Sunday, July 27, 2008

Call: boDig 08 – ara-yüz(süz) seeks installation art

boDig 08 – ara-yüz(süz)


http://www.bodig.org/bodig08/bodig08_eng.html

boDig 08 – ara-yüz(süz) :: September 15-25, 2008 :: Istanbul :: Call for Installations - Deadline: August 15, 2008.

Multidisciplinary artistic creation platform boDig is organizing a series of events called boDig 08 on bodies & technologies within the frame of the International Project Absent Interfaces Lab. The partners include L’animal a l’esquena (Celrà/Girona) and Centre for Drama Art (Zagreb).

boDig 08 includes stage performances, installations, artists’ labs, workshops, public meetings and club events around live arts and new media technologies. boDig focuses on innovative and experimental works without restricting the medium, and this year encourages the applying artists to approach the theme of “absent interfaces” in their installation works. The selection committee will give priority to artworks that use an intellectual and critical approach to the embodiment of current technologies. For more info and application form:
http://www.bodig.org/bodig08/bodig08_eng.html

Selection Committee: Dr. Bernhard Serexhe (Head Curator, ZKM- Media Museum); Philippe Baudelot (Multimedia Consultant); Defne Ayas (Curator, PERFORMA); Derya Demir (Art On Stage); Aylin Kalem (boDig).

boDig is an Istanbul based contemporary arts association founded in 2007, focusing mainly on the issues of the body in contemporary arts and digital culture. Its artistic understanding has a multidisciplinary scope, bringing a variety of fields together, like dance, performance, visual arts, design, architecture, new media, engineering and medicine, in order to bring forth a reflection and artistic creation around the issues of the body in its contemporary and technological context.

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Call: Madrid Abierto 2009-2010 seeks artists for Public Art debates

MADRID ABIERTO


http://www.madridabierto.com/en

Madrid Abierto 2009-2010 :: Call for Artists of all Nationalities :: Deadline: September 10, 2008.

The Cultural Association, MADRID ABIERTO, announces the start of the presentation of projects period for the 6th edition of its international public art programme which will be held in 2009 and 2010. The programme will hold debate sessions on public art and will generate a series of interventions of an ephemeral or temporary nature in the centre of Madrid, whose authors will mainly be selected through this open call for presentations. A specific call for presentations of sonorous work, which includes collaboration in the audiovisual TV Interventions project, is also announced. PARTICIPATION BASES:

1. Reflecting from the stance of contemporary art practice on cultural, social and political environment, the purpose of this call for applications is to select artists to produce interventions of a temporary or ephemeral nature aimed at contributing to activate the public space. The initiative includes two specific projects for the Casa de América and Círculo de Bellas Artes buildings, which will be incorporated into Madrid Abierto with other invited projects and selected sonorous and audiovisual works.

This edition of Madrid Abierto will be dedicated to emerging practices that critically engage with the urban environment. Madrid Abierto 2009-2010 aim to include a wide variety of practitioners and art forms that establish their strengths in an expanded role, and that work in the social realm of art practice and audience participation. The idea is to produce and show work that connect various disciplines and that opens up for collaborations between, for example, artists, architects, designers, computer programmers, social scientists and urban planners.

For cities to thrive, to be communicative and alive, and to function as catalysers of public life, it is necessary to stimulate civic participation and community involvement. Given the current framework, where society often fail to negotiate some of the most immediate challenges, how can pooling resources such as the ones found in interdisciplinary groups, develop alternative work methods? How can inertia and nostalgia be substituted by visionary and inspiring tools that act as catalysts for change?

2. The programme schedule is as follows:

- Application deadline: until September 10th 2008.
- Selection of artists: until October 31st 2008.
- Preparatory meetings and seminars: February 2009.
- Elaboration of final projects: until April 30th 2009.
- Assessment of projects and installation permits: until June 30th 2009.
- Execution of artistic interventions and transmission of sound and audiovisual works: February 2010.

3. Coinciding with ARCO, the interventions will be take place in February 2010 in Madrid, with some form of presence or reference in the junctions Paseo de la Castellana-Recoletos-Prado and Calle de Alcalá-Gran Vía.

The sound works will be transmitted by Radio 3, Radio Nacional de España in February 2010. Audiovisual works will be presented during this time too.

4. Artists of all nationalities are encouraged to present their applications (except for the Casa de América project, which is open to Latin American artists only), either individually or as a team. In the case of team application, one representative must be appointed.

5. A) Artistic interventions.-Each participant must include:

* Curriculum of no more than 2000 characters with a photocopy of the author or authors’ National Identity Document (or equivalent).

* Description of a project already executed and the draft of a project for Madrid. In both cases no more than 4000 characters.

* A maximum of six sketches or images of the project or draft project in jpg format with a maximum resolution of 72 dpi.

* Description of the technical set up and needs of the draft project.

* Estimated and broken down budget of the draft project, including details of items that could possibly be self-financed.

* All the files must be PC compatible. Files sent from an Apple computer must have adequate extensions (doc, xls, pdf, jpg, tif, etc.).

* Should the above-mentioned information fail to be received in full, the participation will be rejected.

* The maximum budget for each selected artist is 15,000 euros. In all cases this sum includes expenses derived from the preparatory meeting in February 2009, as well as travel, accommodation, production, transport and set up of the intervention in February 2010, the author or authors fees (up to a maximum of 2000 euros) and any applicable taxes.

B) Sound Art.- Each participant must include:

* Curriculum of no more than 2000 characters and a photocopy of the author or authors’ National Identity Document (or equivalent).

* Description of the proposed piece, not exceeding 4000 characters.

* Maximum length of work is10 minutes per author and must be sent on a CD.

* Selected artists will receive 500 euros. A direct master copy of the work will form part of the documentary collection and public archives of Madrid Abierto. The work may possibly be placed on the website, for non-profitable purposes and with prior consent of the authors.

C) Audiovisual work.- The audiovisual work selected in the 2008 and 2009 calls for applications for TV Interventions will form part of the Madrid Abierto 2009-2010 programme in collaboration with Fundación Rodríguez and Centro Cultural Montehermoso (and may be transmitted by Canal Metro). Those selected will receive 500 euros and a direct master copy of the work will form part of the documentary collection and public archives of Madrid Abierto. The work may possibly be placed on the website for non-profitable purposes and with prior consent of the authors.

Audiovisual applications will not be accepted through the Madrid Abierto application procedure.

6. All the proposals must be sent by electronic mail to abierto [at] madridabierto.com prior to September 10th 2008.

7. The advisory committee of Madrid Abierto, presided by Programme Director Jorge Díez and comprised of Cecilia Andersson, Guillaume Dèsanges, Ramon Parramon, Mª Inés Rodríguez, Fito Rodríguez and artist group Democracia, participates in the various phases of this edition. Casa de América and Círculo de Bellas Artes will appoint a representative for the task of selecting each institution’s intervention.

Cecilia Andersson will be this edition’s curator. In collaboration with the advisory committee of Madrid Abierto, she selects the participating artists on the basis of their track record, the quality and viability of the proposals and the total reversibility of the interventions. The organiser may round off the selection with invited artists, up to a maximum of 50% of the total number of selected artists in the open invitation. Since these projects will occupy public spaces, Madrid Abierto will obtain the necessary municipal permits to the set up the interventions.

Should the selected artists use images or elements belonging to third parties, they must provide authorisation of the proprietors for the use of images or extracts in the project.

8. Madrid Abierto reserves the right to publish and reproduce the selected artistic interventions for all purposes associated with the promotion of the programme, and shall incorporate all generated documentation into its documentary collection and public archives. The selected projects and works are the property of the authors and, as the case may be, the promoting institutions shall have a preferential right to purchase them.

9. Participation in this call for applications entails full acceptance of the conditions of entry.

Direction: Jorge Díez
Curator: Cecilia Andersson
Adviser Committee: Cecilia Andersson, Democracia, Guillaume Dèsanges, Jorge Díez, Ramon Parramon, Fito Rodríguez and Mª Inés Rodríguez
Coordinator: RMS La Asociación
Graphic Design: 451
Organize: Asociación Cultural Madrid Abierto
Sponsors: Fundación Altadis, Comunidad de Madrid and Ayuntamiento de Madrid Collaborators: Fundación Telefónica, ARCO, La Casa Encendida, Ministerio de Cultura, RNE3, Canal Metro, Círculo de Bellas Artes and Casa de América

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Monday, February 18, 2008

Call: Papers wanted for "Embodied Politics in Visual Autobiography"

Call for Papers

Embodied Politics in Visual Autobiography

We invite contributions for a proposed collection of essays on visual
autobiography, focusing on health, bodies, and embodied subjectivities.
The collection will consider how cultural practices of self-narration
and self-portraiture image and imagine unruly bodies and, in so doing,
respond to Patricia Zimmerman's call for "radical media democracies
that animate contentious public spheres" (2000, p. xx).

How are health, dis/ability, and the body theorized, materialized, and
politicized in visual autobiographies, including forms such as
photography, video art, graphic memoir, film, body art and performance,
and digital media? We are particularly interested in the potential of
visual autobiographies to:
-explore how bodies negotiate disciplinary regimes and technologies
-produce counterdiscursive manoeuvres and new representational spaces
-investigate how power/knowledge relations constitute embodiments
-provoke critical and ethical reflection

We welcome contributions from academic- and arts-based researchers and
practitioners. We encourage a wide range of critical perspectives:
cultural studies, critical theory, disability studies, feminist
studies, critical race studies, diaspora studies, queer studies,
Aboriginal studies, globalization studies, literary studies, art
history, music, media studies, theatre and performance studies.
Analytic approaches could involve: textual analysis; histories,
presents, and futures; practices and practitioners; and pedagogy.

Possible topics:
dis/ability
sickness/wellness
disease
bodies negotiating borders and boundaries
traded and disappeared bodies
trauma and testimony
memory and memorializing
monstrosity
care of the self
care-giving
fatness and body size
aging
body alterations and transformations
environments
activisms

Send a 300- to 500-word abstract, working title, and a brief bio, by
email in a Word attachment, to Sarah Brophy (brophys@mcmaster.ca) and Janice Hladki (hladkij@mcmaster.ca) on or before May 15, 2008.
Inquiries are also welcome. Final papers should range in length from
4000-8000 words.

About the editors: Sarah Brophy is an Associate Professor in English
and Cultural Studies, McMaster University. Janice Hladki is an
Associate Professor in Theatre and Film Studies, McMaster University.

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Monday, October 08, 2007

Call: Son Par Là seeks audio art submissions

1 SON PAR Là


http://www.nmartproject.net/netex/?p=146#more-146 (map)


CALL FOR SOUND WORK
1 SON PAR Là
Music of today Festival > Carré d'Art - Nîmes - France - December 1st, 2007

This international call for projects is open to all. It is meant to replace extracts of the soundtrack of "Lemming" of Dominik Moll (Harry, a friend who ...) by a new sound creation. Everything is allowed, deepen the sense or the contrary, making new dialogs, parody, do it seriously (or not), creation of a musical arrangement. All types are accepted (Electroacoustic, Electro, Classic, Jazz, dubbing, remix...). Use your imagination, there is no limit!

The best offers will be publicly broadcasted during the "1 SON PAR Là" festival. They also will be sent to the film director Dominik Moll and to Diaphana Production/distribution (producer and distributor of the film).

To participate in this call for projects, you have to send us a mail with your coordinates and your age. We will send you the film extracts, the enrollment sheet as well as our coordinates by mail.

Your sound extracts need to be returned on DVD/CD or DV Digital Cassette, or MP3 marked with your last name, first name and the enrollment sheet correctly filled in.

More information
unsonparla@free.fr
+33(0)9 52 80 03 53
http://www.myspace.com/1sonparla

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Monday, September 24, 2007

Call: Eyebeam Residency in New York

Eyebeam Residency New York

Mon Oct 1, 2007
(Eastern Time - Montreal)
http://eyebeam.org/production/production.php?page=aircall (map)
Calendar: Audio Calls

Eyebeam is now accepting applications for Winter 2008 residencies. In addition to our preexistent residency program, this season we're very pleased to announce an additional opportunity for artist support: the inaugural Commission for Resident Artists, underwritten by Dewar's. Details about the commission, which will offer an additional subsidy to two residents a season, are detailed in a separate section below.

The application deadline for the Winter 2008 residency season (which will run from January-June) has been extended to October 1, 2007. All applicants will be informed of their status by November 2007.

Eyebeam residencies support the creative research, production and presentation of initiatives that query art, technology and culture. The residency is a period of concentration and immersion in artistic investigation, daring research or experimental production of visionary expression, applications and projects. Past initiatives have ranged from moving image, sound and physical computing works to technical prototypes, installations and public interventions.

The ideal resident will both contribute to and benefit from the collective environment at Eyebeam, and will embrace the spirit of openness shared across the organization: open source, open content and open distribution.

Residents are encouraged to participate in public events including workshops, demonstrations of research in progress, panel discussions, and on-line releases, in addition to regularly scheduled open studio events. Therefore, we do ask that artists include in their proposal examples of how they might like to contribute to Eyebeam's public programming.

The program term is from January to June with the potential for extension and/or re-application. Residents will be selected from an open call, based on the quality of the work or research being proposed, the availability of the necessary tools and skills to support the work, and in consideration of the overarching research themes and activities of the organization.

Eyebeam's research themes bring together creative practitioners and expert external participants to develop new research leading to possible public outcomes including seminars, public discussion and exhibition.
Research themes for 2008 include (though will not be limited to):

* Energy, Technology and Sustainability
* Urban research, urban interventions and media in public space

Artists and creative technologists interested in these research areas are particularly encouraged to apply for residencies.


Eyebeam Residency
Residencies include:

* $5,000 honorarium
* 24/7 access to Eyebeam's Chelsea facility in New York City, including equipment and technical expertise from Eyebeam staff and Fellows
* The potential for collaborative exchange with other residents and Eyebeam fellows, as well as support from interns

Residents are encouraged to work onsite at Eyebeam for as much of their residency as possible, in order to both contribute to and gain from the collective, collaborative context of the labs.

International applicants are welcome to apply, though Eyebeam will not cover additional travel or accommodation expenses. We are, however, happy to work with selected applicants, to help them to secure funds to cover these expenses. International residents are responsible for securing their own visas for the residency period. International applicants are encouraged to apply now for Summer 2008 residencies.

Up to three residencies will be offered in Winter 2008.


Commission for Resident Artists

Eyebeam is pleased to announce the inaugural Commission for Resident Artists, which is being underwritten by Dewar's.
The Commission for Resident Artists includes:

* $10,000 honorarium
* Additional stipend for travel, accommodation, and equipment expenses
* 24/7 access to Eyebeam's Chelsea facility in New York City, including equipment and technical expertise from Eyebeam staff and fellows
* The potential for collaborative exchange with other residents as well as support from interns

In exchange, the commissioned resident artists are asked to:

* Commit to presentation of the process of creating the commission through a website and regular blog posts
* Commit to presentation of the finished commissioned work at the end of the residency

Two commissions will be awarded in Winter 2008: one to a foreign artist and one to an American artist. We are particularly interested in commissions which focus on open source outcomes.
In order to be considered for this opportunity, you must:

* Be at least 25 years old
* State your interest in being considered for the commission in the standard online residency application

Additionally, you must send a letter of nomination from a mentor, employer, collaborator or curator to residencyinfo AT eyebeam DOT org by the October 1, 2007, 2007 application deadline.

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Friday, August 31, 2007

Call: Dare-Dare seeks annual programming submissions

appel de dossiers / call for submission / convocatoria

extension!
le 14 septembre 2007 / September 14, 2007 / 14 de septiembre 2007

http://www.dare-dare.org



DARE-DARE

APPEL DE DOSSIERS
Dis/location: projet d’articulation urbaine 2008
date de tombée: le 14 septembre 2007

Mandat
DARE-DARE Centre de diffusion d'art multidisciplinaire de Montréal est un lieu flexible, ouvert, voué à la recherche et à l’éducation, qui soutient et valorise l’implication d’artistes aux pratiques émergentes. Le centre d'artistes autogéré manifeste un intérêt soutenu pour l’exploration et la diversification des modes de production, de présentation et de diffusion des œuvres et interventions artistiques.

Appel d'intentions pour la programmation 2008
DARE-DARE reçoit votre dossier accompagné de vos intentions de recherche. Ces intentions pourront se traduire par des projets d’intervention publique, de performance, de manœuvre, d’événement ou autre, qu’ils soient ponctuel, de durée variable ou répété dans le temps, et ce, en toute saison. Le centre recherche des pratiques qui s'insèrent directement dans la trame physique et sociale de la ville, des projets interdisciplinaires qui impliquent une interaction avec le public et qui s’inscrivent dans les espaces publics, les zones résidentielles, commerciales, industrielles.

Une première sélection se fera à partir du dossier et des pistes de recherche. DARE-DARE invitera certains artistes à formuler un projet plus précis pour une sélection finale à l'automne.

Votre dossier devrait comprendre:
• un texte décrivant votre intention de recherche (max 200 mots),
• un curriculum vitæ,
• dix diapositives ou images numériques (max 1 Mo) avec description,
• une bande audio/vidéo, VHS/DVD (NTSC), disque compact (max 5 min),
• tout document permettant un meilleur aperçu de votre travail.

Le centre n’accepte pas de dossiers par courriel. Vous pouvez joindre une enveloppe pré-affranchie pour le retour des documents (le centre se départira des dossiers non-réclamés). Le centre paie les droits correspondant aux normes recommandées par SODART/CARFAC.


DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal
Casier postal 130 Succursale R Montréal Québec H2S 3K6 Canada
t: +1.514.878.1088 daredar@cooptel.qc.ca
Renseignements: www.dare-dare.org


DARE-DARE est situé à Montréal dans un parc sans nom à la lisière des arrondissements Le Plateau-Mont-Royal et Rosemont—La-Petite-Patrie. Son bureau se trouve dans un abri mobile au coin des rues Clark et Arcade.




DARE-DARE

CALL FOR SUBMISSIONS
Dis/location: projet d’articulation urbaine 2008
deadline: September 14, 2007

Mandate
DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal offers flexibility and openness and is devoted to research, experimentation, risk and critical inquiry. The artist-run centre supports research, values emerging practices and demonstrates a sustained interest in exploring a diversity in modes and contexts of presentation.

Call for intentions - programming 2008
DARE-DARE receives your submission accompanied by your research interests. These interests will translate into proposals of all kinds including/not limited to public intervention, performance, manœuvre, event. The projects may be of specific or of variable duration, or they may be repeated in time, during any season of the year. The centre seeks interdisciplinary projects that will engage the social and physical realms of the city, its public spaces, its commercial, industrial and residential areas.

A first selection will be based upon the artist's dossiers and research intentions. DARE-DARE will invite these artists to further detail and elaborate their projects in view of a final selection.


Your submission should include:
• a brief statement describing your project intention,
• a curriculum vitæ,
• a maximum of ten numbered slides or digital images (max 5 Mg) with a descriptive list,
• audio/video tape, VHS/DVD (NTSC) or Quicktime (max 5 min.),
Enclose a stamped, self-addressed envelope for the return of your documentation if desired (DARE-DARE does not keep unclaimed dossiers). The centre does not accept submissions by email. The centre pays SODART/CARFAC rates.


DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal
Casier postal 130 Succursale R Montréal Québec H2S 3K6 Canada
t: +1.514.878.1088 daredar@cooptel.qc.ca
Info: www.dare-dare.org

DARE-DARE is situated in a park with no name in Montréal. The public park is on the limits of Le Plateau-Mont-Royal and Rosemont—La-Petite-Patrie burroughs.




DARE-DARE

CONVOCATORIA
Dislocación: proyecto de articulación urbana 2008
Fecha límite : 14 de septiembre 2007

Mandato
DARE-DARE Centre de diffusion d'art multidisciplinaire de Montréal apoya y valoriza la implicación de artistas con trayectorias emergentes. DARE-DARE tiene un gran interés hacia la exploración y la variedad de modos de presentación y divulgación de obras e intervenciones artísticas que ocupen el espacio urbano o cualquier otro contexto de presentación.

Intencion de artista Dislocación: proyecto de articulación urbana 2008
DARE-DARE acepta su portafolio acompañado de su intención de proyecto. Esta intención pueden ser un proyecto de intervención en espacio público, de performancia, eventos u otros, sean estos de carácter puntual, de duración variable o repetida. El centro busca divulgar prácticas que se inserten directamente en la trama física y social de la ciudad, proyectos interdiciplinarios que impliquen una interacción con el público y que se inscriban en barrios, espacios públicos, zonas comerciales y residenciales, etc. DARE-DARE ocupa por el momento, un refugio móbil y opera sin espacio de galería. El comité de programación escogerá un cierto número de artistas los cuales serán invitados durante el otoño a proponer un proyecto más preciso. Así, una primera selección se hará a partir de los portafolios y de las intenciones de los artistas.

Su portafolio deberá incluír:
· Un texto que describa su intención y proyecto (max. 200 palabras)
· Una hoja de vida
· Diez diapositivas o diez imágenes en disco compacto (max 1 mg) numerizadas y acompañadas de una descripción
· Un cassette audio/video, VHS, DVD (NTSC) o disco compacto Quicktime (max 5 min)
· Todo otro documento pertinente que permita una mejor comprensión de su trabajo

El centro no acepta portafolios por correo electrónico ni vía fax. Usted puede adjuntar un sobre prepagado que cubra los costos de reenvío de sus documentos (el centro no se hará cargo de los portafolios no reclamados). El centro paga los derechos y honorarios establecidos según la SODART/CARFAC.

DARE-DARE
Centre de diffusion d'art multidisciplinaire de Montréal
Casier postal 130 Succursale R
Montréal Québec H2S 3K6 Canada
t: +1.514.878.1088 daredar@cooptel.qc.ca
Información: www.dare-dare.org


DARE-DARE
localización
Parque sin nombre, Montréal

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Monday, July 23, 2007

Call: Call for proposals for "The Garage Show"

Please feel Free to pass this ON! Thanks. ~ Jeff

Call For Proposals - The Garage Show

Themes: Intervention/ Urbanism/ Public Spaces and Private Spaces/ Garage- Related Activities

Lane Level Projects is seeking artists to create installation and/or performance works for garages to be exhibited in a one day art event in Regina, SK on September 8th, 2007.

The Garage Show is Lane Level Project's first exhibition. Lane Level Projects is a Regina based artists’ collective. Our mandate is to introduce the work of local contemporary installation, multimedia and performance artists into private and semi-private venues: homes, garages, yards and gardens. Our inaugural project, The Garage Show, will culminate in a one-day exhibition/performance event in the garages and alleys of Regina’s Cathedral Area. Visual and performance artists will create site-specific installations and/or performances in response to the private spaces of people’s garages and the public spaces of the alleys that feed into them.

An artists fee will be paid to the artists that are selected.

Proposals / Submissions should include:
- CV/resume and a brief bio including your discipline(s) and your roles within these.
- A one page project description which outlines the underlying ideas, processes involved, and material result of the proposed work or action, including timeline and workplan. (This will help us facilitate the right space for you.)
- Technical requirements for the successful completion of you project.
- Examples of past work enclosed in a SASE: 5-10 slides or jpegs on Cd-Rom, video on DVD

Submission Deadline: August 10th

Mail project Proposals to:
Lane Level Projects
c/o Jeff Nye
P.O. Box 374, Lumsden SK S0G 3C0

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Wednesday, July 04, 2007

Call: Public Art Project in Regina seeks expressions of interest

Expressions of Interest

Immigrant Recognition Sculpture: A Public Art Project

The City of Regina is seeking artistic and/or design services for the creation, design and installation of a unique sculpture to celebrate the contribution of immigrants to Regina. The sculpture will incorporate a naming feature to display donor and/or immigrant names.

The selected artist/design team will be responsible for the design, production, transportation and installation of the work on the site chosen and will work with a City of Regina multi-disciplinary team to ensure appropriate integration of the work into its environment. The work will be unveiled in the spring of 2008.

The budget for the project is set at $250,000 and must include all costs, fees, materials honorariums and taxes.

Expressions of interests from artists/design teams are being accepted until August 1, 2007. We are looking for artists with a body of sculptural work and experience capable of producing a significant civic sculpture. Submissions should include an artist biography indicating relevant experiences and personnel, samples of previous work and reference letters. Finalists will be commissioned to provide detailed proposals.

A project overview is available at www.regina.ca . For more information, contact the City of Regina Arts, Culture & Heritage Program Specialist at clavoie@regina.ca or phone (306) 777-7603.

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Friday, May 18, 2007

Call: Blue Earth Alliance seeks photographers

=====
Blue Earth Alliance sponsors photography projects that educate the
public about threatened cultures and endangered environments and
matters of current social concern. We are a non-profit organization
with 501 (c) 3 status. This means Blue Earth Alliance is eligible to
receive contributions from private foundations and contributions by
individuals and other entities that are tax deductible. Blue Earth is
primarily interested in work that is educational and informational in
nature, and will consider proposals of any geographic scope,
involving the photographic medium.

Blue Earth accepts proposals twice a year. Deadlines are Jan. 21st
and June 1 (postmark date). International packages must be received
no later than January 31st and June 10th. The announcement of
recipients is made approximately two months later.


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Saturday, March 24, 2007

Job: Regina Public Library is seeks Development Coordinator

Development Coordinator

The Regina Public Library is seeking a Development Coordinator that will be
responsible for the co-ordination and operation of the Library’s fundraising
activities. For more information, visit
http://www.saskculture.sk.ca/jobs/04-04-07_RPL.htm. Application deadline is
April 4, 2007.

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Tuesday, March 20, 2007

Call: Ottawa Community Project Funding Available

Applications for 2007 Community Project Funding and

Crime Prevention Ottawa Project Funding now available

Ottawa - Non-profit community organizations in Ottawa are invited to
submit applications for new projects that address Community Project
Funding Priorities & Community Initiatives in Crime Prevention.

Community Project Funding is available for projects that promote:

· Participation in community activities for families with
children
· Healthy development of children & physical activity for
all ages
· Access to literacy programs & participation of seniors in
community life
· ** Participation of low-income families in cultural
programs **
· Safe behaviour and injury prevention
· Neighbourhood-based social programming and planning
· Finding and maintaining employment for low-income
individuals and families and
· Conditions of equality, regardless of differences

Crime Prevention Ottawa Funding is available for projects that:

· Contribute to the actualization of Crime Prevention
Ottawa's strategic plan (available at Ottawa.ca) and
· Target specific crime issues or specific neighbourhoods
and
· Address risk factors associated with crime (e.g. family
conflict or violence, school drop-out, youth-at-risk, addictions,
social or economic exclusion) and

· Are designed based on research and effective practices

Program Guidelines and Applications for 2007 Community Project Funding
and Crime Prevention Ottawa Project Funding are available at municipal
Client Service Centres and online at: ottawa.ca/funding

Applications must be postmarked or received by 4 p.m. Friday, April 20,
2007.
Information Sessions are scheduled across the city:

Central / East (French) East (French)
Monday, March 26, 2-4 p.m. Tuesday, March 27, 6:30-8:30 p.m.

South (English) West (English)
Wednesday, March 28, 6-8 p.m. Friday, March 30, 10 a.m. - noon

For session locations and to reserve a seat, please RSVP by e-mail:
Melanie.gleason@ottawa.ca or by leaving a message at: 580-2424 ext.
25688. If you require special needs accommodation, please advise upon
registration.

- 30 -

For more information:
Media contact
613-580-2450

Public inquiries
3-1-1

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