars
>Electronica has been conceived as an open
>platform for various disciplines at the
>intersection of art, technology, science and
>society. More than 3,300 submissions in 2007
>have further enhanced the Prix Ars Electronicaís
>reputation as an internationally representative
>competition honoring outstanding works in the
>cyberarts. The categories Digital Musics,
>Digital Communities and Hybrid Art are great
>indicators for this trend.
The aim of the competition is to continually keep
the Prix Ars Electronica updated in line with
leading-edge developments in the dynamic field of
cyberarts.
This year, six Golden Nicas, twelve Awards of
Distinction and approximately 70 Honorary
Mentions as well as a Media.Art.Research Award
are presented to participants. The 2008 winners
will receive a total of 115,000 euros in prize
money.

Prix Ars Electronica 2008
Online Submission Deadline: March 7, 2008
Contact: info@prixars.aec.at

Categories:
Computer Animation / Film / VFX
Digital Musics
Interactive Art
Hybrid Art
Digital Communities
Media.Art.Research Award
u19 - freestyle computing

More details about all categories and online
submission are available only online at:
http://prixars.aec.at

Please feel free to forward this to all interesting/ed parties.

With best regards,
Bianca Petscher on the behalf of the Prix Ars Electronica 2008 Team

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Tuesday, February 26, 2008

Call: Bazaart 2008 is Now Taking Applications - Special rates available for students!

Are you a Saskatchewan-based artist? Do you create unique, one-of-a-kind work? If the answer is yes then Bazaart might be for you!

The MacKenzie Art Gallery is seeking artists to submit their work for consideration in Bazaart, to be held on Saturday, June 14th on the grounds in front of the gallery. Bazaart is a great opportunity for artists to showcase and sell their work to the over 7,500 people who attend each year. All applications are juried to ensure a well-balanced and high-quality exhibition and sale. A special discount is available for qualifying students who wish to participate.

Early bird deadline: Thursday, February 28, 2008
Final deadline: Friday, March 28, 2008

The Bazaart Exhibitor Handbook and Application can be downloaded at www.mackenzieartgallery.ca or for more information, contact Jackie at (306) 584-4259. Bazaart is proudly supported by SaskTel.

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Monday, February 25, 2008

Call: Orford 3rd International Sound Creation Workshop seeks audio artists

Orford 3rd International Sound Creation Workshop

from August 4 to August 16

Application Deadlines

February 29th, 2008 to be eligible for financial aid

April 4th, 2008 to be considered for general admission


Open to composers and sound artists of all genres wishing to benefit from a unique and professional experience at the Orford Arts Center:

- to work on the composition/development of a personal project acousmatic work, mixed music, installation, music video or other)
- to improve their technical knowledge
- to fine-tune their creative process

Teachers : Natasha Barrett, Paul Rudy, Alexandre Burton Yves Daoust

(The focus will be put this summer on mixed music)
www.arts-orford.org/en/academy

For information :

Yves Daoust, workshop director, yvdaoust@videotron.ca

http://www.electrocd.com/en/bio/daoust_yv/

http://www.conservatoire.gouv.qc.ca/cv/cv.asp?ordre=&idProf=184

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Sunday, February 24, 2008

Call: "Ai-maako" Festival by the Electroacoustical Chilean Community seeks piano and electronic sound artists

Ai-maako: Call for submission

Sat May 31, 2008
(Timezone: Eastern Time - Montreal)
www.cech.cl (map)
Calendar: Audio Calls

The Electroacoustical Chilean Community (CECh) annually organizes the
International Electroacoustic Music Festival of Santiago de Chile, "Ai-maako".

The eighth edition of the festival will take place between the 11th and the
19th of October 2008. During its existence, more than 500 works by creators
from diverse countries have been performed.

CECh invites the electro-acoustical community to participate in our festival. A
special concert for piano and electronics will take place this year.
Submissions must be sent before May 31, 2008 (the post office stamp will be
valid as a reference) to the following address:

José Miguel Candela (CECh)
Casilla 104
Correo Villa La Reina
La Reina - Santiago de Chile
Chile

The works sent must fulfill the following conditions in order to be eligible:

a) Acousmatical or tape pieces (only 1 work)
- Format: Audio CD or DAT.
- CD-data and technical notes or diffusion score, in case of multi-channel
pieces
- Pieces of a duration no longer than 10 minutes
- Biography of the composer and program notes. Spanish translations are
welcomed (Paper and word document). No more than 100 words each one.

b) Mixed Pieces (depending on the organizers' possibilities of available
soloists; only 1 work):
- Works for soloist and electronics
- Works for piano and electronics are encouraged
- Duration no longer than 10 minutes
- Format: Audio CD or DAT
- CD-data and technical notes or diffusion score, in case of multi-channel
pieces
- The instrumental score must be sent by regular or registered post
- Please include a recording of the electronic part alone as well as another
one with the piece as a whole (electronics + acoustic instruments)
- Biography of the composer and program notes. Spanish translations are
welcomed (oaper and word document). No more than 100 words each one.

The list of selected works will be published by July 31, 2008. Selected
composers will be notified by e-mail.

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Call: Euroepean Sound Delta seeks audio art submissions

Sound Art - Call for projects & residencies - summer 2008
--> Deadline 15th of March 2008

EUROPEAN SOUND DELTA is a mobile project on the Danube & Rhine Rivers
focusing on radio-art using sounds of European cities. Two teams will be
travelling on both rivers this summer, recording sounds, producing live
performances and radio broadcasts with local sound-artists. A final
exhibition is scheduled in Strasbourg-F by the end of September 2008 as
part of http://www.ososphere.org International sound artists are invited
to apply with a project meant to be created on one of the trans-European
floating labs.
>> keywords : radio, sound art, media art, field recordings

Main Objectives:
--> To give young people the experience of a professional mobile project
--> A documentary artistic research on cultural identities of
European cities
--> Built a new european network in the field of sound art
--> Experiment ICT via innovative artistic practices

Participating countries:
--> Austria, Belgium, Bulgaria, Croatia, France, Germany, Hungary,
Netherlands, Romania, Serbia & Slovakia

Associated curators:
Valérie Vivancos (www.vibrofiles.com) and Joachim Montessuis
(www.autopoiese.org)

Participating artists & residents (list not closed) :
Aymeric De Tapol, Tonic Train, Dinahbird, Jopo Stereo, SIC: Hori Cosmin
Samoïl, Ewen Chardronnet, Alejandra Perez Nunez, Julien Ottavi, Chris
Watson, Vincent Epplay, Alejandra & Aeron, Robert Hampson, Kassel
Jaeger, AGF, Jörg Piringer, Yannick Dauby, Christian Zanesi, Phil
Niblock, Charlemagne Palestine, Jean-Philippe Roux, Gaël Segalen, Philip
Griffiths, Joachim Montessuis

Full project Description & Application Form : www.sound-delta.eu

----------------------------------------------------------------------

Thanks for all
Don't hesitate to contact us for any question.

Sincerely

Collectif MU
contact@sound-delta.eu

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Thursday, February 21, 2008

Call: Audio art sought for Canadian Electroacoustic Society's 60x60 Project

Call for Works for the first Canadian 60x60 Project (2008)*

Vox Novus, in collaboration with the Canadian Electroacoustic Community
(CEC), is inviting composers to submit recorded works 60 seconds or less
in duration to be included in the first Canadian version of the annual
60x60 project. 60 compositions will be selected to be played
continuously in a one-hour concert. The Canadian 60x60 concert season
will begin with a debut in Montréal and continue throughout Canada in
venues to be announced. Concerts may also include a visual component (a
clock, video clips, spectrographs, dance, etc.). The works will also be
broadcasted on radio stations and featured on a Sonus.ca dedicated
gallery. Please submit your recorded work(s) and submission form(s)
before 31 March (postmarked). You may submit your works online or on a
CDR; see submission guidelines below. Your work may be selected for
both the Canadian and the International 60x60 projects.

During the concert each of the 60 pieces selected will begin precisely
at the beginning of the minute, this will mark the end of one piece and
the beginning of another. There will be no pause between the pieces.
Works may be less than 60 seconds in length, but may not exceed 60
seconds. Selected works that are shorter than 60 seconds will be
"padded" with silence either before, after, or surrounding the
composition. Please note that the total duration of the work including
silence may NOT exceed sixty seconds.

Eligibility:
The call is open to composers of all ages and career stages who live in
Canada, and to Canadian composers living in Canada or abroad. All other
composers may participate in the international 60x60 project (see below).

Eligible works:
Any sound or music captured on recorded media, which does not require
live performers for its presentation in concert. The piece may be of
any style and may comprise electronic sounds, field recordings,
recordings of voice or musical instruments, or other sound sources.
Recordings of acoustic compositions SHOULD NOT be accompanied by musical
scores. Works submitted should be created specifically for this project
and must not have been previously performed or broadcasted.

More information can be found at:
http://www.60x60.yaeldad.com (Canadian 60x60)
http://www.voxnovus.com/60x60.htm (International 60x60)
http://cec.concordia.ca (Canadian Electroacoustic Community)
http://sonus.ca (SONUS, the CEC's online electroacoustic Jukebox)

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Call: Labspace Studio seeks artworks in a variety of media for "Chemical Nation" exhibition

OPEN CALL FOR SUBMISSIONS

Labspace Studio Presents

The Lab Sessions 3.0: Chemical Nation
Saturday, April 12, 2008

The Lab Sessions are a series of themed interactive art parties
hosted and curated by Labspace Studio.

Labspace Studio is looking for artists to present their work(s) for
the third installment of
The Lab Sessions 3.0: Chemical Nation.

SUBMISSION GUIDELINES:

³Chemical Nation² is a show about dependency and control. Submissions
should explore the relationship between the human body and its
dependency on chemicals and/or pharmaceuticals. Some examples: our
dependency on pills to kill headaches, control pregnancy, ease
anxiety, and induce sleep; our dependency on pesticides, plastics and
synthetics.

In a Chemical Nation, are we in control of our bodies? What have we
gained? What have we lost? What are you on?

SUBMISSION CATEGORIES:

-Painting, Collage, Photography, Drawing
-Video, New Media
-Writing, Spoken Word, Text
-Performance
-Dance
-Installation
-Music, Sound

Work will be displayed at Labspace Studio on the night of April 12,
2008. All artists are expected to financially support their projects.
We will facilitate required technologies and assist in the
installation process to the best of our ability. Keep in mind that
The Lab Sessions is a party environment! Artwork may need to be
tailored to suit the atmosphere.

To submit your work please email a brief description of your proposed
piece(s) along with supporting/portfolio material of the described
work or other work recently completed in a similar media to
info@labspacestudio.com.

SUBMISSION DEADLINE:
February 23, 2008

For more details or to submit contact:
Labspace Studio
276 Carlaw Ave (Suite 202)
Toronto, ON
info@labspacestudio.com
www.labspacestudio.com

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Call: Sound art wanted for Futuresonic 2008's "The Comfort of Strangers" project

'The Comfort of Strangers'

http://soundnetwork.omweb.org

'The Comfort of Strangers'
at SoundNetwork's Autonomous Village, Futuresonic 2008, Contact
Theatre, Manchester, UK
1-4 May 2008

Open call for submissions of audio art works: closing date - 28th March

=====

At Futuresonic 2008 in Manchester, 1-4 May, SoundNetwork will be
creating a brand new kind of social space close to the centre of the
festival where artists and visitors alike can meet, relax and
experience sonic art. Our cafe will be an exhibition and an exhibit.
Where ever you sit to drink your coffee, eat your cake, and talk
there will be access to audio work (by means of headphone outlets
inserted into the furniture) or a local network that allows you to
experience and interact with sonic art work on your own laptop. In
addition there will be live performances at our Binary Jam event
showcasing some of the best emerging talent in live sound art and
experimental music.

SoundNetwork are inviting submissions of stereo (and mono) audio work
to be shown as part of The Comfort of Strangers headphone exhibition.

With respect to the theme of the festival, The Social, we are only
seeking work created by collectives, groups, ensembles or any other
kinds of collaborations from anywhere around the world. We especially
welcome submissions from registered members of the network and would
encourage you to register with us on our website. Work made by
individuals will not be accepted for this exhibition.

You can download an application form at: http://
soundnetwork.omweb.org and find out more about how to send us your work.

The closing date for this call is 28th March 2008.

http://www.futuresonic.com
http://soundnetwork.omweb.org

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Wednesday, February 20, 2008

Call: Centro Cultural Montehermoso Kulturunea Art and Research Grants Available

CENTRO CULTURAL MONTEHERMOSO KULTURUNEA
ART AND RESEARCH Grants 2008

call for entries
http://www.montehermoso.net/index.php?/arte

Montehermoso 08
The Centro Cultural Montehermoso Kulturunea presents the eighth edition of the grants Support for Creation and Research in Contemporary Art and Thought. This initiative, promoted by Vitoria-Gasteiz Town Council, aims to facilitate the production of the selected projects, as well as their exhibition. In order to make this possible, the grants offered are aimed at Artistic Creation, Curatorship and Research. Authors of any nationality, regardless of age, can present their projects individually or collectively.

Artistic Creation
Awarding of 8 grants for unpublished art projects which are in the production phase or which must be produced during the extension of the grant. The Grant includes an exhibition in the space of the Montehermoso Cultural Centre, within the 2009 programme.

Curatorship
Awarding of 1 grant for a unpublished curatorial project including the participation of at least four contemporary creators. The proposal must be under production or must be produced during the extension of the grant.

Research
Awarding of 3 grants for research projects related to Contemporary Art and Thought. Within this section, at least one of the grants will be aimed at projects related to the development of a Historiography of Feminist Art in Spain.

Film Script
Awarding of 1 grant for a film script project. The proposal must be under production or must be produced during the extension of the grant.

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Call: Murcia Festival seeks artists to collaborate on the theme of sustainability

Dept. of Culture Region Murcia
FESTIVAL SOS 4.8 MURCIA

CALL FOR ARTISTS
http://www.sos48.com/en/index.php?seccion=1

Murcia launches the Event SOS 4.8: 48 hours of non-stop artistic creation related to the concept of sustainability

The City of Murcia has been very active these past years in the field of contemporary culture. One of the outstanding institutions is the CENDEAC (Centre for Documentation and Advanced Studies of Contemporary Art) which has organized conferences, panels, and symposiums with key thinkers such as Antonio Neri, Slavoj Zizek, Zygmunt Bauman, Nicolas Bourriaud, and James Clifford.

Pedro Alberto Cruz, former director of CENDEAC and actual Counsellor of Culture of Region Murcia, explains that Murcia has always had a great interest in promoting the study and production of contemporary art practices. And in this sense –he proceeds- the Festival SOS 4.8 aims to be an original proposal to contemporary cultural practices reflecting around the concept of sustainability and allowing a fruitful dialogue among disciplines like visual arts, Visual Jockeying (VJ), net art, performance, music, and theory.

INCLUSIVE SUSTAINABILITY
Sustainability basically means meeting the needs of the present without compromising the ability of future generations to meet their own needs. In words of the artistic director, Paco Barragán, SOS 4.8 understands sustainability not only in exclusively ecological terms –an issue that has become very urgent but at the same time very trendy these days-, but also as a concept that allows us to reflect and re-frame visual culture, democracy, information society, techno-sustainability, consumer society –CULTURE- as well as tourism, immigration, nature, and urbanism –ENVIRONMENT.

48 HOURS FORMAT
New times impose new challenges, and as a result suggest new formats. Thus SOS 4.8 has been conceived as an intense laboratory where during 48 hours artistic creation and exhibition will go hand in hand blurring the strict lines between artist and audience. Thus, all the selected works will be produced in situ in 24 hours and exhibited the next 24 hours. The artist will have the exhibition site or the city of Murcia as stage to carry out his or her proposal.

FROM INTERPASSIVITY TO INTERACTIVITY
From the traditional artistic institutions interpassivity (Robert Pfaller), wherein communication is only one-way, hierarchical, and imposed on the visitor, SOS 4.8 proposes a more democratic and exciting concept of interactivity by allowing the public to assist and be part of the artistic process. Culture, art and artistic practices are not any longer medium-based but idea-based. So visual artists, not only stick to their medium but engage with Visual Jockeying (VJ) and Digital Film -Micha Klein-, or play in a gothic rock band -Marc Bijl-, thus creating challenging exchanges between contemporary culture and arts.

CURATORIAL TEAM
SOS 4.8 has selected a diverse and distinguished international curatorial team:
-Christiane Paul, Adj. Curator New Media Whitney Museum (USA)
-Rirkrit Tiravanija, artist and curator, (Argentina/Thailand)
-Paco Barragán, independent curator and artistic director SOS 4.8 (Spain)

OPEN CALL AND SECTIONS
SOS 4.8 is a mix of invitational and open call. All artists are invited to take part in the open call, regardless of their nationality, residence or age. A total of 6 artists will be selected by the curators from the proposals sent via the open call to our website http://www.sos48.com for the following sections:
I) Visual Arts
II) Net Art or Visual Jockeying (VJ)
III) Performance

The 6 artists from the open call will be invited, together with 6 artists selected directly by the curators, and 3 artists from Murcia selected by the Artistic Director, to come to Murcia to carry out the selected proposal on the 2nd and 3rd of May 2008.

ARTIST PER DIEM AND PRODUCTION BUDGET
The selected artists will receive the following:
I) (Total) Artist fee of 2..500 Euros
II) Production/Equipment materials up to 2..000 Euros
III) Flight and Hotel up to 2.500 Euros

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Tuesday, February 19, 2008

Call: Transhift 2008 seeks new media works for two day festival in Tennessee

Transhift 2008

Tue Apr 1, 2008
(Timezone: Eastern Time - Montreal)
http://knoxvillearts.org/transhift08/ (map)
Calendar: Audio Calls

New Media for Transhift 2008

February 16, 2008 at 4:44 pm · Filed under calls: external, soundart, film/video, multi media

Call for entries
Deadline: 1 April 2008

Transhift
is a time-based new media art festival. This juried two-day festival will occur on May 2-3 at several venues in downtown Knoxville, Tennessee. The first-of-its-kind in Knoxville, this event will involve galleries and public spaces. The viewers’ experience will be framed by their transit from one piece to another - through downtown.

This call is open to all artists working in time-based new media; which includes but is not limited to video art, animation, and sound art. The deadline for entries is April 1, 2008. For more information and submission instructions, visit our website at

Entry Form
http://knoxvillearts.org/transhift08/entry_form.pdf
http://knoxvillearts.org/transhift08/

Submission should be sent to
Transhift 08
317 N Gay St.
Knoxville, TN 37917

For more information, please contact
TranshiftKnoxville@gmail.com

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Call: Centre For Art Tapes seeks videos on a tourism/travel theme

Open Call: Tourism/Travel videos
Deadline Monday, April 28, 2008
Centre for Art Tapes
The Centre for Art Tapes, once again is partnership with the Dalhousie University Art Gallery, has an open call to Canadian artists and distributors for videos dealing with the theme of Tourism/Travel as it relates to questions of “the other”, alien adventures, neo-colonial tropes, worst nightmares, and mistakes, both humourous and tragic, based on cultural misinterpretations.

The videos will be presented on May 10th, 2008 at a one-night screening, following which they will be presented in the Dalhousie Media Gallery for three weeks. Artists’ fees will be paid.

Specification: Shorts and longer works up to 20 minutes, completed since 2000.

Submission Preview Formats: Please send description of video and bio of artist(s) with your submission, preferably on DVD or VHS.

Only those included in the screening will be contacted. If you would like your submission previews returned, please include a self-addressed, stamped return envelope.

Deadline: Friday, March 28, 2008

The Centre for Art Tapes
Attn: Tourism/Travel
5600 Sackville St. Suite 207
Halifax. NS
B3J 1L2
902-420-4115
cfat.programming@ns.sympatico.ca

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Monday, February 18, 2008

Call: STATIC7 seeks critical text about catastrophe, aesthetics, and narrative

Call for Submission to STATIC 7

DUE: Tue Apr 1, 2008
(Timezone: Eastern Time - Montreal)
http://static.londonconsortium.com/index.php


What happened, has not happened: thus spoke patience, that the end might not be hurried.

Maurice Blanchot, The Writing of The Disaster.

The catastrophe takes care of everything: from Greek tragedy to sci-fi, from ethics to (an)aesthetics, from architecture to game theory, from opera to snuff. Static 7 aims to reconstruct the contradictions and oppositions of the catastrophic narrative, which is peripheral yet at the centre of all things, consigned to the past and always to be reinstated.

Static 7 intends to pace the epistemic disaster zone, reading its debris through contributions which explore the notion of catastrophe in literature, architecture, art, politics, science, music and economics, drawing on sources as diverse as Aeschylus and Virilio, Kant and Beckett, financial risk analysis and nuclear reactor meltdown.

Please send your queries and submissions to static.catastrophe@googlemail.com

Static is the online journal of the London Consortium, a unique collaboration between the Architectural Association, Birkbeck College, the Institute of Contemporary Arts, the Science Museum, and Tate.

We welcome a broad range of written, visual and digital submissions. Please contact the editors at the email addresses given above for submission guidelines and further information.

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Call: Papers wanted for "Embodied Politics in Visual Autobiography"

Call for Papers

Embodied Politics in Visual Autobiography

We invite contributions for a proposed collection of essays on visual
autobiography, focusing on health, bodies, and embodied subjectivities.
The collection will consider how cultural practices of self-narration
and self-portraiture image and imagine unruly bodies and, in so doing,
respond to Patricia Zimmerman's call for "radical media democracies
that animate contentious public spheres" (2000, p. xx).

How are health, dis/ability, and the body theorized, materialized, and
politicized in visual autobiographies, including forms such as
photography, video art, graphic memoir, film, body art and performance,
and digital media? We are particularly interested in the potential of
visual autobiographies to:
-explore how bodies negotiate disciplinary regimes and technologies
-produce counterdiscursive manoeuvres and new representational spaces
-investigate how power/knowledge relations constitute embodiments
-provoke critical and ethical reflection

We welcome contributions from academic- and arts-based researchers and
practitioners. We encourage a wide range of critical perspectives:
cultural studies, critical theory, disability studies, feminist
studies, critical race studies, diaspora studies, queer studies,
Aboriginal studies, globalization studies, literary studies, art
history, music, media studies, theatre and performance studies.
Analytic approaches could involve: textual analysis; histories,
presents, and futures; practices and practitioners; and pedagogy.

Possible topics:
dis/ability
sickness/wellness
disease
bodies negotiating borders and boundaries
traded and disappeared bodies
trauma and testimony
memory and memorializing
monstrosity
care of the self
care-giving
fatness and body size
aging
body alterations and transformations
environments
activisms

Send a 300- to 500-word abstract, working title, and a brief bio, by
email in a Word attachment, to Sarah Brophy (brophys@mcmaster.ca) and Janice Hladki (hladkij@mcmaster.ca) on or before May 15, 2008.
Inquiries are also welcome. Final papers should range in length from
4000-8000 words.

About the editors: Sarah Brophy is an Associate Professor in English
and Cultural Studies, McMaster University. Janice Hladki is an
Associate Professor in Theatre and Film Studies, McMaster University.

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Wednesday, February 13, 2008

Call: European Mobile Lab for Interactive Artists

European Mobile Lab for Interactive Artists

Sun Mar 16, 2008
(Eastern Time - Montreal)
http://www.media.uoa.gr/emobilart (map)
Calendar: Audio Calls

call: European Mobile Lab for Interactive Artists

February 12, 2008 at 9:19 pm · Filed under calls: external, film/video, multi media, projects

Call for entries
Deadline: 16 March 2008

e-MobiLArt: European Mobile Lab for Interactive Artists

European Mobile Lab for Interactive Media Artists (e-MobiLArt) is a project tailored around the process of creating collaborative interactive installation artworks. Such interactive mediated environments may involve the use of multimodal interfaces, ubiquitous computing and mobile or locative media technologies.

The e-MobiLArt project aims to provide selected participants with an ideal context, that will allow them to travel, collaborate and exhibit their work.

During this project, artists and scientists who are active in creating interactive media art or pursuing innovative interdisciplinary research will have the opportunity to:

- create interactive installation artworks
- collaborate with other artists and scientists from different countries
- get technical support and tuition from experts on using innovative technologies for creating interactive art
- meet, discuss and collaborate with curators and museum organizers
- exhibit their work in at least two different European countries
- document their work in a special issue of Leonardo Electronic Almanac and the exhibition catalogue
- participate in an international network of artists, researchers, academics and theorists

Eligibility / requirements:

Artists from all disciplines are encouraged to apply to e-MobiLArt: interactive installation artists, video artists, visual artists, net artists, as well as musicians, choreographers, performance artists and others who wish to experiment with the use of interactive technologies.

Individuals with a scientific background and the willingness to experiment in a collaborative artistic project, as described above, are also eligible.
Selected participants will attend three (3) workshops.

During (and in between) the workshops, participants will work in groups in order to develop their projects by:

- Following an open process of artistic creation and experimentation
- Getting support on technical and theoretical issues
- Complementing each other’s skills within an interdisciplinary collaborative creative process
- Enhancing their technical skills through hands-on creative activity
- Creating artworks that will reflect the process of intercultural dialogue
- Participating in an on-line network of communication
Dates of the workshops: (precise dates will be announced till the end of February)
- 1st Workshop: Athens, June 2008
- 2nd Workshop: Rovaniemi, August 2008
- 3rd Workshops: Vienna, February 2009

Exhibitions:

After the workshops, the resulting interactive installation artworks will be exhibited in at least two museum / gallery spaces: the State Museum of Contemporary Art in Thessaloniki, Greece (possibly during the 2009 Biennale) and the Gallery of the Academy of Fine Arts in Katowice, Poland.

These exhibitions will take place in autumn 2009.

Deadline for applications: Sunday, March 16th, 2008.

Project partners and sponsors:

The e-MobiLArt Project is under the support of the CULTURE 2007 Programme of the European Union. It is co-coordinated by the University of Athens (Greece). Co-organising partners are: the University of Applied Arts Vienna (Austria) and the University of Lapland (Finland).

Associate partners are: Leonardo/OLATS (France), Group Haute Ecole ICHEC Saint Louis (Belgium), State Museum of Contemporary Art in Thessaloniki (Greece), The Academy of Fine Arts - Katowice (Poland) and Cycling74 (U.S.A.).

More information and the full application form for participation can be found at:

URL: http://www.media.uoa.gr/emobilart
emobilart@gmail.com

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Call: The 2nd Giga-Hertz-Award for electronic music is

Giga-Hertz-Award 2008

Sat Apr 19, 2008
(Eastern Time - Montreal)
www.giga-hertz-preis.de (map)
Calendar: Audio Calls

Giga-Hertz-Award 2008

Call for Application: The 2nd Giga-Hertz-Award for electronic music is
open for entries. Online Submission Deadline: April 19, 2008

In 2007, the ZKM | Institute for Music and Acoustics and the
SWR-EXPERIMENTALSTUDIO in Freiburg inaugurated the annual
Giga-Hertz-Award for electronic music. This new international music
award with its future-oriented concept exists thanks to the initiative
and commitment of ZKM director Peter Weibel. The award is funded by the
city of Karlsruhe and the Federal State of Baden-Wuerttemberg.
The Giga-Hertz-Award addresses composers working in the areas of
electronic and acousmatic music. Four Special Prizes are awarded once a
year by an international jury, and serve to initiate and support new
projects. Candidates are judged on the basis of a composition not more
than five years old and a proposal for a projected work.

The Special Prize consists of a project realization grant with which the
prizewinners realize their submitted proposal either at the ZKM |
Institute for Music and Acoustics in Karlsruhe or at the
SWR-EXPERIMENTALSTUDIO in Freiburg. This includes technical support and
guidance by the studio.
The four Special Prizes are endowed as follows:
2 x Euro 8,000 in form of a realization grant at the ZKM | Institute for
Music and Acoustics in Karlsruhe;
2 x Euro 8,000 in form of a realization grant at the
SWR-EXPERIMENTALSTUDIO in Freiburg.

To apply and for further information please visit www.giga-hertz-preis.de

Please feel free to forward this to all interested parties.

With best regards,
Ludger Bruemmer
Head of ZKM | Institute for Music and Acoustics


-----------------------------------------------------------------------

ZKM | Center for Art and Media
Institute for Music and Acoustics
Giga-Hertz-Award
Lorenzstrasse 19
76135 Karlsruhe
E-mail: music@zkm.de
www.giga-hertz-preis.de

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Call: W.I.P. New Dance Series seeks choreographers

looking for artists - please pass on this call! Thanks!
To members of W.I.P. New Dance Series

Jackie Latendresse
12:53pm Feb 12th
Reply
Please forward this call for contemporary choreographers to artists or arts organisations that you you would like to see at the series or that you think may be interested in applying to showcase their work.
Thanks very much!

CALL FOR CHOREOGRAPHERS

The W.I.P. (works in progress) Series in Saskatoon, Saskatchewan is looking for professional and emerging choreographers to present original and innovative works in progress in Saskatoon. Jackie Latendresse is the Series Coordinator. Informal showings will take place twice a year and the season culminates in a Gala event of finished works. The first showing of work will be on May 17th 2008 and the second batch of choreographers will be presented in September 2008. The Gala event is to be held in December 2008.

Priority will be given to Saskatchewan based artists however; national applications are encouraged. Please send:
1. A brief description of the proposed W.I.P. (work in progress) Max. 1 page
2. A current dance resume. (include phone #, email and mailing address)
3. A short statement detailing the type of audience feedback that would most help you to continue to develop your work. Max.1 page
4. Using the guidelines from the Canadian Artists Code describe your status as professional or emerging. Guidelines are available at www.freeflowdance.com under the W.I.P. logo.
Applications are being accepted immediately and are accepted on a first come, first served basis. Up to five Choreographers will be accepted for each performance. There will be two in studio performances. Please specify which showing you would prefer to present your work at.

W.I.P.’s should be an exploration using contemporary/modern or experimental style. Choreographers will receive no less than five and no greater than twelve minutes to present their work. They will be expected to speak about their work prior to or immediately after the presentation of it for up to a maximum of ten minutes. Written audience feedback will be collected and distributed to the choreographers. An honorarium will be available for professional choreographers. Billets will be provided for all out of town parties upon request. The W.I.P. Series uses the definition of a professional artist outlined in the Canadian Artists Code and used by the Canadian Alliance of Dance Artists. All artists presented will be considered for participation in the final Gala of finished works in the autumn.

Please send your applications to:
W.I.P. Series Attention J. Latendresse
2B 305 26th St E.
Saskatoon SK
S7K 0L9
freeflowdance@hotmail.com
(306) 665-5998

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Monday, January 28, 2008

Call: 2008 World Telekinesis Competition

http://www.noxioussector.net/wtc/call.html

http://www.facebook.com/group.php?gid=9978634809

2008 World Telekinesis Competition
Deluge Contemporary Art

Victoria (BC) Canada. May 16 - June 14, 2008

CALL FOR PARTICIPATION

Noxious Sector Artist Collective (Ted Hiebert, Doug Jarvis and Jackson 2bears) -- in collaboration with Deluge Contemporary Art -- is currently inviting submissions for the 2008 WORLD TELEKINESIS COMPETITION, a curated performance initiative to be held at Deluge Contemporary Art from May 16 - June 14, 2008 in Victoria, BC (Canada).

DEADLINE: February 29, 2008


THE WORLD TELEKINESIS COMPETITION

THE 2008 WORLD TELEKINESIS COMPETITION is a first of its kind event, in which teams from around the world will compete to psychically influence the behavior of a candle. Players are not expected to be physically present during competition, but rather will compete remotely from their home locations around the world. The World Telekinesis Competition is an open event, and all teams who satisfy the submission requirements will be included in the competition.


PROJECT STATEMENT

The 2008 WORLD TELEKINESIS COMPETITION will organize teams from disparate geographic locations to enact their own visions of telekinetic potential in competition with one another, with the ultimate aim of crowning a singular winning team. The winning team will receive a trophy as well as bragging rights, both of which will -- eventually -- be returned for the subsequent year's competition. The first of a yearly series of competitions, the 2008 WORLD TELEKINESIS COMPETITION is also a first-of-its-kind international event, open to artists, psychics, and otherwise interested parties who are willing to engage with the competitive framework according to which this competition will proceed.

Telekinesis -- the remote psychic influence of object behavior -- has a history of controversy and provocation. Neither proven nor dis-proven, the possibility of remote psycho-kinetic influence remains active as a potentially relevant force within our current modalities of understanding. We invite explorations into possible strategies for telekinetic influence -- not stated, but enacted through competitive interaction with other like-minded teams. Stated otherwise, our mission is not to explore rhetorical strategies for telekinetic participation but rather to assess the relative merit of any given method of psychic influence by its equally relative efficacy in a competitive setting.


COMPETITION STRUCTURE

The 2008 WORLD TELEKINESIS COMPETITON will follow basic competitive rules for multi-team events. Based on an assessment of the number of participating teams, a preliminary competitive structure will be randomly determined, in which 2 teams will compete to psychically influence the behavior of a remotely-located game candle. The winning team will advance to the subsequent round while the losing team will be eliminated. This competition structure will continue until only one team is remaining. This team will be crowned the winner of the 2008 World Telekinesis Competition.


PARTICIPATION

In order to qualify for participation, teams must satisfy the following criteria:

1. Teams must be comprised of three (3) individuals.
2. Teams must compose or design or appropriate a team logo for inclusion in the 2008 WORLD TELEKINESIS COMPETITION competition schedule.
3. Each team member must provide a personal photograph and biographical statement for inclusion in the 2008 WORLD TELEKINESIS COMPETITION competition schedule.
4. Teams must agree to abide by the rules of the competition, as articulated at the following URL: noxioussector.net/wtc/rules.html


SUBMISSIONS

In order to qualify for competition, teams must submit the following:

1. A statement of interest and/or method addressing the concept of telekinetic competition;
2. A list of the three (3) members who comprise the team, as well as a concise (max 200 words) biographical statement for each team member;
3. A web-resolution (max 2MB) image of each team member;
4. A team name and an associated team logo for inclusion in the competition schedule and related publicity material;
5. A statement of availability for competition -- articulating weekend availability between May 16th and June 14th, 2008.

SUBMISSIONS should be sent by email to: noxious@noxioussector.net with ATTN: WORLD TELEKINESIS COMPETITION as the subject line.

DEADLINE: February 29, 2008


CONTACT

Formal submissions should be directed to: noxious@noxioussector.net

Informal inquiries can also be sent to the individual members of the Noxious Sector arts collective:

* Jackson 2Bears: mail@jackson2bears.net
* Ted Hiebert: ted_hiebert@yahoo.com
* Doug Jarvis: dougjarvis@gmail.com


ABOUT US

NOXIOUS SECTOR is a formalized forum for informal inquiry. Dedicated to the exploration of questions of the imaginative, the paranormal and the absurd, Noxious Sector attempts to redefine the meaning of artistic possibility through extended propositions that challenge consensual norms while also provoking stimulating forums for dialogue and discourse. Our past projects can be viewed at noxioussector.net.

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Thursday, January 10, 2008

Call: Interaccess seeks a Curatorial Intern

InterAccess is currently accepting applications for the position. The deadline is Friday January 25th, so get on it! Here are the details:

Call for applications: Curatorial Internship at InterAccess, Toronto
Deadline: Friday, January 25

InterAccess is seeking an organized and motivated student or recent graduate for our annual Curatorial Internship.

InterAccess is dedicated to expanding the cultural space of technology. We fulfill our mandate through our internationally renown exhibition programmes, media production studio and innovative educational activities. A unique centre in the country, InterAccess has been at the forefront of electronic and new media arts in Canada since 1983. For more information about InterAccess visit www.interaccess.org

Nature and Scope of Position

Reporting to the Director and supervised by the Assistant Curator/Education Coordinator, the Curatorial Intern is given the opportunity to learn about all aspects of programming within an artist-run, media arts centre environment. This unpaid internship is ideally 7-14 hours per week from February through April, and approximately 7-10 hours per week from May through August, and is slated to begin February 2008.

This Curatorial Internship programme began in 2001 and is an ideal placement for an undergraduate student in his or her final year of study. Past Curatorial Interns at InterAccess have gone on to work in such institutions as the Doris McCarthy Gallery at the University of Toronto, Xpace Gallery in Toronto, Space Media Arts in London UK, and Transmediale in Berlin, Germany.

The primary responsibility of the Curatorial Intern is the development of the annual Emerging Artist exhibition. The intern will develop a coherent and relevant theme for the exhibition, select approximately five works from graduating new media students within Southern Ontario and Canada, assist in drafting an exhibition budget, develop promotional strategies, write a curatorial statement and manage the installation of the exhibition in July 2008. The 2006 Emerging Artist Exhibition, Press Play, received a rave review in the Toronto Star, and the 2007 exhibition, 2 Steps Back, received a glowing review in the Globe and Mail. This opportunity provides wide exposure for both the curator and the artists.

The Curatorial Intern also assists with other duties at InterAccess. He or she is an invited participant on the InterAccess Programme Advisory Council (PAC). Additional duties may include organizing submissions for review, assisting with distribution of listings and other communications duties, assisting with installation and event set-up, researching materials for upcoming exhibitions and events, general office assistance and gallery sitting.

Qualifications

The ideal candidate will be in his or her final year of study in a related programme at a post-secondary institution in the GTA (or within commuting distance). Recent graduates will also be considered.

He or she will possess:

* Strong knowledge of contemporary media and visual art practices, especially within Canada.
* Excellent oral and written communication skills.
* Excellent computer skills (Mac environment).
* Superior organizational skills.
* The ability to deal with diverse public audiences; must be friendly and tactful.
* The ability to work in a self-directed manner as well as in a team environment.

This unpaid internship offers a small curatorial honorarium upon successful completion. This internship may be used for course credit, if applicable to the intern’s programme of study.

How to apply

Submissions must include:

* Your CV.
* A cover letter (maximum 2 pages) detailing your experiences and interest in media arts.
* A short statement of a possible theme to be explored for the Emerging Artist exhibition (250 words).
* Names and contact information for two referees, preferably one academic and one professional.

Please send submissions to:
Dana Samuel, Director
InterAccess Electronic Media Arts Centre
9 Ossington Avenue
Toronto, Ontario Canada
M6J 2Y8
dana[dot]samuel[at]interaccess[dot]org

InterAccess does not accept email proposals. Please send your application via post. Thanks!

We thank all applicants for their time and interest in InterAccess, however please understand that our application process is highly competitive. Only those selected for an interview will be contacted.

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Sunday, January 06, 2008

Call: Bent 2008 : The Fifth Annual Circuit Bending Festival

The Tank is currently accepting proposals for:
Bent 2008 : The Fifth Annual Circuit Bending Festival

Festival Dates:
New York Bent Festival - April 17th-19th, 2008.
Los Angeles Bent Festival - April 24th-26th, 2008.
Minneapolis Bent Festival - May 1st-3rd, 2008.

Proposals:
Proposal Deadline: February 5th, 2008
Participant Notification: February 15, 2008

This call is for all three festivals.

Proposals to each festival must be submitted separately. In keeping with the expanding interests of the community, this year we are continuing to open the Bent Festival to performers and artists that create their own electronics as well as to those who hack, bend, modify and destroy them.

We are currently seeking performers and artists to participate at each of the above locations and are specifically looking for submissions in these categories: Performers, Installation Artists, Artwork Submissions and Workshop Instructors.

Please send all proposals and questions to the appropriate email address:
Minneapolis Bent Festival - bentmpls@thetanknyc.org
New York Bent Festival - bentnyc@thetanknyc.org
Los Angeles Bent Festival - bentla@thetanknyc.org
Proposals to each festival must be submitted separately.

PERFORMERS
Bent Festival seeks bands and/or solo artists who incorporate home built or circuit bent instruments or ideas in their performance.

To have your work considered: Please email a short description of your act, along with a link to mp3s and photos if you have them. (Please do not send attachments larger than 1MB).

INSTALLATION ARTISTS
Bent Festival is looking for installation artists who can commit at least 15 hours to creating site-specific pieces of art at each of the venues during the duration of the festival. Each of the three venues (New York, Minneapolis and LA) are quite different but our goal is
to have artists creating work for each of them. Installation artists will be provided with space, materials, electronic equipment and tools as we are able.

To have your work considered: Please submit via email a one-page proposal of your installation idea along with examples of your past work. Please be prepared to commit to spending time in the installation space during the festival and be prepared for a shared
and at times hectic work environment. No white walls here!

ARTWORK SUBMISSIONS
In addition to installation artists, we would like to have featured art work that fits with the spirit of the festival from people who might not be able to join us in person or who cannot commit to working in the space during the duration of the festival.

To have your work considered: Please submit via email digital images or links of your work and a brief description.

WORKSHOP INSTRUCTORS
Bent Festival is seeking workshop instructors to present on various topics. Topics in previous years have included: General circuit bending workshops for beginners and extremely technical, hands on workshops on a particular aspect or niche of the genre.

To have your work considered: Please describe the subject you would like to lead a workshop on and provide a one-page description of that workshop, in addition include links or examples of your current and past work in the field.

COMPENSATION
Stipends for all festival performers, artists, and workshop leaders will be provided. We have a limited number of travel grants available as well. Please contact for more information.

CONTACT INFO
Each festival has its own submission email address, so please apply accordingly.
To apply to multiple festivals, you must send your submission to each email address separately.
Minneapolis Bent Festival - bentmpls@thetanknyc.org
New York Bent Festival - bentnyc@thetanknyc.org
Los Angeles Bent Festival - bentla@thetanknyc.org

Thanks,

Mike Rosenthal
Managing Director
The Tank
http://www.thetanknyc.org
http://www.bentfestival.org

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