Friday, December 22, 2006

Call for Proposals: Dazibao

CALL FOR PROPOSALS
DEADLINE > JANUARY 1ST

Dazibao's programming is established by combining the submissions
received as part of the call for proposals and/or from the initiatives of
the board. Please submit only once a year. A floor plan of the gallery
can be downloaded from our website.

YOUR EXHIBITION PROPOSAL MUST INCLUDE

1. a maximum of 20 slides, well identified, accompanied by a slide list
(title, medium, size and date) or CD-ROMs (formatted in PowerPoint, MAC
compatible) or DVDs (video work) (we will not accept web links or any
variety of digital images sent by e-mail); please do not send original
work
2. a clear description of your project
3. an artist statement
4. a curriculum vitae
5. a self-addressed stamped envelope

You must include a self-addressed stamped envelope in order for your
application to be considered. If you are sending a submission from
outside of Canada, please send postage in the form of an international
money order or international stamps. We do not accept proposals via
e-mail or fax. Incomplete submissions or submissions sent after the
competition closing date will not be accepted. Results are communicated
within six months.


Dazibao, centre de photographies actuelles
4001, rue Berri, espace 202
Montreal (Quebec) Canada H2L 4H2

Contact : Jennifer Campbell
phone : 514.845.0063
info@dazibao-photo.org
www.dazibao-photo.org

Callout: "Walking and Art" Residency at the Banff Centre

Walking and Art

Program dates: September 17 – November 2, 2007 (seven weeks)
Application Deadline: March 2, 2007 Notification date: End of April,
2007

A thematic residency for up to 25 artists, writers, theorists, and
curators working in all media.
Walking, one of the most basic of human activities has long been both
inspiration and subject of exploration for artists. Whether the
location is rural, urban, interior or imaginative, walking continues to
stimulate. Now, more than ever, we are witnessing burgeoning activity
in this surprisingly rich and interdisciplinary field. Walking is a
central element and driving force in many art practices, in current
writing, theoretical investigation, and curatorial projects. From the
haikus of Basho to Baudelaire’s theory of the " flâneur " to the
current interest in psychogeography, walking continues to animate
contemporary art practice.
Banff and the Rocky Mountains with its surrounding network of trails,
history, and culture of walking, provide the ideal context for further
exploration of this subject. The Walking and Art residency welcomes
artists, writers, and curators who wish to pursue their practice,
create new work, present and discuss ideas, and of course, walk.
Apply today for this outstanding residency opportunity!



For more info and to register

Visual Arts

The Banff Centre
Box 1020, Station 14
Banff, Alberta T1L 1H5
Canada

Email: arts_info@banffcentre.ca
www.banffcentre.ca/va

Callout: In the Mix (Live Video Mixing!)

In the Mix
Call for Submissions

Due: 02.15.07

In the Mix is a gallery based performance series focused on live video
mixing and its improvised intersection with music. It will take place
August 24-26th, 2007 at the Museum of Contemporary Canadian Art (MOCCA)
in Toronto, Canada.


The three-day series will feature:

* Live video mixing performances during the evenings.

* A curated program of short video works by artists working with live
video mixing as part of their artistic practice. Works that are
representative of each artist's approach to live mixing will be
displayed with audio in a separate viewing space as loops - each a
maximum length of 15 minutes.

* An audio/video midi-drum-circle open to public participation in the
daytime.


Interested artists need not have formal artistic training or come from
the contemporary arts community. Clubbers, scientists, bedroom-based
independents, commercial media makers, collectives and interactive
audio/video groups, all will be appraised from an open and curious
perspective!

If you would like to be considered for this series, please submit a
short video (15 minutes or less) on VCD, DVD, VHS or MiniDV, or on CD
(quicktime movie format), along with a completed submission form. The
submitted piece should either be a live recording of a section of a
video mix or strongly representative of your live work.

Get your submission form here: http://inthemix.tinytoad.com/


Mail your well-labeled submission, along with a self-addressed stamped
envelope (If you would like your work returned) to:

In the Mix
Attn: Hri Neil
Studio 2
444 Bathurst St.
Toronto, ON
M5T 2S6


Questions? Hri Neil Independent Curator/Artist 416-270-9207
mashdownmedia@gmail.com

(Please note: as the scope and nature of the event are dependant upon
submissions and secure funding, final dates and definitive confirmation
of the event are still pending. Confirmation of the event and the
participants will be announced by May 4, 2007.)

Call for Papers: Heritage Canada Foundation 2007 Annual Conference

Heritage Canada Foundation /
La fondation Héritage Canada

Communiqué


The Heritage Canada Foundation 2007 Annual Conference
Big Plans for Old Places: Heritage and Development in Canadian
Communities
October 11 - 14, 2007 Edmonton, Alberta

Call for Abstracts and Proposals

Our 2007 conference will be an essential event for heritage decision
makers, planners, architects and developers, community activists,
advocates and consultants. Let's set the stage for a national
conversation about protecting and sustaining the historic built
environment!

We invite expressions of interest for presentations, panel discussions,
workshops and more. Please click Call for Abstracts for submission
details:
http://www.heritagecanada.org/eng/services/CallForAbstracts_EN.pdf


***********************************************************************


La conférence annuelle 2007 de la fondation Héritage Canada
Grands projets pour les lieux historiques : le patrimoine et l'essor
des collectivités canadiennes
Du 11 au 14 octobre, 2007 à Edmonton (Alberta)

Invitation à présenter des exposés et énoncés

Notre conférence annuelle 2007 sera un événement incontournable pour
les décideurs, planificateurs, architectes et promoteurs, activistes
communautaires, défenseurs, et experts-conseils s'intéressant au
patrimoine. Préparez le terrain pour un dialogue national sur la
protection et le maintien de l'environnement bâti historique.

Nous invitons les déclarations d'intérêt envers la présentation
d'exposés, de discussions d'experts et d'ateliers. S.V.P. cliquez
Invitation à présenter pour plus d'information :
http://www.heritagecanada.org/fre/services/Invitationapresenter.pdf




Catherine C. Cole
Catherine C. Cole & Associates, heritage consultants
10023 93 Street
Edmonton, Alberta
T5H 1W6
(tel/fax) 780-424-2229
CatherineC.Cole@telus.net

Thursday, December 14, 2006

Call for Papers: perthDAC 2007 - The Future of Digital Media Culture

Call for papers: perthDAC 2007 - The Future of Digital Media Culture


7th International Digital Arts and Culture Conference 15 -18th September 2007, Perth, Australia. http://www.beap.org/dac KEYWORDS - computer games, hypertext theory and literature, new media narrative, streaming media, interactive and networked performance, digital aesthetics, interactive cinema, theory, art, bio-art, nano-art, augmented reality, cyberculture, electronic fiction, electronic music, electronic art, games culture, games system design, games theory, interactive architecture, cinema and video, MOOs, MUDs, RPG, virtual reality, virtual worlds.

BEAP (Biennale of Electronic Art Perth)
http://www.beap.org/

perthDAC 2007 : The future of digital Media
http://www.beap.org/dac

Wednesday, December 13, 2006

Callout: Video Projects for "Testing the Waters", presented by Her-icane GoDiva and Paved Arts

Testing the Waters ~ Call for Submissions

The DEADLINE for submissions is Friday, January 12, 2007. Registration Fee:
$20.00

Her-icane GoDiva, in collaboration with Paved Arts, is calling for
single-channel video and film productions with a feminist perspective.

Testing the Waters is the first in what we hope will be an annual screening
series of feminist film and video as part of the Her-icane GoDiva, the
Annual Festival of Women's Art in Saskatoon, Saskatchewan .

The history of feminism is often delineated in terms of “waves”. From the
Suffragettes to Gloria Steinem to Naomi Wolfe, these three political waves
have often been characterized by a single catch-phrase (Ban the Bra), a
sensational act or a charismatic leader in popular culture. So where is the
next wave? Are we witnessing a feminist low tide?

Testing the Waters is seeking film and video productions that reflect
current trends and concerns of contemporary feminism or examine the history
of this movement.

Application Process & Categories
Applicants should apply to one of two categories: Established or Emerging.
An established artist is one who:
• has completed at least two pieces of artistic work;
• has had work selected for public exhibition by jury or professional
selection;
• is recognized as such by her peers.
An emerging artist is one who:

• has completed basic training, which could be informal or an
apprenticeship;
• has completed at least one artistic work.

Work will be considered in both categories.
Materials

* All lengths and genres of work will be considered.
* Please submit preview copies only in NTSC VHS or DVD formats. Do not
send master copies.
* Include a SASE if you want your copy returned.
* Include a CV, bio and brief description of the work submitted.
* Deadline for submission of materials: Friday, January 12, 2007.
* Payment options: credit card, money order or cheque.
* Screening Fees – CARCC scale
Up to 15 minutes - $88, up to 30 minutes - $129, up to 90 minutes -
$177.

Notification

Address your submission by Friday, January 12, 2007 to:

Her-icane GoDiva, The Annual Festival of Women's Art
Film and Video
25 th Street Theatre Centre
#400 – 245 3 rd Avenue South
Saskatoon , SK S7J 2W3

If you prefer to send in your application via the web, please go to
www.hericaneartsfestival.org. Materials must still be received by our office
at the above listed address on or before the deadline date of Friday,
January 12, 2007 . If you apply on-line, please call the office
(306-664-2239) within 24 hours of submission with your credit card
information.

Any submission that has not been completed by the deadline (including
application form, materials, and registration fee) will be placed on a
waiting list.

The names of all selected participants will be posted on our Web site once
the selection process has been completed. Applicants will be notified of
their status by e-mail or fax.

Callout: "LightTwist" Projects at the SAT

Open submission projects call :: Immersive projection & LightTwist
video testings
Fabrique Numérique 2 :: Cyclorama et LightTwist
TOT[Territoires Ouverts-Open Territories]

Briefing and session of information (Open Doors)
Friday, December 15 2006
2:00 p.m. to 7:00 p.m.
[Art&D]Laboratory
Society for Arts and Technology – 1st floor
1197, St-Laurent boul.


Keeping with LightTwist immersive projection device development, the
SAT opens a submission projects
call inviting artists, scientists, technologists, researchers, etc. to
experiment with this technology and collaborate to the project.

Friday afternoon, visitors will have the opportunity to discover and
test this type of projection technology as to get more information
about the submission project call.


Deposal deadline: December 21 2006


For more info : here

Links:
www.sat.qc.ca
www.tot.sat.qc.ca

Contacts: Joseph Lefèvre, Coordinator, Fabrique Numérique
Sébastien Roy, Director, LightTwist research

Callout: UNCONFERENCE ArtCamp07: Re:use

UNCONFERENCE: ArtCamp07: Re:use

ArtCamp07: Re:use follows up on ArtCamp06, the World’s First
Un-Conference on Art, a groundbreaking day-long event co-produced by
New Forms Festival and Upgrade! Vancouver, which was attended by over a
hundred artists, designers, programmers, critics, theorists, curators
and practitioners from all fields who presented over 30 workshops,
talks and hybrid events throughout a single inspiration-filled day. The
theme of Re:use will be brought into the framework of ArtCamp in order
to offer an opportunity for participants from all fields working
creatively with technological or material frameworks to come together
in an open window of time and space to meet, show work, talk about
ideas, try things out, and learn new hands-on practices.

Bring your turntables, laptops, or sewing machines, your old mp3s,
National Geographics, bridesmaid’s dresses, or liquor tickets. Come
with something, and leave with something else. We invite all manner of
on-the-spot engagements including but not limited to: DIY projects that
transform discarded materials in something beautiful, cool or useful;
showing people how to cut and paste code to make quick and dirty
websites or applications; strategies for revisioning experiences or
environments; workshops for recycling photographs, cassettes, CDs or
other technological or manufacturing detritus; conceptual detournement;
discussion or demonstration of interventionist practices relating to
performance, psychogeography or street art; collaborative drawing
events; experimentation with found materials; realtime mixing of
cameraphone pictures, text messages, video, photostreams or something
else; swaps, exchanges or tricked-out marketplace mods for circulating,
disseminating or evolving objects
ArtCamp is a self-organizing event that gear up in the form of a
collaborative wiki in the months and weeks leading up to the festival.
To look at last year’s wiki, visit http://artcamp.pbwiki.com

FILM
Deconstruction
Deconstruction looks to films made entirely out of sample based
material. Whether coming from a found art, archival, scratch video or
other mode of presentation, deconstruction looks to those works that
alter the reality of the original clips, creating new context through
the finished result. Works are encouraged from a wide range of sources
including poltical, pop-cultural, surreal, home-video, and the
internet.

MUSIC AND VISUALS SERIES

Scratch Video
Aiming to present a comprehensive look at the world of scratch-video,
one of the most prominent sub-genres of live video production and
interfacing, this night takes live video mixing/scratching under the
context of hip-hop/beat music production as its focus. Assembling
National and International artists, software developers, and
scenemakers, NFF07 affords a mash-up of sub-genres, styles, and
methods, picturing where this Form has been and where it is going.
Live movement within the image, movement, and sound is crucial to this
evening.

Cross-Pollination
Articulating the crossovers and variances between traditional
band/instrument structures and electronically-mediated production and
performance, this event allows audiences to see committed efforts on
both sides in order to facilitate cooperation and communication between
Forms. Cross-Pollination features 30-minute sets from bands, which are
sampled live and then restructured and remixed by a laptop/live p.a.
artist immediately thereafter, which effectively is a live remix. This
format encourages both artists and audience to stretch their
understanding and appreciation to the limit, as it lays bare both the
capabilities, but also inadequacies, of the Forms, while pushing both
all involved to further their skills and the scope of their art.

Electronic Heritage
Electronic music as a musical art form has been in existence for nearly
a century. From early modulating and noise creating machines like the
intonarumori to modern day audio computer software like ACID and Pro
Tools electronic musicians have been at the forefront of musical
innovation since its existence. 2007 will mark the 100th anniversary of
the first electronic instrument the teleharmonium. In celebration of
the birth of this now antique musical art form the New Forms Festival
would like to pay tribute to yesteryears electronic pioneers by
inviting contemporary electronic innovators to interpret their sound.
Electronic Heritage will invite artists to incorporate electronic
theories, instruments and samples from their electronic forefathers
into live performances that will both address the old and bridge the
new. This night will show where we’ve come from and where electronic
music is yet to go.

Manglification
Building off the success of the "Where We Are" and "Timestretch" nights
from the Low/Music & Visual Series of NFF05 & 06 respectively, Mangling
plans to showcase those at the forefront of modern dance culture and
its subsequent music production. These artists provide necessary
alternatives, reconsiderations, and subversions of the vast machine
that has occured as the music industry has overtaken branches of the
electronic music scene and its pop tangents. The event will complete
the spectrum of the modern club environment, pairing the music sets
with visual installations and live video performance.

RESIDENCY PROGRAM
New Forms has begun to work with Artist Run Centres in the city to
produce works specifically around the festival. The goals are to
create a maximum audience for these local artists works that might not
be available otherwise, and also to give these artists a forum to
display works in an international context. The first of these
partnerships will be with OFMAS (Open Forum Media Arts Society) for
2007. We will be contacting further Artist Run Centres in Vancouver
concerning this in the months ahead. The Residency Program is only
applicable to local artists and community projects are encouraged.
Please contact curatorial@newformsfestival.com for further information
on the program.


All submissions should be done through the online form at
www.newformsfestival.com, with accompanying material sent to:
New Forms Festival 06 / Transformations #200-252 East 1st Avenue,
Vancouver, B.C. V5T-1A6. Submission Deadline: April 1st, 2007. (No
Submissions arriving after April 1st will be accepted)
For any further information please email
submissions@newformsfestival.com.

Callout: New Forms Festival 2007

Call for Proposals: New Forms Festival 2007

The New Forms Festival is an annual cross-disciplinary festival
exploring installation, performance, music, film, and electronic arts.

The theme for NFF07 is Re·Use

To use something again, often for a different purpose and usually as an
alternative to throwing it out.

NFF 07 looks at the ideas of reuse in the media arts. These forms have
been able to come from different areas all around us. Whether involving
the recycling of equipment, the change in its use, reprogramming
material, the sample and mash-up of sound/images and reconstruction of
ideas; the concept of reuse has become one of the major entities behind
invigorating, changing, and growing media and electronic arts.

Over history art has always seen recontextualization at its very core.
Warhol once asked if there was ever really an original idea.
Shakespearean tales become modern films, ancient sounds become
electronic music anthems. Pop culture drives home sounds and imagery
that have changed, grown, and evolved over time. Within this we have
seen our cultures mix, grow, and shape shift as ideas get
recontextualized and reapproapriated from generation to generation, and
culture to culture.

For Re:Use NFF is looking for pieces that challenge these models and
trends, recognizing shifts that have taken place as well as new and
innovative works that re:use works on formats and in ways not yet seen.
As the amount of information we receive on a daily basis increases at a
pace far faster that at any other time in history, NFF 07 will become a
platform for this mixed media world, and a indicator of what might lie
ahead in the years to come.

NFF EXHIBITION 07
Re-Use: Everything Knows Itself
The world is round.- Gertrude Stein

Clocks are thinking, Earth is spinning, people are ticking...

Furthering the New Forms Festival’s 2007 direction of exploring things
unseen the exhibition will centre on the theme of re-constructing,
re-shaping and re-mixing the already extant. The aim of this
reincarnation is to reflect the sameness and the difference of things
revealed by repetition, iteration, rhythm and phase.

Sameness requires difference; the very regularity of a beat, of
drumming, can be enhanced and overwritten. The second repetition is
invariantly different then the first by being second. Difference
resolves into more complex kinds of sameness.

We are interested in form as much as content. We shall invite works
that are spare, astringent, and display a simplicity of means coupled
with transparency of technique. Works purged of metaphor and stripped
down to their most fundamental features. "Less is more, more is less.
The eye is a menace to clear sight." [Ad Reinhardt]. We would like to
show self-contained works that shed light on the underlying systematic
action of their construction, exhibiting regularity of behavior in the
elements they use. We welcome audio/visual installation, kinetic
sculpture, networked and telematic art submissions. The key words,
again, are: repetition, iteration, rhythm and phase.

Callout: Gallery 7A Looking for Visual Artists with Works Inspired by Music for Exhibition

Call for artists, Gallery 7A is looking for artists to pick a piece of
music that inspires them, then create an art piece to it. We will then
display the work and mount cd players with head phone's, so that the
viewer can listen to the music and view the art.

This will be a juried show, Selected pieces will be viewed from the
12th - 30th of Jan.

Dead line for drop of will be Tuesday, the 9th of Jan. Non selected
artists will be called and asked to pick of their art work on Thur. the
11th.

Artist should provide:
A current c/v and an artist statement.
All work should be ready to hang.
One copy of the chosen musical piece

We will have a vernissage for the show on the 12th of Jan.
7-11pm, it will be a great evening with live music, great food, and
beverages. This being the first show to open in the new year we want to
start the year off strong, we hope all who apply will attend.

Any questions? Please contact the gallery via email at
gallery7a@gmail.com or call us at (613)729.3652

Callout: Agence TOPO Web Art Residency

CALL FOR PROJECTS

New media creation
Residency program for web art production

SUBMISSION DEADLINE : FEBRUARY 15, 2007


AgenceTOPO.qc.ca
At the crossroad of visual arts, literature and new media

Featuring works of fiction for the web, Agence TOPO supports the
convergence of visual arts, literature and new media, the renewal of
narrative genres on the web and a presence in the network of artists
coming from diverse artistic and cultural horizons.

We invite all artists with a contemporary practice in any discipline
to submit an individual or collective proposal for a web art project
involving new approaches in terms of narrativity, visual design and
interaction. The projects could include another component, such as
performance, installation, exhibition, mobile device, etc., that may be
complementary to the expanse of web features and possibilities.

The selected artists and projects will benefit from technical support
by an experienced multimedia designer for a period of 4 to 8 weeks
within a residency program that can be spread out over time depending
on the artists needs and agenda.


We offer :
- Production fees
- Access to a computer and audiovisual equipment
- A technical support (programming and multimedia integration)
- The organization of a launching event in Montréal

Necessary documents / Due date : February 15, 2007
- Project proposal
- Description of technical needs
- Proposed agenda (Spring 2007 - Winter 2008)
- Summary of artistic approach
- Press kit
- Curriculum vitae
- Visual/audiovisual documentation
- A pre-stamped envelope for the return of the documentation

Agence TOPO
Michel Lefebvre, General Director
5455 de Gaspé, suite 1001
Montréal (Québec) H2T 3B3
T 514 279 8676
agence@agencetopo.qc.ca
www.agenceTOPO.qc.ca

Agence TOPO is an artist run center dedicated to the creation,
dissemination and distribution of independent multimedia works. Founded
in 1993 to encourage and promote all forms of photography, TOPO now
initiates, produces and supports web art projects while acting as a
promoter and distributor of artistic CD-roms, DVD-roms and video DVDs.

Callout: City of Toronto and Toronto Transit Commission Looking for Artists for Public Artwork Commission

Toronto Transit Commission and City of Toronto
Call to Artists for _expression_ of Interest
Art and Landscape Collaboration - York University Busway

Toronto Culture works with staff across City of Toronto divisions and
commissions to identify opportunities for commissioning public artworks
in Toronto's public spaces.

The City of Toronto and Toronto Transit Commission are building a
dedicated busway between Downsview subway station and York University.
Changes to the roadway are creating permanent sites that offer exciting
opportunities for artwork. Toronto Culture is facilitating the artist
selection process for this project and is seeking an Artist to become
part of the design team, working collaboratively with the selected
Landscape Architect on the development of an artwork concept for the
landmark site at the north-east corner of Sheppard Ave and Allen Rd. The
budget for the art contribution to this project is $170,000.00.

Toronto Culture is inviting Artists living and/or working in Toronto to
submit:
* resume;
* 6-8 visuals of recent, relevant work**; and
* Artist's statement outlining interest in the project and experience
working collaboratively with interdisciplinary teams.

**Please submit digital images on CD listing title, date, materials and
dimensions for each work. Include a stamped, self-addressed envelope for
return of submission material, if desired.

Submissions must be received by January 19 2007, 4 pm.

Submissions will be reviewed by an independent Selection Committee
convened for this project. A short list of 3-5 artists will be
interviewed by the selected Landscape Architect and City of Toronto/ TTC
staff working group. Artist interviews will take place in February 2007.

Submissions should be sent to:

Rebecca Ward
Cultural Affairs Officer - Public Art
Toronto Culture
9th floor, East Tower, City Hall
100 Queen Street West
Toronto ON M5H 2N2
(416) 392-4173

Tuesday, December 12, 2006

Callout: Banff New Media Centre Career Development Residencies in Music & Sound

About Career Development Residencies

Music & Sound Residencies are self-directed in nature, providing participants a period of focused time to concentrate on personal artistic development and work towards a specific project of their own choosing, using the resources available at The Banff Centre. Instrumentalists, composers, singers, and ensembles of all genres of music participate in The Banff Centre’s music residencies for a number of reasons. Some are on leave from universities or orchestras and looking for artistic renewal, while others are preparing for competitions or auditions, developing new repertoire, creating new work, or exploring new ways of interpreting and presenting music. Artists participating in the Music & Sound residency programs interact with other musicians and artists in The Banff Centre community, have numerous public performance opportunities, and are supported by the facilities and staff of The Banff Centre. The result is a program that is inspiring, enriching, and transformative for the participating artists.

Fall: September 17 to December 7, 2007
Winter: January 1 to March 28, 2008

MORE INFO:
URL: http://www.banffcentre.ca/music/programs/aboutmusicandsound.asp#residency

Callout: New Media Artist In Residence, IAMAS (Japan)

Artist in Residence Outline of the Artist-in-Residence Invitation Program

IAMAS conducts an Artist-in-Residence invitational program to support new and creative activities wherein scientific knowledge and artistic sensibility are aesthetically combined. The outline of the invitational program is as follows.

1. Term of Invitation and Number of Invitees
Term: 6 month period between 1st April. 2007 and 31st March 2008
1 person

2. Application Requirements
1) The applicant should be either an artist or researcher with an excellent track record as a professional in the field of media art.
2) The applicant should be able to speak either Japanese or English to the extent of being able to get by comfortably during his/her stay in Japan.
3) The applicant should be in good health.

3. How to Apply
Applicants are required to submit the documents listed below in either Japanese or English. Please be aware that application materials, once submitted, shall not be returned.
1) Artist-in-Residence Program Application Form (Form A)
2) Curriculum Vitae and Record of Activities (Form B)
3) Creative Activity Planned During Stay (Form C)
4) Letter of Reference (from an authoritative person or society in your field)
* Please type 1) to 4) on a computer.
arrowDownload : Form A-C (Applicationform.zip)
arrowDownload : Form A-C (Applicationform.sit)
5) Portfolio on your major works
* You are free to submit software and recorded media as part of your portfolio. In the event you submit software, please make sure that it can run in popular operating systems and that you specify the operating system needed).
6) Other
a. 2 Photos (40mm x 30mm)
* The photos must be taken within the last six months. No hats, no backgrounds. The photos will be used for the Visa application as soon as the applicant has been successfully approved, so please submit the photos for certificate purpose. Photos should be taken at a photograph shop.
b. Certified copy of your diploma
(please provide a translation into Japanese or English)
c. Photocopy of passport
Please submit the above documents to:
* It is not possible to apply on-line and we do not accept applicants by e-mail.
Institute of Advanced Media Arts and Sciences (IAMAS)
3-95 Ryoke-cho, Ogaki-shi, Gifu, 503-0014, Japan
Tel: +81-584-75-6600
Fax: +81-584-75-6637

4. Application Deadline
Your application forms must reach IAMAS by 31st Dec 2006.

5. Screening Process
The Artist-in-Residence Screening Committee, consisting of IAMAS teaching staff, will strictly screen all applicants. The Committee may interview applicants in person and/or by telephone.

6. Notification of Screening Results
IAMAS will notify applicants of the screening results by around Feb 2007.

7. Support Provided by IAMAS
1) Facilities and Equipment
Facilities designated by IAMAS and equipment set up in the said facilities
2) Economic Support
One roundtrip ticket will be provided.
Living expenses: 320,000JPY (projected aÇçount; before TAX)
3) Apartment
IAMAS will rent an apartment for the Artists-in-Residence.
However, the artists are asked to pay part of the rent

8. What is Expected of the Artist-in-Residence
1) To create and exhibit/release one work by the end of his/her stay .
2) To actively mix with IAMAS students and instructors by, for example, working in collaboration with them on their projects.
3) Artists-in-Residence are sometimes asked to participate in workshops geared for local residents and students.
4)The documentations of the produced work need to be submitted to IAMAS. These documents can consist of video, picture, text, etc. The artists give IAMAS the right to use these documents for IAMAS promotional purposes without prior consent of the artist.

9. Copyrights of the Works
The copyright of the works that Artists-in-Residence create during their stay will belong to the artists on condition that:
1) When they exhibit/release such works outside IAMAS, they indicate in the credits that they created the works at IAMAS.
2) They readily cooperate with IAMAS when IAMAS wants to exhibit their works.
3) They leave copies of the works (or materials related to the creation of the works if the works are hard to copy) at IAMAS when their term of stay ends.
4) The artists agree that IAMAS, at its own discretion, may use, for the purpose of education, research and publication, the copies of (or materials related to), and the documentations of its production and its exhibition that they left in IAMAS.

10. Miscellaneous
1) Artists-in-Residence are required to carry accident insurance and health insurance at their own expense.
2) IAMAS will not pay for the transportation of works and/or equipment at the time when Artists-in-Residence join and leave the program.
3) An Artist-in-Residence may be accompanied by their spouse, however they are required to pay all the costs involved.

Callout: Artscenico Photography Exhibitions in 2007

„Hanging around/HeimatQuartier“ for photographers

CALL FOR PHOTOGRAPHERS

artscenico initiates a project which starts with a photo and ends up with a performed story.

We are looking for photographers of all kinds who want to be part of the project, who

* want to take such photos – either in their social environments or where ever all across Europe and the rest of the world
* already have shot such photos
* who spread the information amongst other photographers

The photographers can be professionals as well as non-professionals.

Procedere

* You send us an Email to artscenico@t-online.de together with your dates like address etc. saying that you take part in this project (this has no legal meaning). Deadline for registration: November 30th 2006
* a photo as an example for your work (150 - 360 dpi, maximum 1.5 MB). We assure that your photo will not be used for other purposes without asking you.
* You receive our confirmation
* You send us single photos or series of photos due to the theme “hanging around”. Please indicate the location, city, country and names and addresses of the people seen on the photos (if possible). Deadline for sending photos: March 2007.
* A jury will choose photos for a first publication in the internet (end of 2006).
* Together with artists from the performing arts we will choose photos for a transformation into performance, dance or theatre.
* We will decide about the photos which will be shown as exhibitions and performances in the Ruhrgebiet in 2007 as the main part of the international festival off limits in Dortmund.

Of course, you can be the photographer and the author as well, for a story leading to the situation seen on the photo or leading into the future.

If you make interviews about their “hanging around” with the people you take photos of, we will make those interviews being the basis for the transformation. You can also be part of the whole process.

Off limits international festival for performing arts 2007 in Dortmund
Güntherstraße 65
D-44143 Dortmund
Artistic director: Rolf Dennemann
Rd-man@t-online.de

In cooperation with artscenico eV
www.artscenico.de

artscenico@t-online.de

Callout: Artscenico "Ask The Dead"

Ask the dead

Call for artists for dancers, choreographers, directors and performers

In summer 2007 artscenico and the festival off limits will cooperate to create a competition for “short cuts” dealing with anniversaries, remembering playwrights, composers and other artists.

Between the “first move of Elivs’ pelvis” 50 years ago and the 101th birthday of Samuel Beckett there are lots of variations of memories of the dead performers are asked to create a piece of artwork about. Shake your hips…

artscenico initiates by this call for artists a series of short cuts, miniatures and adaptations.

Dancers, actors, directors, performance-artists etc. are asked to have a close look at the works of dead artists.

There will be one night of “short cuts” at the festival on a stage and other places within the period of August 25th and September 1st 2007 in Dortmund.

Examples: Frank Zappa, Samuel Beckett, Josephine Baker, Sigmund Freud, Henrik Ibsen, Heinrich Heine, Berthold Brecht, Elvis Presley (Elvis the Pelvis – 50 years pelvis swing), Jimi Hendrix etc.

It is also possible to make own suggestions, name other dead artists or famous personalities.

www.artscenico.de

Send your application and concept together with your vita by Email or mail to: artscenico
Oesterholzstraße 122 – 44145 Dortmund – artscenico@t-online.de – deadline February 15th 2007.

Callout: Art Omni Residencies

The International Artists Residency is a three week Residency Program for visual artists in upstate New York. Art Omi provides artists with a studio, living quarters and meals at no cost to the artist. Artists pay for their travel and art materials. Artists may apply for one of our Fellowships to help with costs for travel and art materials. The Residency takes place for three weeks during the month of July. Each year, a different critic-in-residence is on hand to lead discussions and make one-on-one studio visits. Because of the proximity to New York City, there are also visits by many prominent critics, gallerists, curators, and artists. Valuable contacts are made through these informal encounters. In the evenings, after dinner, the group gathers for lectures, slide presentations and panel discussions.

The Arts Center

The Omi International Arts Center is located approximately two and a half hours north of New York City in the historic Hudson River Valley. The facilities, set on 300 acres of rural farmland, include a large two-story barn with ample space for indoor studios, as well as several large, covered sheds, suitable for sculpture. Housing is made available on the grounds. Group activities and meals are at Ledig House. The final Sunday of the residency is set aside for the public to view the works produced by participating artists during the residency.

The Omi International Arts Center is a non-profit foundation supported entirely by private donations. We provide this experience at no cost to the artists. Funding comes from a number of sources, including interested individuals and institutions throughout the world, who wish to contribute generally or sponsor the participation of an artist from their own nation. Each year a limited number of fellowships are available to help artists with the costs of travel and art supplies.

SEE: http://www.artomi.org/

Callout: 6-Week Long Audio Art Residencies in Vancouver

The CRES Media Arts Committee (MAC) is a volunteer-run Vancouver-based
group dedicated to serving, supporting, and building on the
experimental audio community in Vancouver and across Canada.

We host a series of six-week audio art residencies throughout the
year. The next one begins April 2, 2007, and the deadline is Jan 15.

For more details, go to http://mac-cfro.org/submit.php or email
mac-cfro at mac-cfro.org.

The activities of MAC are made possible through the generous support
of the Canada Council for the Arts, as well as the membership of CFRO
102.7 FM Coop Radio.

Saturday, December 09, 2006

Conference Call: "re:place 2007", the Second International Conference on the Histories of Media, Art, Science, and Technology

re:place 2007, the Second International Conference on the Histories of Media, Art, Science and Technology, will take place in Berlin from 15 - 18 November 2007 as a project of Kulturprojekte Berlin GmbH in cooperation with Haus der Kulturen der Welt.

This conference is a sequel to 'Refresh!', the first in this series, chaired by Oliver Grau and produced by the Database of Virtual Art, Leonardo, and Banff New Media Institute, and held at the Banff Center in Canada in
September 2005, which brought together several hundred artists, scientists, researchers, curators and theoreticians of different disciplines.

re:place 2007 will be an international forum for the presentation and the discussion of exemplary approachesto the rapport between art, media, science and technology. With the title, 're:place', we propose
a thematic focus on locatedness and the migration of knowledge and knowledge production in the interdisciplinary contexts of art, historiography, science and technology.

The re:place 2007 conference will be devoted to examining the manifold connections between art, science and technology, connections which have come into view more sharply through the growing attention to media art and its histories over the past years. It will address historical contexts and artistic explorations of new technologies as well as the historical and contemporary research into the mutual influences between artistic work, scientific research and technological developments. This research concerns such diverse fields as cybernetics, artificial intelligence, robotics, nano-technology, and bio-technology, as well as investigations in the humanities including art history, visual culture, musicology, comparative literature, media archaeology, media theory, science studies, and sociology.

Conference Programme

The conference programme will include competitively selected, peer-reviewed individual papers, panel presentations, poster sessions, as well as a small number of invited speakers. Several Keynote Lectures, by internationally renowned, outstanding theoreticians and artists, will deliberate on the central themes of
the conference.

The conference will also include dedicated forum sessions for participants to engage in more open-ended discussion and debate on relevant issues and questions.

CALL FOR PROPOSALS

re:place 2007 welcomes contributions from established as well as from emerging researchers in diverse fields. The conference will be of interest to those working in, but not limited to, the following areas: art history and theory, literary studies, cultural studies, film and media studies, theatre, dance and performance studies, philosophy, history, gender studies, human-computer interaction,
contemporary art, musicology, sound studies, anthropology, sociology, geography, science, technology and society studies, history of science, and history of technology.

We are especially keen on empirical, conceptual, and historical contributions that exemplify and expand the diverse methodological and thematic concerns of this extended interdisciplinary area. These might include contributions to:

- institutional histories of centers, sites, or events that have helped to concretize and engender the intersections between media, art, science and technology. Some broad areas could be: experimental arts spaces, collaborative research labs, significant exhibitions,
etc.
- 'place studies' that highlight significant locations or situations
where such interdisciplinary intersections or significant historical
episodes have occurred. A few examples might be: 'Tesla in Budapest',
'Flusser in Brazil', USSR in the 1920s, 'Japan between 1950s-1970s,'
etc.
- historiographical issues, methods, and debates that pose critical
questions in the formulation of the histories of the 'media arts'.
These might include: archaeology, genealogy or variantology as
methodological tools, bridging the divide between art and media
history, sociologies of interactivity, etc.
- theoretical frameworks from various philosophical and disciplinary
positions. Topics might include the exemplary role of film studies or
musicology for the study of media arts, or the significance of
cultural specificities and location in media and technologies, etc.
- the migration of knowledges and practices from different contexts,
whether disciplinary, institutional, geographical or cultural. Topics
might include: the role of migrant artists in the development of new
discourses and practices; the movement and adoption of disciplinary
ideas from science into art contexts or vice versa, etc.

SUBMISSIONS

A dedicated website and online paper submission system will be ready for submissions from 1st December 2006. Abstracts of proposals, panel presentations and posters will have to be submitted in either Text, RTF, Word or PDF formats.

The DEADLINE for submissions will be 15 January 2007.

INFORMATION about the submission process and general information can be found at: tamtam.mi2.hr/replace

replace 2007 is a project of Kulturprojekte Berlin GmbH in
cooperation with Haus der Kulturen der Welt, Berlin. Funded by
Hauptstadtkulturfonds, Berlin.

Conference partners include Leonardo, Database of Virtual Art at
Danube University Krems' Center for Image Science, Ludwig Boltzmann Institute Media.Art.Research, Forum Goethe Institut, and others.

Conference chairs: Andreas Broeckmann (D), Gunalan Nadarajan (SG/USA)

Callout: New Media Artist Residency (Amsterdam)

ARTIST in RESIDENCE [AiR] 2007

OPEN CALL FOR SUBMISSIONS

+ + DEADLINE: 2 JANUARY 2007 + +

in brief:
residency period 3 months
dates from March 2007
location Amsterdam, Netherlands

The Netherlands Media Art Institute is pleased to announce an open call for the Spring 2007 round of its Artist in Residence (AiR) program.

The AiR programme at the Netherlands Media Art Institute aims to support the exploration and development of new work in digital/interactive/network media and technology based arts practice. The residency provides time and resources to artists in a supportive environment to facilitate the creation of new work that is produced from an open source perspective. We encourage a cross disciplinary and experimental approach. This is a practice based residency designed to enable the development and completion of a new work.

Our focus for this open call is on open source interactive installation art, in which the following occurs:
- interaction between tools and/or software
- interaction between tools and artwork
- interaction between audience and artwork

The Netherlands Media Art Institute offers an open environment with technical assistance and an active advisory board which will give feedback and support in technical, conceptual and presentation issues. There is access to studio and exhibition equipment,
technical support from the Institute’s staff and production help from interns. The technical staff is specialized and has good contacts with programmers of the following software, a.o.: PD/PDP, Blender, Dynebolic, Linux. We expect the artist to have knowledge and insight in the technical realization of the concept.

It is integral to the mission of the AiR program that artists participate in presenting their work in a public form appropriate to their project. This can include gallery installations, demonstrations of research in progress, panel discussions, on-line projects, or multimedia performances, in addition to open studio events and workshops. For this reason we ask that artists include in their proposal possible examples of how they might like to present their work publicly.

At this moment the Netherlands Media Art Institute provides in travel costs. It doesn’t provide accommodation for artists living outside of Amsterdam. However, we are willing to help the search but cannot guarantee a place for living.

Application using the application form can be send to:
Netherlands Media Art Institute
Artist in Residence
c/o Annet Dekker
Keizersgracht 264
1016 EV Amsterdam
the Netherlands

For more information about past residents and their projects, see our website at Research http://www.montevideo.nl

Application Form can be found on our website www.montevideo.nl // Research /// AiR


Netherlands Media Art Institute
Montevideo / Time Based Arts
Keizersgracht 264
1016 EV Amsterdam
The Netherlands
http://www.montevideo.nl
T +31 (0)20 6237101
F +31 (0)20 6244423

Call for Donations: Fur Needed for Artist's Project

WANTED by Donation:
Authentic animal fur for artist project series.
I am looking for donations of recyclable animal fur. Any old coats or other items that are damaged but clean and salvageable are of interest and gratefully accepted.
If you would like to donate an item, please contact me at:
plainjane@shaw.ca

Friday, December 08, 2006

Workshops: Paved Arts Media Art Workshops - December 2006

Workshop fees

$30 each for Members
$50 each for Non-Members
$50 for 2 day (Part I + Part II) workshops for Members


Intro to Final Cut Pro I

Instructor: Raj Padmanabh
From logging and capturing video to making cuts, trimming, three point edits, working with multiple tracks, to outputting to mini DV, this primer in Final Cut Pro will teach you the process of non-linear editing. Pre-requisites: Some functionality with computers (preferably Mac) would be helpful but not required.
December 5 - 6:30-9:30


Intro to Final Cut Pro II

Instructor: Raj Padmanabh
This continuation of Intro to Final Cut Pro I will provide a greater depth of knowledge in regards to workflow and video editing. We will also explore more tools such as transitions and basic text tools provided in Final Cut Pro.
December 6 - 6:30-9:30


Introduction to Location Sound

Instructor: Neil Meckelborg
This workshop will teach you which microphones work best for particular sound situations, how to adjust audio levels, and how to record onto cameras , mini disc, and DAT. This workshop will focus on recording with paved equipment including the Samson CO2 cardioid condenser mics, Sennheiser MK 416 shotgun mic, the TASCAM DA-P20 DAT recorder, the TASCAM HD-P2, DAP binaural mics and others.
December 13 - 6:00-8:00


Basic Electronics

Instructor: Ian Campbell
This workshop is an introduction to the basics of building simple electronic devices for artists. This course is designed for novices to the field. It focuses on identifying parts, understanding their capabilities and employing them in a prototyping environment. A small extra fee for a kit of parts is required to take the course.
December 16 - 1pm-4pm.

For more information contact the production co-ordinator, at:
(306) 652-5502
or production at www.pavedarts.ca

Callout: FUTURESONIC 2007

FUTURESONIC 2007
10-12 May, Manchester UK
http://www.futuresonic.com

Futuresonic, the urban festival of electronic arts and music, is
moving from July to May, back to the Spring date it occupied in 2004.

See below for next year's highlights and special advance discounts on
delegate passes.


FUTUREVISUAL
http://www.futurevisual.org

In 2007 the centrepiece of Futuresonic Live will be a celebration of
all things audiovisual and a homage to 40 years of multimedia events.

40 years ago there were the first multimedia events of the kind that
we would understand today. While the rest of the world was
celebrating the soft-centred Summer of Love, a fusion of artforms and
a crossover between avant garde and popular was taking place. This
was the moment when events like Futuresonic became possible...

To celebrate the 40th anniversary of these seminal events,
Futuresonic Live goes back to the future - revisiting one of the
inspirations of the first Futuresonic festival in 1996 - to look at
the cutting edge of immersive sound and image today.


URBAN PLAY
http://www.urban-play.org

Urban Play is the art and technology strand of the festival featuring
exhibitions, workshops and interactive projects in the city streets.
It was introduced in Futuresonic's 10th anniversary year, reflecting
Futuresonic's focus since 2004 on artworks in urban space, and has
since been mirrored in other events in the UK and Europe.

Thirty years after Brian Eno's MUSIC FOR AIRPORTS, Futuresonic 2007's
Urban Play presents ART FOR SHOPPING CENTRES, an exhibition of
interactive artworks in a major shopping centre.

Urban Play will also feature FREE-MEDIA activities in association
with Mongrel, MediaShed and Access Space, including a UK first
implementation of the free-media Video Toolkit developed by MediaShed
and Eyebeam (more TBA).


EVNTS
http://www.futuresonic.com/07/evnts.html

A competition and showcase for the best new and ground breaking
events from around the world.

EVNTS is a strand of the Futuresonic festival which enables artist
groups and event organisers to participate in the festival. Since its
introduction in 2005, EVNTS has grown into a community of people who
each year return to give the festival an extra edge.

INVITATION FOR SUBMISSIONS: Futuresonic now invites anyone working in
music or media arts to take part in EVNTS 2007, with the EVNT
Competition offering financial support for a limited number of events.

For further details announced soon. Visit www.futuresonic.com/07/
evnts.html for more info, or sign up to Futuresonic's subscriber list
to receive regular updates.


SOCIAL TECHNOLOGIES SUMMIT
http://www.socialtechsummit.org

A major international conference exploring the creative and social
potential of new technologies, bringing together leading figures to
explore "a whole new way of doing things in the air".

In 2007 a focus of the Social Technologies Summit is FREE-MEDIA. Free-
media is about finding inspiration and resources in our built and
natural environment that were previously dismissed as being without
value or irrelevant. It doesn't cost much because it makes use of
public domain Free and Open Source Software, and recycles freely
available old equipment, waste materials and junk (FOSS). Free-media
increases access to media technologies, especially to the people who
need it most and can afford it the least, and lowers environmental
impact of the media we produce and consume.

The 2007 Summit will also host a network meeting for ENVIRONMENT 2.0,
a new initiative joining the dots between locative media and
environmental calamity, being launched by Futuresonic to assess and
offset the environmental footprint of future arts and culture.

And it will play host to THE MAP DESIGNERS, an event drawing together
map hackers, artists, cartographers, DIY technologists, architects,
game programmers, bloggers and semantic web philosophers.

Delegate Pass - Advance discount available. See Below.


GET INVOLVED!
http://www.futuresonic.com/07/get_involved

Visit the website or subscribe to Futuresonic updates for upcoming
calls for submissions, job offers and volunteering opportunities.


ADVANCE DELEGATE PASS DISCOUNT ... SAVE £20
http://www.futuresonic.com/07/bookings.html

Delegate Pass - £25 (Normally £45)

The Delegate Pass gives you access to all Futuresonic seminars and
talks, the Social Technologies Summit, and entrance to Futuresonic
Live events over the festival weekend. You must reserve your
discounted Delegate Pass before December 31st 2006 and make payment
by January 31st 2007. To reserve email tickets2007@futuresonic.com
stating your name, address and contact details. You will be sent
purchasing information from the festival box office by January 8th 2007.


*Futuresonic 2007 may burn when exposed to oxygen.

Thursday, December 07, 2006

Fun Stuff: Dorkbot: Ping-Pong Simulations - Dec. 9, 2006

Dorkbot presentation:
PAVED Arts
424 20th Street West Saskatoon

Saturday December 9, 1pm
Ping-pong simulations. Facilitated by Tim Dallett

An interactive exploration of how different approaches of interface
design model physical activity, using table tennis as an example.
Participants will have the opportunity to play and compare physical,
'real' ping-pong, with the 'classical' 1970s/early 1980s Pong video
game, a 1990s transmitter paddle-based video game, and contemporary
'high-realism' table tennis video games (xbox 360).

For more information on the Dorkbot concept and the Saskatoon chapter,
visit http://www.dorkbot.org/dorkbotsask/

--
Ian Campbell
New Media Coordinator
PAVED Arts
http://www.pavedarts.ca

Callout: Snow and Ice Sculpting in Saskatoon

Call to Participate



Laura Hale along with the Meewasin Valley Authority are organizing a celebration of winter, the river, community and the development of the Riverfront at River Landing with a snow carving and snowman building community event to be held on Sunday, January 21st.



You will be provided with an 8’ x 8’ x 8’ block of snow to sculpt in the theme of “River Flora and Fauna”. You will have three days to carve; Thursday, January 18th to Saturday, January 20th to be ready for Sunday at noon. The artist’s fee for this project is $500.00 and you will provide all necessary tools.



If interested, please submit a sketch and C.V. by January 1st, 2007 to:

Laura Hale

402 Third Avenue South

Saskatoon, SK

S7K 3G5



You will be notified by Friday, January 5th, 2007.

Wednesday, December 06, 2006

Fun Stuff: S'toon Riversdale Festivities - Sat. Dec. 9th 2006 - includes Dec. "Dorkbot" activities!

Village of Riversdale, the SFM and our community partners presents:
"Christmas in the Village"

Bring the kids to market for Christmas fun and take part in an exciting
Christmas shopping experience with our Christmas market merchants, food
vendor's artists and crafters.

DATE: Saturday December 9th, 2006
LOCATION: Adilman's Building (126 20th Street West)
TIME: 8 am - 3 pm

8am-3pm
The Saskatoon Farmers Market Annual Christmas Market
The Village Craft and Merchant Market
Santa and his elves have Xmas treat bags for all the kids
The Mendel Caravan hosts children's Christmas decoration and card making
Old fashioned Christmas caroling, story-telling, games and
entertainment.

2 pm
Roxy Theatre hosts a free Christmas movie: ELF

12pm-5pm
AKA Art Gallery: making pies and telling lies - Pie festival; come in
and
enjoy free pie

12pm- 6pm
PAVED ARTS presents: The Apprehension, take part in an art performance
with
your artist in residence Lee Henderson, get your picture taken and tell
your
story.

1pm-2pm
PAVED ARTS: Dorkbot presentation: Ping Pong simulations by Tim Dallet
Come in to "play and compare" real ping-pong with the classical 1070's
Pong
video game.

2pm-4pm
PAVED ARTS: Open screening, a feast of video's by Paved members for
public
viewing.

Support "Brent and Penney's Adopt A Family for Christmas" Campaign.
Bring a
Christmas gift, non-perishable food items for Christmas dinner or a cash
donation and your name will be entered into the Christmas in the Village
Shopping Spree valued at over $4000.

Callout: Submissions to "The Integralist"

http://www.theintegralist.org/submissions/


This site seems to be paying decent rates for writing!


Taken from their site:

"The Integralist is Integral Institute’s first print magazine concerning all things Integral. It will have long feature articles, analysis, artwork and poetry, and more.

We are currently accepting submissions for reviews to include in The Integralist. We are looking for professional writing that shows a detailed and comprehensive understanding of AQAL as it applies to the world stage.

The Integralist is only accepting the finest writing, so be sure you are sharing only your very best work. Unclear ideas, muddled tones, unskillfully applied theory or analysis, and other such writing will not be accepted.

Think of The Integralist as What is Enlightement? meets The New Yorker—cutting edge theory and insight coupled with a wonderfully literary grasp of everything from political analysis to popular culture."

Tuesday, December 05, 2006

Classes: University Of Victoria - Long-Distance Classes in Culture and Heritage Management

Develop your professional knowledge and skills through Distance Learning
@ UVic

The Cultural Resource Management Program at the University of Victoria
is pleased to offer starting in January several distance education
courses for professionals, volunteers and board members in museums, art
galleries, cultural institutions, heritage sites and related
organizations.

Our distance learning courses enable you to develop integral knowledge
and skills flexibly, either at home or in your workplace, at the times
best suited to your learning needs. Innovative print and electronic
learning resources and interactive communications create stimulating
environments where you learn with expert instructors and groups of
colleagues from across Canada and beyond. Courses can be taken
individually for credit or non-credit or towards a diploma or
professional specialization certificate.


The following is a listing of upcoming distance education courses:

Caring for Museum Collections
January 15 to April 22, 2007
Investigate the physical characteristics of various types of museum
collections, the ways they are affected by environmental factors, and
the preventive conservation and treatment policies and procedures that
are utilized to ensure the safe-keeping of artifacts and specimens in
museum settings.
Instructor: Sue Maltby is a collections conservator in private practice
in Toronto

Curatorship: Contemporary Perspectives
January 22 - April 29, 2007
Explore the contemporary role of the curator, along with collections and
acquisitions policies, object-oriented research methods, documentation
analysis, information management, and the communication of research
through exhibitions and public programs.
Instructor: Debra Graham is a free lance curator

Managing Cultural Organizations
January 15 to April 22, 2007
Enhance your understanding of the complex forces that are reshaping the
museum and cultural sectors and consider their implications for the
effective management of relevant and successful cultural institutions.
Instructor: Carrie Brooks Joiner is a consultant to the public and
not-for-profit sectors in planning, government relations and funding,
governance, and policy development

Museum Principles and Practices II: Programming, Exhibitions and
Management January 8 to April 13, 2007 Explore the role and development
of exhibits and programs, and ways in which knowledge is shared through
collections, research, public partnership, and audience development in
this independent study survey course.

Heritage Resource Conservation
January 8 to April 22, 2007
Consider the philosophical, ethical, and practical challenges involved
in the conservation of heritage buildings, structures, areas and
associated resources in this independent study survey course.

For more information on our distance as well as our short on-campus
immersion offerings, please visit our web site at
http://www.uvcs.uvic.ca/crmp/

Callout: Articlue Annual Submissions

ARTICULE
For its programming season, from September 2007 to June 2008, articule
invites local, national and international artists, groups of artists
and curators to submit exhibition and/or event proposals.

Last summer articule moved to a new convivial space with a large
storefront window in the Mile End, one of Montreal's most vibrant
neighbourhoods. The move was motivated by articule's desire to offer
more visibility to artists and their work, as well as to provide an
accessible space to a varied public.
For the 2007-2008 programming season, articule is particularly
interested in exhibition projects that consider the street level
gallery and its possibilities as a place of communication and
engagement, for creating connections and transformations, where art and
the environment, the artist and the public, touch.

Proposals must include:
- curriculum vitae
- artist statement and/or a description of the project, specifying
spatial
and technical needs (max. 2 pages)
- maximum of 20 slides or digital images on CD, clearly-identified
- maximum of one VHS tape (NTSC) or one DVD, clearly-identified
- a descriptive list for the visual material (title, date, dimension,
medium)
- a self-addressed, sufficiently pre-stamped envelope

Important:
If you submit digital images please comply with the following
guidelines:
- compatible with MacIntosh OS 10.4
- jpeg format suggested, do not exceed 2 MB or 1024 x 768 pixels
- identify each image with a number and a title corresponding to
the descriptive list
- the images have to appear when opening the CD, do not create indexes
or sub-indexes

Please note that email applications are not accepted.

Please send your proposal to:

articule
Programming Committee
262 Fairmount Ouest
Montréal (Québec) H2V 2G3
Canada

Info:
T 514 842 9686
info@articule.org
http://www.articule.org

Heures d'ouverture: mer - dim 12h -17h
Opening hours: wed - sun 12 - 5 pm

articule remercie ses membres, bénévoles et donateurs, ainsi que le
Conseil des arts et des lettres du Québec, le Conseil des arts du
Canada, le Conseil des arts de Montréal, Emploi Québec et Les
Brasseries RJ. articule est membre du Regroupement des centres
d'artistes autogérés du Québec (RCAAQ).

Friday, December 01, 2006

Training Opp: Neutral Ground Max/MSP Workshop with Laura Kavanaugh and Ian Birse

REGISTRATION NOW OPEN
WEEK long intensive workshop with visiting artists, Laura Kavanaugh &
Ian Birse

Working with new media in a MAX/MSP environment
and leading towards the completion of a final project
which will be presented to an audience.

Participants will gain hands on experience using MAX/MSP
and develop new skills while building their own new work.

Dates: January 18-26, 2007
Performance: Saturday January 27, 2007

Tuition: $245.00 (non members), $200.00 (members)
Students Welcome!!

Here is a sample of their recent work.

Removable Room/Kingston:
http://www.instantplaces.ca/room_1/kingston_1.html

Removable Room/St. Catharines:
http://www.instantplaces.ca/stcath/pencent_1.html

PLACETIME:
http://www.instantplaces.ca/windsor/windsor_1.html

IF YOU know of anyone looking to sublet a home or apartment
in Regina, December - February 2007, please contact the gallery
or Laura and Ian directly; they would like to stay in Regina
this winter!!! and are great house-sitters!!!! take some time off
in the Bahamas, and help out the artists!!!!




Neutral Ground & Soil Digital Media Suite
#203 - 1856 Scarth Street
Regina, SK
S4P 2G3
tel: 306-522-7166
fax: 306-522-5075
neutralground@accesscomm.ca
http://www.neutralground.sk.ca
http://www.soilmedia.org

Remix Opp: Keep It On The Dance Floor

Hey Everyone,

We are putting out a call to remix SCREAM CLUB's song
KEEP IT ON THE DANCE FLOOR for a possible upcoming vinyl release

If everything goes as planned will will be releasing a vinyl ep later this year and if we like your song, we will use it, give you mad props and credit ofcourse and it would be rad.

Unfortunatly we are not offering money, so it would be for the glory of having your remix on vinyl and your name in big bold letters right next to the song.

This is a perfect opportunity for the upcoming artist who wants to get there name out, or for someone who just likes remixing for the challange.

Even if the vinyl project doesnt go as planned if your remix is dope, we will find a release for it.

Since the name is KEEP IT ON THE DANCE FLOOR, we would naturally like a wicked off the hook dance beat.

Oh and its a totally queer song, so if you are homophobic, this probably isnt the song for you, oh but maybe it is, maybe this is your chance to overcome your fears, anyways

if you want to try your luck at remixing, you can download the accepella at www.myspace.com/cindywonderful

i cant wait to hear what you do

Female remix artists are highly highly highly encouraged

xoxo cindy

Callout: CONTACT 2007

CONSTRUCTED IMAGE

Submit work by Friday January 12, 2007.


Toronto Image Works is calling for submissions for a group show during
CONTACT 2007. We are looking for up and coming photo-based artists, who are
fairly new on the exhibition scene, but who show a sophistication in their
style and thinking. Technique is also paramount.


Exhibition opens May 2 to June 29, 2007. The exhibition will be made up of 3
artists (5 prints each).

Submissions to include:
Resume with contact information (including e-mail address and phone #);
10 slides or 10 images on a c.d. (c.d. Requirements: max.800 x 600 pixels;72
dpi, RGB jpeg gif format)
c.d. list / slide list with your name on each slide and artist statement;
Return envelope with postage or call TIW to pick up


For continuity, the show will be framed in 31" x 27" ready made frames with
conservation glass and matt, with simple black profile which will be
provided by TIW for duration of show.


If artists choose to produce their slides (from negative only) at Toronto
Image Works we offer 10% off plus, a reduced rate of $8.00 prepaid for
darkroom time, 10% off digital prints,including CHROMIRA photo prints and
mounting / framing.. Check out our website for $5 a square foot for CHROMIRA
photo prints.




Toronto Image Works offers gallery hours for viewing public as follows:
Monday and Wednesdays 8:30 am to 10pm
Tuesday, Thursday, Friday 8:30 am to 7pm
Saturdays 10:00 am to 4pm


PLEASE NOTE:
Toronto Image Works will be closed at 1pm, Dec 22, and will re-open January
2, 2007




TIW is a Community Service Gallery with all proceeds from sales of work to
go to the artist.



Send your submissions to:


CONTACT EXHIBITION
Toronto Image Works
207-80 Spadina Avenue
Toronto, ON . M5V 2J4
Please mark "CONTACT EXHIBITION" on package


E-mail: Bernice@torontoimageworks.com
Phone: 416-703-1999 Ext 227
www.torontoimageworks.com

Callout: Subtle Technologies 2007

Subtle Technologies 2007

in situ
art * body * medicine

May 24th - May 27th 2007
University of Toronto, Toronto Canada

Submission Deadline January 3, 2007

Subtle Technologies is a four-day multidisciplinary Festival exploring
complex and subtle relationships between art and science. The annual
international event combines symposia, exhibitions, workshops and
performances that juxtapose cutting-edge artistic projects and scientific
exploration.

For the 10th Annual Festival, Subtle Technologies invites practitioners of
arts, sciences and medicines, and those who study their context, historians,
ethicists, and other critical thinkers to contemplate how these disciplines
can work together and reshape perspectives on the body.

As scientific and technological breakthroughs prominently occupy our
culture, we ask where the boundaries are. We are interested in investigating
how we relate bodies in situ: as parts, as a whole, as systems; how we
identify, map, modify, protect, violate, and heal.

We invite a wide interpretation of bodies including the molecular, physical,
cultural, economic, legal, political, energetic, electrical and spiritual.

A range of approaches are welcome, including interdisciplinary work,
specialized presentation proposals that focus on a single topic in depth,
and general discussions that draw upon multiple topics. We welcome a
diversity of presentation formats, including those practitioners who may not
emphasize the use of science and technology.


Proposals for the following will be considered: workshops, performances,
poster sessions, and symposium presentations.

How to Apply:
Please visit our website for detailed submission instructions.
http://www.subtletechnologies.com/2007/


Examples of possible topics include:

* Racial and Personalized Medicine
* Tele-Medicine
* Pharmaceuticalized Body
* Organ Trafficking
* Inter- Species Communications
* History of Medicine
* Reproductive Technologies
* Addictions and Obsessions
* Sexual / Gendered Body
* Body Machine Interfaces and Sensors
* Violated Body
* Embryoid Bodies and Stem Cells
* Infectious Agents and Diseases
* Local or Traditional Healing Practices
* New Therapeutic Paradigms
* Population Dynamics and the Environment
* Spiritual Body
* Extropian and Post Human Investigations
* Body and Performance, Body and Rituals
* Bioethics
* Trangenic Bodies and Tissue Engineering
* Genomics Proteomics Metablomics and other -omics



For Questions, contact us at:
(email) programs@subtletechnologies.com
(phone) 416.532.5018

Subtle Technologies is hosted by the University of Toronto, and supported by
Canada Council for the Arts, Ontario Arts Council. Toronto Arts Council,
Canadian Heritage.

Callout: $100 Film Festival

1. C A L L F O R S U B M I S S I O N S
CSIF $100 Film Festival

DEADLINE: 4PM - DECEMBER 15, 2006

ELIGIBILITY
· 16mm or Super 8 film under 22 minutes
· Must be able to provide 16mm or Super 8 print for Festival exhibition
· Official release date after December 1, 2004
· Accepted Audio Formats:
· 16mm with optical sound
· Super 8 mag. stripe
· Properly synched CD

TECHNICAL
· CD soundtracks must be accompanied by detailed synching instructions
· Films should have at least 10 feet of white leader
· Each film must be clearly labeled with running speed (18 or 24 fps),
length, title and name of filmmaker
· Films must be submitted head out and leaders clearly labeled

SELECTION PROCESS
The Festival Programming Committee selects films for exhibition at the
Festival from submitted entries, and a separate jury of artists and
professionals from the film industry selects award recipients. Entries are
judged on their creative content, but also on the ability to maintain the
spirit of low-budget filmmaking.

If your film is selected for exhibition, you will be asked to ship A FILM
PRINT to the CSIF approximately one month before the Festival. The $100 Film
Festival will make every attempt to avoid any damage to your film, but
cannot provide any guarantee. At the completion of the Festival, your film
will be shipped back to you, pre-paid (with the exception of filmmakers in
Calgary whose films will be available for pick-up).

SUBMISSIONS
Send a VHS or DVD preview copy (NTSC, DVD Region 1 format) and completed
submission form to the CSIF before the deadline of 4pm – December 1, 2006.
Label the VHS or DVD clearly with the title, name of filmmaker and running
time. If you are entering more than one film, you may compile them on to one
VHS or DVD, but a separate entry form must be submitted for each film. No
entry fee is required, but the VHS or DVD will not be returned unless you
enclose a self-addressed stamped envelope.

Extracts and stills from selected films may be used to advertise the
Festival in local print, radio or television media, and on the Festival web
site. Distribution information is collected to be included in program guide
and web site.

Important note for entries from outside of Canada:
Label packages "Cultural Purposes. No Commercial Value." The CSIF will not
pay any shipping or duty charges.

FOR MORE INFORMATION
Visit the $100 Film Festival web site at www.csif.org/festival.html
or email CSIF at info@csif.org.

Job Opportunity: Yorkton Short Film Fest

Job Advertisment

Media Relations Person - Yorkton Short Film & Video Festival

The Festival is looking for a media relations person for a term position, December 18, 2006 through July20, 2007.

The criteria for qualifying is the candidate must have graduated from their field of study(journalism/public relations/marketing/media studies) and have not made the transition to full time work in their field of study.

JOB SUMMARY:

Under supervision of the Executive Director, manage the public relations activities of the Yorkton Short Film & Video Festival. Maintain positive relations with the public, the press, and electronic media.

Assist in creation of all publications, press and media communications, calendars, special promotions, and general information on related activities and events. Assist in development of current media database, by researching new and existing contacts.

Develop an ongoing media strategy for the Festival.

Develop a national campaign for the Festivals 60th Anniversary celebrations.

Prepare and disseminate press materials.

Miscellaneous job-related duties as assigned

Development of current media database, by researching new and existing contacts.

Assist in promotion campaigns for the Yorkton Short Film & Video Festival.

Assist in creation of press materials.

Prepare and disseminate press kits through mailings and e-blasts.

Assist in arrangements of interviews and escort Festival guests.



DUTIES AND RESPONSIBILITIES:

1. Develops and maintains a comprehensive list of press, media, and community communication mediums; writes, produces, and distributes press kits, feature stories, calendar listings, public service announcements (psas), and other items for all sponsored events.

2. Conducts media relations efforts; establishes and maintains contacts with key media personnel; develops and implements press conferences, photo sessions, and press/media events.

3. Assists in the development of and manages production and delivery of publications, including season brochures, flyers, posters, direct mail promotions, calendars, and other marketing support materials; writes, designs, and produces materials as required.

4. Assists in the development and implementation of a variety of special events and promotional activities.

5. Assists with sales and market analysis of public relations programs.

6. Performs miscellaneous job-related duties as assigned.

KNOWLEDGE, SKILLS, AND ABILITIES REQUIRED:

1. Knowledge of public relations, communication principles, media, direct mail, and marketing techniques.

2. Knowledge of publishing procedures and requirements, including desktop publishing.

3. Ability to plan, organize, and coordinate media activities and promotional events.

4. Strong interpersonal and communication skills and the ability to work effectively with a wide range of constituencies in a diverse community.

5. Ability to create, compose, and edit written materials.

DISTINGUISHING CHARACTERISTICS:

Position requires:

a) Writing, producing and distributing media including press kits, feature stories, and public service announcements;

b) developing and maintaining a comprehensive list of press and community communication mediums;

c) conducting media relations efforts including establishing and maintaining contacts with key media personnel; and

d) developing and managing a promotional display and signage program.



SPECIFIC DELIVERABLES:

1. Media Plan & Strategy for the 2007 Yorkton Short Film & Video Festival.

2. Develop Media Kit for the 2007 Yorkton Short Film & Video Festival.

3. Develop a comprehensive list of press, media, and community communication mediums.

4. Writing and distribution of 20 to 30 media releases for the 2007 Yorkton Short Film & Video Festival.

5. Develop National Campaign for 60th Anniversary Celebrations



For more information please contact Fay Kowal, Executive Director

(306) 782-7077 or director@yorktonshortfilm.org

Call For Submissions - Gibraltar Point International Artist Residency Program

CALL FOR SUBMISSIONS
GIBRALTAR POINT INTERNATIONAL ARTIST RESIDENCY PROGRAM
ON TORONTO ISLAND, TORONTO, CANADA


CALL FOR SUBMISSIONS
Artscape is currently accepting applications for the 
Gibraltar Point International Artist Residency Program
taking place June 1st – 30th, 2007.

Submission Deadline: February 21st, 2007, 4pm EST
2007 Program Dates: June 1st - 30th

For further information including the Guidelines for Submissions,
Application Form and Answers to Frequently Asked Questions, please visit
Artscape’s website at http://www.torontoartscape.on.ca/gpiarp


ABOUT THE GIBRALTAR POINT INTERNATIONAL ARTIST RESIDENCY PROGRAM
The Gibraltar Point Residency transcends political, aesthetic and
geographic boundaries, welcomes diversity and provides a spawning ground
for unique cultural alliances. The program is open to Canadian and
international artists who are engaged in the research, development or
creation of work. Emerging, mid-career and established professional
artists are invited to apply. Participants in the residency program
receive accommodation, a private work studio and all meals at no cost.
Travel and material costs are the responsibility of participating
artists.

The residency program aims to further the professional development of
artists by: enabling the creation and production of new work; fostering
an exchange of ideas and influences; encouraging the sharing of
expertise; inspiring new works of art and creative collaborations; and
building relationships between artists working in different media. The
program is designed and managed by Artscape and takes place for a single
30-day term each calendar year at the Gibraltar Point Centre for the Arts
on Toronto Island.

ABOUT THE GIBRALTAR POINT CENTRE FOR THE ARTS AND TORONTO ISLAND
Situated on the south-western beachfront of Toronto Island, The Gibraltar
Point Centre for the Arts owes its name to its location marked by
Toronto's oldest landmark – the Gibraltar Point Lighthouse, which
was erected in 1808. Operated by Artscape, this 30,000 square foot unique
facility provides permanent studio space to more than a dozen artists and
a Retreat Centre which can be rented for a variety of functions. In
addition to hosting the Residency Program, the Gibraltar Point Centre for
the Arts features Artscape Lodge; a short-term rental service with
accommodation and work studios for up to 13 visiting artists.

Toronto Island is a peaceful 230-hectare natural park in Toronto's
harbour, a short 15-minute ferry ride from the thriving downtown core of
Canada’s cultural capital. The Island is part of the Carolinian
Zone which includes flora and fauna not found anywhere else in Canada.
Naturalized areas and wildlife reserves make it a popular stopover point
for southern song birds. The Island is also home to approximately 800
individuals whose remarkable community boasts one of the highest per
capita populations of artists in Canada and is the largest urban car-free
community in North America. 

Mail submissions to:
GIBRALTAR POINT INTERNATIONAL ARTIST RESIDENCY PROGRAM
Artscape
Suite 111 - 60 Atlantic Avenue
Toronto, Ontario M6K 1X9
Canada


Submission Deadline: February 21st, 2007, 4pm EST
2007 Program Dates: June 1st - 30th

GUIDELINES FOR SUBMISSIONS, APPLICATION FORM AND ANSWERS TO FREQUENTLY
ASKED QUESTIONS CAN BE FOUND
AT  http://www.torontoartscape.on.ca/gpiarp

For questions regarding the Gibraltar Point International Artist
Residency Program
please contact by email only  residency@torontoartscape.on.ca


The Gibraltar Point International Artist Residency Program is hosted and
managed by Artscape with the generous support of the City of Toronto and
the Ontario Arts Council

Celebrating its 20th anniversary this year, Artscape is a Toronto-based
non-profit enterprise that unlocks the creative potential of people and
places. Artscape's work encompasses building creative places, developing
creative districts and clusters, and cultivating cities on a local,
national and international level. http://www.torontoartscape.on.ca

Original artwork + photo: Tine Bech, 2006 alumnus

Media Contact: Liz Kohn, Director of Communications, 416-392-1038
x25

Modulate: International Sound Artist UK Residency Opportunity

International Sound Artist UK Residency Opportunity.

Call out to: artist led spaces, arts groups, residency centers and
individuals

Modulate <http://www.modulate.org.uk> are inviting expressions of
interest from an international sound artist, (i.e. non UK based), for a
residency to take place in Birmingham England in 2007, as part of the
Arts Council of England's International Artists Fellowships Programme.

A fee of £1000 per month, an equipped studio space, travel, and
accommodation will be provided, plus some technical support if
required. The residency would take place over a three month period.
-----------------
We are looking for a musician / sound / av artist who:
-Will connect with modulate in a way that makes the residency
creatively stimulating for both the artist and host.

- Will be open to an exchange of skills and ideas, for instance by
taking part in our monthly sonic culture salons, where regional
artists and
musicians meet up to show, play or talk about their work.
- May have an interest in current technologies & software's
- Would enjoy working within a warehouse environment
- Would be a pleasant guest to invite into our space.
- Would be able to make best use of the space and equipment already
there. This includes a Macintosh computer, stereo and 5.1 surround
sound amplifiers, various selections of speakers, and video projector
(s).

As well as the basement studio space, available through out the
residency, the larger warehouse space above could also be made
available for part of the period. This would be ideal for setting
up / trying out larger scale ideas after preparation in the studio.

We are likely to favour artists with an intuitive approach to their
work.

We would welcome applications from persons who may be part of a collective, group or network, or be linked to an artists led or
residential space, so that there might be the possibility for a
reciprocal opportunity to develop in the future.

There is the possibility for the residency to involve more than one
person, for artists working together or as part of a collective, but
over a slightly shorter time period, or taking turns, as the budget
would remain the same.
----------------
What to send us:
At this stage please email us an expression of interest that includes:
- A brief biog / cv
- The type of project you may like to develop as part of the residency
The deadline for final submissions is December 21st 2006
Please contact us as early as possible with expressions of interest /
any further questions.

Email: modulate.org@gmail.com
We would welcome applications from persons who may be part of a
collective, group or network, or be linked to an artists led or
residential space, so that there might be the possibility for a
reciprocal opportunity to develop in the future.

There is the possibility for the residency to involve more than one
person, for artists working together or as part of a collective, but
over a slightly shorter time period, or taking turns, as the budget
would remain the same.
----------------
What to send us:
At this stage please email us an expression of interest that includes:
- A brief biog / cv
- The type of project you may like to develop as part of the residency
The deadline for final submissions is December 21st 2006
Please contact us as early as possible with expressions of interest /
any further questions.

Email: modulate.org@gmail.com