Sunday, July 06, 2008

Call: Tabula Rasa - themed event seeks art in all mediums

Tabula Rasa

Call for entries
Deadline: 15 July 2008 (reception)

Tabula Rasa
Gallery Aferro Newark NJ USA

Tabula Rasa on display
September 6 - October 4, 2008 with full color catalog.
Curated by Evonne M. Davis

Artists working in any and all media are invited to submit existing work, or propose new work, in response to the following:

#1-Tabula Rasa: |ˈtäbyoŏlə ˈräsə; ˈräzə|
an absence of preconceived ideas or predetermined goals; a clean slate.
The human mind at birth, viewed as having no innate ideas.
ORIGIN Latin, literally ’scraped tablet,’ denoting a tablet with the
writing erased.
#2- René Descartes, Aristotle, John Locke
#3- Denying what is obvious.
#4- Nothing is new, nothing is original.
#5 Existentialism and the nothingness of existence, ennui.

Notification of acceptance by August 1.
Delivery by August 16.

All exhibition submissions must include:

CV/Resume
Statement
Work Samples (digital file or print out)

CD/DVD or submission via email.

submit.aferro@gmail.com
Please put the exhibition title in the subject line.

Please review the full submission guidelines at
www.aferro.org

Please mail your submissions to:

Gallery Aferro
c/o Evonne M. Davis + Emma Wilcox
248 Sherman Ave #43 NY NY 10034 USA

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Saturday, July 05, 2008

Calls & Jobs: CFAT Newsletter (tons of great opportunities!)

CFAT ANNOUNCEMENTS
1. CFAT Employment Opportunity – Technical Coordinator

LOCAL OPPORTUNITIES AND ANNOUNCEMENTS
2. Anchor Social Centre Upcoming Events, located @ 5684 Roberts Street
3. NSCAD UNIVERSITY - Exhibitions Coordinator, (Archives, Collections and Public Art)
4. Operation Wake Up!...brought to you by the CKDU News Collective
5. AUDIO/SOUND ART COLLECTIVE @ CKDU
6. CKDU IS HIRING A MUSIC DIRECTOR!
7. Contract Position Available - Atlantic Film Festival Association
8. Contract Position Available - Atlantic Film Festival Association
9. Contract Position - The Atlantic Film Festival Association (AFFA)
10. Nocturne festival brings art in Halifax into the ‘night spotlight’
11. CBC Script Joy Award offer scriptwriters $10,000.
12. 2008-2009 VANS MENTORSHIP PROGRAM* CALL FOR APPLICATIONS
13. Call for Submission - Video From the Balcony | Lunenburg Opera House Show | NS | JUL 15
14. Northern Video Art Port | CALL
15. Halifax Submission Call: 161 Gallon Gallery
16. Marketing Director - Eastern Front Theatre, Dartmouth, NS


NATIONAL OPPORTUNITIES & EVENTS
17. Canada Council for the Arts : Program Officers, Media Arts Section
18. Continental Drift International Short Film Festival
19. 2008 SILVER WAVE FILM FESTIVAL
20. Call for Submissions - East Gate New Media Festival, Dali, Yunnan province, China
21. The Banff New Media Institute and Visual Arts programs are currently seeking candidates for the following positions:
22. ATTENTION FILMMAKERS! CALL FOR SUBMISSIONS
23. Project8: Call for Super8
24. aceartinc. | Call for 2009 -2010 programming year | AUG 1
25. CALL TO ARTISTS - FIRE STATION NO. 5
26. Hamilton Artists Inc. Call for Proposals
27. MODERN FUEL ARTIST-RUN CENTRE KINGSTON, ONTARIO is accepting applications for ADMINISTRATIVE DIRECTOR (25 hrs/week)
28. The Banff Centre - Visual Arts Residencies Call for Applications
29. CALL FOR SUBMISSIONS ESPACE VIDÉOGRAPHE 2009-2010 PROGRAMMING
30. aceartinc.

1. Employment Opportunity
Centre for Art Tapes, Halifax, Nova Scotia
Position: Technical Coordinator

Terms: Position commences Mid - August 2008
28 hours/week Tuesday - Friday
Includes health and dental benefits

Salary Range: $12.00 - $14.00/hr commensurate with experience
Application Deadline Friday August 1st, 2008.

The Centre for Art Tapes has been active in Halifax for over twenty-nine years, and in that time it has been able to fill many essential cultural needs for the media arts community. Since its formation as a not-for-profit artist-run Society for the presentation of media art the organization has grown into an indispensable resource for a broad range of people. We provide both the membership and the general public with opportunities to experience innovative media-arts exhibitions, and we support independent artists through annual programs, educational initiatives, and by offering general access to facilities and equipment. Our membership of over 130 people use the Centre to create independent media artwork on a year round basis.

The Technical Coordinator ensures that the Centre’s equipment and production resources are up to date and in good working order. The Coordinator is responsible for being the liaison between the equipment and the artists using the Centre. The Coordinator will have the opportunity to chair committees, teach workshops and develop new initiatives. It is essential that the Technical Coordinator have a good working knowledge of the video, audio and new media software and hardware at the Centre. The Technical Coordinator reports to the Executive Director and is responsible for ensuring that policies related to technical services are implemented.

Applicants must have completed a related post-secondary program and be active within the media arts community.

Responsibilities:
The Technical Coordinator is responsible for:

- Ensuring that production field equipment and in-house facilities remain in good working order.
- Providing Technical assistance to artists using the Centre’s equipment and facilities.
- Providing Technical assistance for Programs (Scholarships and Residencies) as well as for Exhibitions and Presentations.
- Researching equipment and working with an Equipment Committee to support funding applications.
- Maintaining and revising policy based on usage, equipment, and the needs of artists.
- Communicating with other local arts organizations with regard to technical collaborations and sharing of equipment for special projects.
- Sharing front desk responsibilities during open hours.
- Preparing equipment for rental and tracking equipment when it is off-site.
- Preparing Screening Copies for Public Presentations.
- Preparing Media For Upload to our Website.

Please address applications to:

Personnel Committee
c/o Ilan Sandler, Executive Director
Centre for Art Tapes
5600 Sackville Street, Room 207
Halifax, Nova Scotia
B3J 1L2

Any inquiries may be emailed to: cfat.operations@ns.sympatico.ca

We thank all applicants for their interest; however, only those selected for an interview will be contacted. Please visit our website for more information about the Centre.
www.centreforarttapes.ca

LOCAL OPPORTUNITIES & EVENTS


2. Anchor Social Centre Upcoming Events, located @ 5684 Roberts Street

Thursday, July 10th - Workshop - Organizational Structure & Roles
Saturday, July 12th - Visioning Day! This will be an awesome day where we meet to discuss our vision for the future of the centre. Please come and share your voice!
Saturday, July 19th - Join us for the 24-hour Zine Challenge and Anchor anniversary extravaganza!

anchor archive regional zine project
(902) 446-1788, anchorarchive@gmail.com, anchor.revolt.org

3. NSCAD UNIVERSITY - Exhibitions Coordinator, (Archives, Collections and Public Art)
SALARY RANGE: Rank 0 (Minimum salary of $16.76/hour)
UNION:FUNSCAD Unit II
DEPARTMENT: Gallery

HOURS OF WORK: Regular Part-Time, 28 hours per week (includes evening and weekends to attend openings), 4 days a week, 9am - 5pm

Deadline: July 9, 2008

POSITION SUMMARY

The Exhibitions Coordinator (Archives, Collections and Pubic Art) is responsible for ensuring care and maintenance of the NSCAD Permanent Collection and Archives and for providing assistance, access, or information to external researchers or curators in relation to the Collection. In addition, the Coordinator will ensure the planning and implementation of the public art program of the Gallery and provide assistance with installation as well as proper handling of art works on the NSCAD campus. The Coordinator will work in collaboration with the Director and will be responsible for some day-to-day supervision of student assistants and/or interns. In fulfilling the responsibilities of the position, the incumbent will ensure the application of adequate health and safety policies and practices.

SPECIFICATIONS

* A Bachelor of Fine Arts degree with knowledge of, and interest in contemporary art, and three to four years experience with professional art handling, construction techniques and the tools and equipment related to public art installation or the equivalent experience and education is required.
* The incumbent must have proficiency in exhibition installation, lighting, museum registration methods, the conservation of works of art, familiarity with database programs and digital design software. Experience working in a post-secondary educational environment is an asset.
* Very good interpersonal skills and an ability to communicate effectively orally and in writing are essential and well-developed organizational and time management skills are required.
* Due to the nature of the equipment and/or materials used, the incumbent must be attentive and responsive to potential safety hazards and take appropriate precautionary measures as required. WHMIS and Emergency First Aid training are assets and the successful candidate will have to complete this training within a very short time of commencing work.
* Frequently, this position must coordinate the lifting of heavy objects such as artwork, pedestals, crates, ladders, and scaffolding and construction materials. The incumbent may be required to climb ladders in order to perform tasks. A valid driver's license is required (for use of the NSCAD van as required).

Applications may be directed to: Director of Human Resources, NSCAD University, 5163 Duke Street, Halifax, Nova Scotia, B3J 3J6 or e-mailed as an MS Word file to kbuchanan@nscad.ca . Deadline for applications, July 9, 2008.

NSCAD University - Founded in Halifax in 1887, NSCAD University is an international centre of excellence for the study, practice, and teaching of the visual arts. NSCAD University offers Master of Design and Master of Fine Arts degrees along with Bachelor of Design degrees in Interdisciplinary Design, and Bachelor of Fine Arts degrees in Ceramics, Film, Fine Art, Intermedia, Jewellery and Metalsmithing, Photography, and Textiles. Currently, there are over 1000 students enrolled in graduate and undergraduate programs.


4. Operation Wake Up!...brought to you by the CKDU News Collective
Monday - Friday @ 8am - 9am on CKDU 88.1 FM...or listen online at ckdu.ca at your convenience by checking out the archives and plugging in the relevent time and date. Operation Wake Up! is an alternative news and documentary show focused on social and environmental justice, locally and beyond. We'll also tell you what it's like outside and about community events....so turn down the corporate media and turn us up!

* psst....The last Tuesday of each month, OWU! will be focused on Atlantica

5. AUDIO/SOUND ART COLLECTIVE @ CKDU
CKDU is looking for members to form a new audio/sound art collective. This collective will be responsible for programming a "radio gallery" that will feature installations of sound art on a regular basis. The Audio/sound art collective will also be engaged in other work supporting and engaging with audio and sound art.

For more information and to find out about our first meeting please contact Leah Girardo at: leah@ckdu.ca

Leah Girardo
Station Coordinator
CKDU 88.1 FM
6136 University Ave.
Halifax, Nova Scotia
B3H 4J2 CANADA
info@ckdu.ca
www.ckdu.ca

Office Line:
902.494.6479
Request Line:
902.494.2487

6. CKDU IS HIRING A MUSIC DIRECTOR!

CKDU-FM is the non-profit campus-based community radio station at Dalhousie University in Halifax, Nova Scotia. CKDU is mandated to provide an alternative to private and public broadcasters, providing a forum for diverse and under-represented voices, music and news. The station broadcasts within the HRM 24 hours a day, 365 days a year and is run by more than 200 volunteers.

Nature of the Job:
The Music Director is responsible for the upkeep and maintenance of the music library and music databases, as well as working with the Program Director to ensure that music programming fulfills CKDU's mandate. The Music Director's duties include, but are not limited to, encouraging volunteer initiatives to connect music programming to the broader community, holding a weekly Music Library training session, compiling and reporting the weekly charts, facilitating the production of Radio Numerica (the two-hour weekly chart countdown show), and processing new releases, considering genre representation and musical diversity, quality and space. The Music Director is part of the CKDU staff collective, which meets weekly and makes decisions through consensus.

This is a part-time 20 hour per week position at a rate of $15.75 per hour. Start date is July 28, 2008.

Applicable Skills:
Past experience with community organizations and a demonstrated ability to work with volunteers are essential. The Music Director must be supportive of a wide variety of cultural and musical expressions. Effective administration and library maintenance skills are essential. The Music Director should have a strong level of comfort working with computers and databases. They should also be proficient with software that includes (but is not limited to) email clients, web browsers, file transfer applications, and word processing. Practical experience in music programming and radio production are assets. Familiarity with digital audio and the Linux OS are beneficial.

Applying:
Application deadline: 5:00PM AST, Friday, July 18, 2008.

Submit a resume with a cover letter in person, by mail or pasted into the body of an email (we will not accept or open email attachments, and we do not accept applications via fax) to:

Music Director Hiring Committee
c/o CKDU - FM
6136 University Ave.
Halifax, NS B3H 4J2

or
MDHCckdu@gmail.com

CKDU is an equal opportunity employer and strongly encourages applications from minority and under-represented groups.


7. Contract Position Available - Atlantic Film Festival Association
Contract Position(s): Volunteer Coordinator
Contract Term: July 21– October 3, 2008 (11 weeks)
Remuneration: $425 weekly

The Volunteer Coordinator, reporting to the Director of Operations is responsible to administer and develop the volunteer program. This includes

1) Conducting a volunteer needs assessment with all festival departments;
2) recruiting, advertising for and selecting volunteers; 3) maintaining electronic database of volunteers;
4) developing Information and best conduct manuals for both staff and volunteers;
5) Scheduling 300 -400 volunteers into shifts for festival activities.

Qualifications (minimum requirements):
? A pleasant, approachable and outgoing manner and a high level of comfort in dealing with people at a variety of levels.
? Must be organized with good time management skills.
? A good knowledge of computer literacy, preferably with MacIntosh computers.
? Excellent use of the English language and good overall communication skills. ? Ability to solve problems, be self-motivated and take initiative.
? Flexible attitude and ability to remain unfazed in a hectic festival environment.
? Able to take direction and to work in a team environment.
? Must be analytical with a critical mind.
? Ability to prioritize and multi-task.
Other desirable assets (not required, but any of these would be a bonus):
? Ability to use different computer programs such as, Filemaker Pro database, Microsoft Office
including Word, and Excel.
? Interest and/or knowledge in the film and television industry
? Experience in event and festival environments

The AFFA is non-profit charitable organization committed to becoming an integrated cultural event producer of international significance, the film, TV, music and new media sectors. Under the umbrella of the AFFA, there are four main entities: 28th Atlantic Film Festival, 11th Strategic Partners Co-Production Market, 7th ViewFinders: International Film Festival for Youth and alFresco filmFesto. The Atlantic Film Festival is one of top film festivals in Canada and is held every September in Halifax, Nova Scotia. Strong East Coast roots support a unique format for AFF with its distinctive focus on film and music. Large enough to attract the world’s most notable actors, directors and producers, but intimate enough to be innovative and flexible in its approach to the changing needs of the industry, the AFF provides an unpretentious atmosphere for watching some of the best international, Canadian and Atlantic Canadian films, while showcasing some of the best musical talent the region offers. In addition to film screenings and live musical performances the AFF provides a comprehensive business and professional development program for delegates called the Inspired Industry Sessions. These panels, workshops and one-on-one meetings offer opportunities to learn, listen and network with some of the top industry players.

If you are interested in this position, please submit a resume and covering letter no later than Wednesday July 9, 2008 at 5:00 pm. No phone calls please. Send or fax information to:

Human Resources – Operations
The Atlantic Film Festival
PO Box 36139
Halifax, NS B3J 3S9
Fax: (902) 422-4006
Email: festival@atlanticfilm.com (MS Word or PDF documents only)

The Atlantic Film Festival is an equal opportunity employer. Thank you to everyone who applies however only those selected for an interview will be contacted.

8. Contract Position Available - Atlantic Film Festival Association
Contract Position: Travel & Housing Coordinator
Contract Term: July 21 – September 26, 2008 (10 weeks)
Remuneration: $450 per week

The Atlantic Film Festival Association (AFFA) is currently accepting applications for the position of Travel & Housing Coordinator for the 28th Atlantic Film Festival.

Position Purpose: The Travel & Housing Coordinator oversees travel and housing arrangements for all festival guests ensuring an enjoyable and productive festival experience.

Specific Responsibilities Include:
? Booking travel and hotel rooms for festival guests and filmmakers within a specified budget.
? Securing local lodging for visiting filmmakers and delegates when needed.
? Working with Transportation Coordinator to arrange transportation to/from the airport and to/from special events.
? Assist Industry Marketing Coordinator as required.

Qualifications:
? Friendly and outgoing. This is a front line position and the candidate must be professional, extremely personable and have effective verbal and written communication skills.
? Must be extremely organized, able to work in a high-pressure environment.
? Experience with MacIntosh Computers and software (Filemaker Pro, Microsoft Word, Microsoft Excel) is an asset
? Must be willing to work extensive hours leading up to and during the event.
? Ability to work well in a team and independently.
? Prior experience supervising and training volunteer staff an asset

If you are interested in this position, please submit a resume and covering letter no later than Wednesday July 9, 2008 at 5:00 pm. No phone calls please. Send or fax information to:

Human Resources – Travel & Housing Coordinator
The Atlantic Film Festival
PO Box 36139
Halifax, NS B3J 3S9
Fax: (902) 422-4006
Email: employment@atlanticfilm.com (MS Word documents only)

The Atlantic Film Festival is an equal opportunity employer. Thank you to everyone who applies however only those selected for an interview will be contacted.

9. Contract Position - The Atlantic Film Festival Association (AFFA)
Contract Position: Box Office Manager, Back of House
Contract Term: July 23 to October 3, 2008

Time Commitment: Part-time hours to start (15 hours per week) and full-time hours starting mid August/September.

Contract Fee: $5000 flat fee (Based on approximately 250 hours at $20 per hr) The Atlantic Film Festival Association is currently accepting applications for the position of Back of House (BOH) Box Office Manager for the 28th Atlantic Film Festival. The BOH Box Office Manager works closely with the Box Office Manager, Front of House, to manage the ticketing operations of the 28th Atlantic Film Festival, September 11 – 20, 2008. Key responsibilities include managing the internal ticketing procedures and systems, review & update policies and procedures, daily and accurate sales reporting, and financial reconciliation. Reporting to the Director of Operations, the ideal candidate is an exceptionally organized ticketing professional with demonstrated experience working on major events. The successful applicant will have a talent for problem solving and a strong commitment to providing superior customer service. The Box Office Manager must work well under pressure and be committed to working in a team environment.

Key Responsibilities:
? Manage the allocation and processing of internal ticketing including opening and closing night, sponsor complimentary tickets, media, staff and VIP passes as required;
? Implement systems, internally and externally which streamline the ticketing and booking process;
? Supply Festival information to all Box Office staff & volunteers regularly including program changes, additional price points, sold out sessions and other relevant Festival information;
? Supply Executive Management, and Marketing and Communications Manager relevant ticketing information, sales patterns and sell-out sessions;
? Create systems both internally and externally which enable efficient daily, weekly and end of festival reporting of ticket sales and patterns;
? Generate daily ticketing reports as required;
? Upon completion of Festival, prepare written final report, detailing all aspects of festival ticketing and event sales, with recommendations for future events.

The ideal candidate will meet the following criteria:
? At least two years Box office operation experience
? Previous experience within a major event or festival
? Experience in preparing and writing reports (including sales, reconciliations and event reports).
? Proven ability to work in a high-pressured environment, with competing priorities, stakeholders and deadlines.
? Exceptional attention to detail, with excellent written and verbal communication skills.
? Proven experience in managing staff and the public in a customer service focused role.
? Computer and administration skills packages include FileMaker Pro, Microsoft Word and Excel programs.
? Knowledge of tix/sys or other computerized ticketing systems.
? Knowledge of and interest in film.

HOW TO APPLY:
Please send, fax or email résumé and cover letter to:
Human Resources – Box Office Manager
The Atlantic Film Festival Association
P.O. Box 36139
Halifax, NS B3J 3S9
Fax: (902) 422-4006
E-mail: employment@atlanticfilm.com (MS Word or PDF documents only)
No phone calls please.

The Atlantic Film Festival Association is an equal opportunity employer. Thank you to everyone who applies, however, only those selected for an interview will be contacted.

APPLICATION DEADLINE: July 11, 2008 no later than 5:00 PM

10. Nocturne festival brings art in Halifax into the ‘night spotlight’

Halifax, NS - Nocturne: Art at Night is an arts festival bringing light, colour, art and energy to the downtown streets of Halifax between 6:00pm and midnight on Saturday, October 18, 2008. Inspired by the success and popularity of similar late-night arts festivals occurring all over the world (most notably, events like “Nuit Blanche” in cities including Paris, Montreal and Toronto), Nocturne will celebrate the dynamic and exciting arts community here in Halifax, bringing together visual and performing arts with street-level accessibility.

Ray Cronin, Director, Art Gallery of Nova Scotia notes,"The Art Gallery of Nova Scotia is very pleased to be involved in this event that allows collaboration with so many of the great galleries in Halifax. It will be a great night for everyone who participates."

Designed and initiated by volunteers within the community, Nocturne will be a signature arts event for Halifax that is easily accessible, free of charge and completely unique to the city.

Ineke Graham, Director at Studio 21 says, "It's something that anyone can enjoy. A lot of people are around and about at night with the many universities, hopefully we can attract them."

Halifax tourists and residents alike will have the opportunity to visit a number of the city’s art organizations, including both public and private art galleries, and experience art in many of the Halifax's public spaces. Galleries and art organizations that have confirmed their involvement include: Anna Leonowens, VANS, Saint Mary's, Viewpoint, Studio 21, Dalhousie, Page and Strange, MSVU, Secord, Vieth St., Argyle Fine Art, AGNS, and more.

The intention of the event is to encourage attendees to experience a variety of exhibitions and installations in one evening. An event program and map will be available to all participants and announced at a later date.

Nocturne: Art at Night will be a new celebration of culture for HRM, encouraging both growth and interest in the vibrant arts community that calls Halifax home.

For more information visit the website at www.nocturnehalifax.ca.

For more information contact:
Media Contact:
Abby Dickinson
dickinsonabby@hotmail.com
902-209-9301

11. CBC Script Joy Award offer scriptwriters $10,000.
When: Applications available now. Deadline Friday August 29, 2008.

Annual CBC Television Broadcast Script Joy Award 2008, part of the annual Linda Joy Media Arts Awards offers emerging screenwriters and scriptwriters $10,000 in support.

This award provides a writer with $5000 cash and up to $5000 in services towards the development of a second or later draft broadcast script anywhere in the Atlantic Provinces. Details and application forms are available at lindajoy.com.

Emerging writers, screenwriters or scriptwriters residing in Nova Scotia, New Brunswick, Prince Edward Island or Newfoundland are eligible to apply. See the application form for more detailed information regarding elegibility, or view the Joy Award guidelines online.

Scripts submitted should be in their second or later draft, and must be a short drama up to a half-hour, or a documentary up to one hour.

This Joy Award includes;
$5000 in cash towards second or later draft of a script intended for television (short drama up to half-hour, or documentary up to one hour), plus Up to $5000 in production and/or post-production services, subject to scheduling availability, towards a demo for the script, or towards a writer’s demo reel.

The deadline for receiving applications is Friday August 29, 2008, at 5:00 PM.
The successful applicant will be announced at the Linda Joy Media Arts Brunch, and again at an Awards event during the Atlantic Film Festival in September. The successful applicant is selected by a jury of peers.

The Joy Awards are the largest independent media production awards in Eastern Canada. The Linda Joy Media Arts Society has recognized and supported excellence in emerging media arts talent in Atlantic Canada for 23 years.

The Linda Joy Awards alumni include many of this region's most successful talent like Andrea Dorfman (Director, Love That Boy, Parsley Days, Flower In My Pedal, etc), Mike Clattenberg? (Director, Trailer Park Boys, etc), Helen Hill (Drirector, Bohemian Town, Madame Winger Makes A Film, Mouseholes, etc), Marc Almon (Director, Wake of Calumn McLeod, etc), Shandi Mitchell (Director, Tell Me, Baba's House, etc), Rodrigue Jean (Director, Full Blast, etc), and many others.
More information and application forms are available at:
www.lindajoy.com

For information contact
info@lindajoy.com
902.420.4522

Media inquiries regarding this or any Joy Award, including the Helen Hill Animated Award 2008, should be directed to Will Roberts at info@lindajoy.com , 902.420.4522, or 902.495.8220.

The Linda Joy Awards are made possible by our generous sponsors;
CBC Television Presenting Partner; PS Atlantic; Power Post; Nova Scotia Department of Tourism, Culture & Heritage; The Atlantic Studios Cooperative; The National Film Board of Canada; The Atlantic Filmmakers Cooperative; The New Brunswick Filmmakers Cooperative; Kodak Canada Inc.; Technicolor; The Newfoundland Independent Filmmakers Cooperative; New Brunswick Film, 45 North; CTV; The Centre For Art Tapes; The Newfoundland Film Development Corporation; Streely Maid Films; Prime Insurance Agency Inc.; The Atlantic Film Festival; The Silver Wave Film Festival.
Will
legion.will@gmail.com
p1x.blogspot.com
mediaX.co.nr

12. 2008-2009 VANS MENTORSHIP PROGRAM* CALL FOR APPLICATIONS
Deadline: July 15, 2008

Visual Arts Nova Scotia's Mentorship Program will pair established artists with emerging artists (not necessarily young artists, but those at the beginning of their artistic careers) to take part in a ten-month-long mentorship. The program aims to give emerging artists an opportunity to develop and refine their practice and to provide established artists an opportunity to share their experience, knowledge, and insight. Over the course of the program, mentors and apprentices will meet one-on-one, at least once a month, and three times as a group.

For detailed description, visit our webpage:
http://vans.ednet.ns.ca/mentorship/mentorship_2007.htm

For more information contact:
Kate McKenna
Membership and Outreach Coordinator
423-4694
communicate@visualarts.ns.ca

13. Call for Submission - Video From the Balcony | Lunenburg Opera House Show | NS | JUL 15

The second annual Lunenburg Opera House Show is taking place from August 7, 2008 to August 17, 2008 in Lunenburg, Nova Scotia, a UNESCO World Heritage Site.

Focusing on the broad interpretation of 'place,' this has deliberately been left wide open for the interpretation of the artist.

Please send work on data DVD accompanied by cv, bio and artist statement. Materials will not be returned.

Deadline: July 15

Submissions can be made to:
Video From the Balcony
c/o Kristy O'Leary
P.O.Box. 1914
Lunenburg, N.S.
B0J 2C0

________________________________________________________________________________

14. Northern Video Art Port | CALL

Artists, send one video art DVD to N.V.A.P, 2664 Fuller Terrace, Halifax, Nova Scotia, Canada, B3K 3V7 for participation in Northern Video Art Port, a domestic video art exchange service. Videos must be the work of the sender and must be accompanied by one self-addressed, padded envelope, sufficiently stamped to secure Canada's greatest postal distances. Do not include a bio, C.V. or statement. With every video the artist submits to N.V.A.P (a maximum of three videos, independently mailed), they will receive another artist's video in return that they are obligated to screen privately or publicly. N.V.A.P will not inform the artist of the new location of their video, however, the artist's contact information will be provided to the receiver. Contact is not necessary. N.V.A.P requests that receivers refrain from asking the artist for a bio, C.V. or statement in relation to the N.V.A.P video screening. Senders should not expect the return of their work. N.V.A.P is for video art senders and receivers in Canada only. Payments for N.V.A.P's services are encouraged, but not necessary. For additional information contact: videoartport@gmail.com.

________________________________________________________________________________

15. Halifax Submission Call: 161 Gallon Gallery

161 Gallon Gallery is seeking submissions for 2008 and beyond. There are no limitations in media or theme, however preference will be given to local artists and those who consider the characteristics of the space. The gallery is located in a closet space along a stairway in a two-story Halifax domicile. The dimensions are 35.5" x 37 x 34" (height x width x depth) with a door 29" x 19" (height x width). We highly recommend that you come see it before submitting. Feel free to call and make an appointment or drop by.

Submitting is easy. All we request is an idea, some diagrams or visual aid if possible, your contact info, and a desire to work with the space. Please send submissions on a postcard or letter to:

161 gallon gallery
1-6014 Cunard Street
Halifax, NS
B3K 1E4

About 161 Gallon Gallery
161 Gallon Gallery is a white cube gallery, but not a “White Cube” gallery, initiated by three local artists: Dan Joyce, Miriam Moren, and Ryan Park. It is a diminutive space based in a residential home in Halifax, with a volume of 161 gallons. Our objective is to provide an intimate, alternative place outside of the institution where experimental, spontaneous art is possible and a location for the creative community of Halifax to support each other’s practices.

We are open to the public from 10 am to 3 pm Saturdays or by appointment.

For more information or for a good time, call 423.2706 or email 161gallongallery@gmail.com.

16. Marketing Director - Eastern Front Theatre, Dartmouth, NS
Eastern Front Theatre is seeking an enthusiastic and motivated individual for the full-time position of Marketing Director.

Eastern Front Theatre produces and presents theatre that Nova Scotian audiences enjoy as satisfying, innovative and excellent.? With an operating budget of $550,000, the company focuses on Atlantic Canadian artists and their work, provides creative opportunities, and increases the body and vitality of our dramatic literature.? Entering its 16th season, Eastern Front produces 3 mainstage shows through the fall and winter and presents a national theatre festival each spring.
The Marketing Director is responsible for the planning and implementation of the annual marketing strategy, with a focus on media relations.? Other areas of responsibility include: audience development; supervision of subscription and single ticket sales; publicity and communications; publications (house programme and ad sales); online marketing and e-communications; market research as necessary. ?This position supervises a contract graphic designer and website developer. ?Further, the successful candidate will be responsible for sponsorship packages and will be directly responsible for the sponsor benefits programme.? This position also helps organize special fund raising events throughout the year and participates in corporate development, both of which are vital to the financial stability of the company.?

Qualifications:
Experience in marketing in artsadministration or not-for-profit sector
Relevant post-secondaryeducation in marketing or arts administration
Excellent verbal and writtencommunication skills, including strong computer skills
Ability to network and maintaincommunity, client, and sponsor relationships
Experience in fundraising,sponsorships, and event planning
The ability to workindependently, and according to set targets and deadlines
Ability to work as part of a close team
Salary commensurate with experience.? Starting summer 2008.

Please send résumé by July 10th to:

Eastern Front Theatre
PO Box 11
Dartmouth, NS? B2Y 3Y2
Fax:? 902-466-1769
E-mail: admin@easternfront.ns.ca

NATIONAL OPPORTUNITIES & EVENTS

17. Canada Council for the Arts : Program Officers, Media Arts Section
?
Canada Council for the Arts is presently recruiting for two Program Officers, Media Arts Section. ?Please post this vacancy internally or forward this e-mail to candidates that may be interested in this position.
?
Please visit our website at www.canadacouncil.ca ?to view the posting.
?
Applications should be submitted to Roxane Barrette, Human Resources, no later than July 11, 2008 at competition1@canadacouncil.ca quoting competition number 3110 and 3112. ?For more information or for a complete job profile, please contact Rachelle Malone at 613-566-4414 extension 4114 or send an e-mail to competition@canadacouncil.ca. All applications can also be sent by fax to 613-566-4323.?
?
The Employment Application Form must be completed and submitted in order to be considered for this position.
?
We thank all applicants for their interest; however, only those selected for an interview will be contacted.
?
The Canada Council for the Arts is committed to employment equity.
?
18. Continental Drift International Short Film Festival
September 26 – 28, 2008
20 Hazen Ave
Saint John NB E2L 5A5
www.cdrift.ca
info@cdrift.ca

Enter your film in the 5th Annual Continental Drift Short Film Festival Continental Drift invites you to submit your short film to the 5th annual festival. Each year we screen dozens of short films from around the world to a spirited local audience. Continental Drift is dedicated to presenting a variety of the world’s cinematic diversity, in a collection of succinct short films.

We would love to see your work. Please submit your short film, on any subject, in any genre, for consideration. The only submission criterion is that your film be 15 minutes or less in duration.

The deadline for submissions is July 25th, 2008. For full submission details, please refer to the entry form and submission information available at www.cdrift.ca.

To start the submission process, visit www.cdrift.ca. In the navigation column on the right click “Submit Your Films.” In the window that appears, click “Click here to begin your entry.”


19. 2008 SILVER WAVE FILM FESTIVAL
November 13-16, Fredericton, New Brunswick

Call for Submissions!

The 8th annual Silver Wave Film Festival (SWFF) is now accepting submissions. This year's festival takes place from November 13th to November 16th, 2008. SWFF is the annual film and video festival presented by the New Brunswick Filmmakers' Co-operative. It has both curated and competitive streams, as well as a solid line-up of social activities and workshops that get the town buzzing. This year, we are celebrating our 8th year with some new programming approaches and again we’ve waived the submission fee for filmmakers submitting so, it promises to be a good year. Save the dates and plan to attend!

Film and video projects that are accepted for screening into the SWFF and created by New Brunswick Filmmakers residing in the province and those filmmakers from away will be considered for the Silver Wave Awards.

The deadline for submissions is August 3rd, 2008, 5pm Atlantic Standard Time.

Incomplete applications and applications received after this deadline will not be accepted under any circumstances.

The following items must accompany the application:
· Completed Application form, on CD in an MS Word or .rtf type document; · List of credits;
· 3 DVD pre-screening copies of the finished project for jury consideration for awards; (NOTE: only Mini DV, Beta SP and 35 mm will be screened at the Festival. DVDS will not be accepted)
· Productions stills, in jpeg format at 300dpi resolution, on CD to be used in festival promotional materials;
· Press Kit (if available of past festival/special screenings of film/video);
· Director's Bio and headshot;
· Poster representing the film or documentary (if available);

NOTE: Submissions materials will not be returned to you by the SWFF. Please email: info@nbfilmcoop.com if you have any questions. You will be advised whether or not your submission has been accepted for screening in advance of the festival.


20. Call for Submissions - East Gate New Media Festival, Dali, Yunnan province, China

This event is an opportunity to present to a Chinese audience, innovative independent media artwork from Canada, Europe and China and to highlight a diversity of voices and visions from various cultural communities. The objective of the event is to develop local accessibility to new media art and to advance the understanding and appreciation of media arts in Chinese audiences.
For full information visit: http://www.incompletedislocations.net/EastGateChina/call.html

21. The Banff New Media Institute and Visual Arts programs are currently seeking candidates for the following positions:

BNMI Almost Perfect Residency: Technical Line Producer
Program dates: October 27 - December 5, 2008
Application Deadline: September 26, 2008

BNMI Co-production Lab: Liminal Screen
Program dates: February 20 – March 31, 2009
Application deadline: December 5, 2008

Financial assistance and stipend available for work study opportunities.

For more information on work study opportunities, residencies, programs, and to apply, visit: www.banffcentre.ca or call 1.800.565.9989.

Contact: The Banff Centre, Office of the Registrar
Email: arts_info@banffcentre.ca
Phone: 403.762.6180

107 Tunnel Mountain Drive
Box 1020, Banff, Alberta
Canada T1L 1H5



22. ATTENTION FILMMAKERS! CALL FOR SUBMISSIONS
Rendezvous with Madness is now accepting entries for its 16th anniversary program.

The Rendezvous with Madness Film Festival is North America’s premiere festival showcasing films dedicated to promoting cinematic representations of mental illness, addiction, and/or recovery. Each program is followed by a panel discussion with representatives from the filmmaking and artistic community, mental health professionals and the mental health community. In addition to providing a venue for excellent films, for the past two years we have been promoting an early understanding of mental wellness through film with our Youth Outreach Initiative and partnerships with members of the Toronto District School Board.

Rendezvous with Madness (RWM) is seeking films to screen at this year’s festival and is now accepting submissions for features, experimental, documentaries, shorts, student films, music videos, and animated films. We strive to support Canadian filmmakers, and are also interested in a global perspective and encourage international entries.

Canadian and international filmmakers who have screened at the festival include; David Cronenberg (Dead Ringers), Carl Bessai (Normal), Peter Raymont (Shake Hands with the Devil), Chris Landreth (Ryan), Todd Solondz (Happiness), Terry Zwigoff (Crumb), Bill Plympton (Smell the Flowers), and Scott Hicks (Shine).

Key Dates:

? August 11, 2008 (postmark) - Submission Deadline

For more submission information, including submission forms, please visit:
www.rendezvouswithmadness.com/callforentries.htm

? November 6 – 15, 2008 – The Rendezvous with Madness Film Festival

For more information about the festival please visit:
www.rendezvouswithmadness.com

For information, please contact:
Tina Zafreen Alam
Programming Assistant
Rendezvous with Madness Film Festival
T: 416-535-8501 x 3079 / E: tinazafreen_alam@camh.net

23. Project8: Call for Super8

The Project8 Film Collective is now seeking works for its 3rd Annual Project8 Festival that use super8mm film – this can include videos, 16mm films, performances, audio/music, and, of course, super8 films. Preference for selection will be given to works that push beyond the limits of traditional forms.

This is an open call to everyone across the galaxy. Please translate and forward to everyone you know who uses super8 film. The Project8 Film Collective is run by a group of multi-disciplinary artists living in Vancouver who are committed to small-format filmmaking. We hold workshops, and rent out super8 equipment. Every year, with our local partners and sponsors (VIVO Media Arts, Cineworks Independent Film Society, and the Purple Thistle), and funding from the Canada Council for the Arts, we run a Boot Camp for new super8 filmmakers. These new works are exhibited at our yearly festival, along with curated international programs. This year, the festival will be held on August 8th and 9th, 2008.

More info about us can be found at: www.myspace.com/project8info or at: popstart.ca/en/members/project8-film-collective Or by emailing us at: project8info@gmail.com

To make a submission, send:
1) a copy or documentation of your work in NTSC format on DVD or VHS
2) an artist statement, description or synopsis – detailing any technical specifications such as length, format for exhibition, requirements for audio or performance
3) your contact information

Postal or courier delivery to:
Project8 Film Collective
#402-747 E. 8th Ave.
Vancouver, BC
V5T 1T3 CANADA

Submissions can be dropped off in person at VIVO Media Arts, 1965 Main St.
Early Deadline: July 1st, 2008
Late Deadline (with $5 submission fee): July 15, 2008

24. aceartinc. | Call for 2009 -2010 programming year | AUG 1

aceartinc. is accepting proposals to be considered for the our 2009 -2010 programming year. Running July 1, 2009 - June 30, 2010.

Please review submission guidelines before submitting your proposal. Regular Programming is created through submissions that seek the support of aceartinc's facilities and services for public presentation.

aceartinc. is dedicated to cultural diversity in its programming and to this end encourages applications from contemporary artists and curators identifying as members of GLBT (gay, lesbian, bisexual and transgendered), Aboriginal (status, non-status, Inuit and Metis) and all other culturally diverse communities. aceartinc encourages proposals from individuals, groups and collectives in all visual arts media.

Regular Programming submissions are solicited through a general annual national call with a deadline of August 1st. The Selection Committee reviews submissions within the context of aceartinc's mandate and goals and makes recommendations to the board within 4 weeks of the deadline. [The Selection Committee is comprised of the Programming Coordinator, 1-2 Board Members, and 2 Community Members.]

Submission Deadline : AUGUST 1st, 2008 before 5pm.

Regular Programming Proposals must include:

When preparing your proposal, please keep in mind that each jury member receives and reviews a photo-copy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied. Submissions that do not follow the below will be edited as such for jury to review (ie. CVs going over 2 pages).

We advise for those who do not know our establishment, to get a sense of what we've done, visit our web archives.

1. a current CV with current contact info(no more than 2 pages)
2. an artist and or curatorial statement (no more than 1 page)
3. a project proposal. note: if project is in development, please present support about the development as well as related past work
4. schedule of activities (if applicable)
5. an equipment list or itemization of special technical needs if applicable
6. image list (no more than 1 page)
7. Self- Addressed Sufficiently-Stamped Envelope (S.A.S.E.): Due to excessive costs for the gallery, your submission will not be returned without one. For return of Slides/CD-R/DVD only, please ensure correct postage for those items. Dossiers that are not claimed or pre-stamped will not be kept.
8. Support materials: up to 20 images (inc. total of 20 for group submissions)

**CD-R images must be as jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only. NO POWER POINT PLEASE!

other:
*video NTSC compatible or DVD max 10 minutes long and cued up
* CD-R video must be accessed only with one of the following plug-ins: Quicktime, RealPlayer, Shockwave, Windows Media Player or Flash.
*audio cassette or cd
*no more then 2 printed matter (may include essays, reviews, non-original documents of artworks that cannot otherwise be described in slide or video format. NO BOOKS PLEASE)
*NO laser-copied images, thumbnails, or original artwork.
*NO binders, folders or staples. (Paper clips only please)
*At this time we are unable to accept applications over the internet (NO URL's) or by Fax

Submission Deadline : AUGUST 1st, 2008 before 5pm.

aceartinc.
2nd.,flr. 290 McDermot Ave.
Winnipeg, Manitoba
R3B 0T2
p: 204-944-9763
www.aceart.org

Theo Sims- programme coordinator Garth Hardy- administrative coordinator Liz Garlicki- gallery assistant

25. CALL TO ARTISTS - FIRE STATION NO. 5

The Edmonton Arts Council, on behalf of the City of Edmonton, invites all Canadian and international artists to submit proposals for a public artwork at Fire Station No. 5. This open competition is held in accordance with the City of Edmonton policy "Percent for Art to Provide and Encourage Art in Public Areas" (C458B).

Budget: $60,000 (maximum, all inclusive)

Deadline for Submissions: 4:30 PM Friday, August 8, 2008

Installation: Summer 2009

An information package, including an entry form and terms of the competition, can be downloaded from our website. For more information, contact the Edmonton Arts Council.

EDMONTON ARTS COUNCIL
808, 10310 Jasper Avenue, Edmonton, AB T5J 2W4
PH: +1 (780) 424-2787 x 2

26. Hamilton Artists Inc. Call for Proposals
Proposal Deadline: July 31, 2008
2010-2011 Exhibition Schedule
Hamilton Artists Inc. (HAI) is seeking:

* a wide range of multi-disciplinary proposals from artists as well as curatorial proposals for solo, and group exhibitions in our Main Space
* community-based proposals for limited programming in the community gallery area
* intermedia works, sculpture/installation, performance art, video projection, sound art, site-responsive and relational works and other imaginative proposals for our courtyard space and the glass corridor that links the two buildings
* Writing samples/proposals for essay and catalogue production

The new home of HAI opening in November 2008, features:

Two gallery spaces - A 1200 sq. ft Main Space, and a 600 sq ft Members Space/ Community Gallery; a 2500 square ft. multi-purpose outdoor courtyard; a programmable glass corridor linking the two galleries; and a two-floor artist-in-residence space with a studio, bedroom, kitchen and bathroom.

Hamilton Artists Inc. pays CARFAC artist fees for Main Space exhibitions and related exhibition costs, and assists with shipping. For proposal guidelines please visit:
www.hamiltonartistsinc.on.ca , enter the site, and click on submissions policy. Please refer to the mandate and history sections of our website for further information.

Hamilton Artists Inc. architectural drawing – for floor plan refer to www.hamiltonartistsinc.on.ca - under submissions policy

Established in 1975, HAI is one of the founding galleries of the artist-run centre system in Canada. The organization is entering an exciting development stage as it approaches the opening of a newly purchased, multi-presentation complex in November of 2008. The new home of HAI is located with in the James St. North Arts District in Hamilton’s downtown core, located in the centre of a hub of cultural activity, including a monthly Art Crawl that attracts over five hundred visitors.


27. MODERN FUEL ARTIST-RUN CENTRE KINGSTON, ONTARIO is accepting applications for ADMINISTRATIVE DIRECTOR (25 hrs/week)
DEADLINE: July 11 2008

Modern Fuel Artist-Run Centre is seeking a motivated and organized individual for the contract position of Administrative Director (one year renewable contract).

Modern Fuel Artist-Run Centre is a non-profit organization facilitating the presentation, interpretation, and production of contemporary visual, time-based and interdisciplinary arts. Modern Fuel supports innovation and experimentation, and is committed to the education of interested publics and the diversification of its audiences. Modern Fuel is located downtown Kingston, 21a Queen Street.

This position is a renewable, 12-month contract, offers 25 hours per week at an entry-level starting wage, requires occasional evenings and Saturdays, and offers full health and dental benefits.

This position works in collaboration with the Artistic Director, and is supervised by the Board of Directors. The Administrative Director is also expected to work closely with volunteers, student placements, and other individuals and groups in the local arts communities.

Nature and Scope of Position
This position is the key service liaison with members and the general public and provides communication and administration support to all staff and volunteers at Modern Fuel.

The Administrative Director’s principle duties include:

* Day-to-day operation of the centre, including staffing, bookkeeping, budget and cash flow management (along with the Treasurer), bill and fee payments.
* Assisting with the planning and implementation of exhibition openings, special events and projects.
* Researching funding and grant opportunities, and preparing grant applications in conjunction with the Artistic Director.
* Maintaining and developing databases of volunteers.
* Recruiting new members and volunteers.
* Assisting with the implementation of the organization’s Strategic Plan, along with the Artistic Director and Board of Directors.
* Overseeing all print and electronic member communications.
* Attending to all public inquiries.

The Administrative Director is responsible for the distribution of all information relating to Modern Fuel’s programs, including updating Modern Fuel’s website, distributing email and facebook announcements and circulating printed posters and flyers.

This entry-level position also provides administrative, gallery and studio support as needed, including office coordination and cleaning, ordering of supplies, filing, answering public inquiries about Modern Fuel, its activities and exhibitions, arranging catering and volunteers for openings and events, and similar duties as requested.

The Administrative Director has regular in-person, telephone, email and written contact with members, volunteers, the general public, artists and other cultural organizations. This also includes educating the general public on the conceptual and technical basis of exhibited artworks.
Qualifications
The ideal candidate has:

* An interest in contemporary art practices and artist-run culture, with a completed undergraduate relevant degree or at least 3 years of field experience.
* Superior English oral and written communication skills.
* Demonstrated organizational and planning skills with an ability to multi-task. Attention to detail is a must.
* The ability to work cooperatively in an open-concept office, as well as work independently and in a self-directed manner when necessary.
* The ability to deal with diverse public audiences. Must be outgoing, friendly and tactful with a demonstrated commitment to service excellence.
* The ability to meet deadlines under pressure.
* Strong computer skills.

Please submit a curriculum vitae and a letter of interest to:
Hiring Committee
Modern Fuel Artist Run Centre
21a Queen Street
Kingston, Ontario, Canada K7K 1A1
Or email: modernfuel@bellnet.ca

Modern Fuel is an equal-opportunity employer. We thank all applicants for their interest; however, only those selected for an interview will be contacted. Interviews will be conducted during the week of July 14th.

All applications must be received at Modern Fuel by Friday, 11 July 2008 at 5:00 p.m. The successful candidate will start mid-August, 2008, so as to participate in a training period, and the contract will begin September 1, 2008

For more information on Modern Fuel please visit http://www.modernfuel.org

28. The Banff Centre - Visual Arts Residencies Call for Applications

Archive Restored Thematic Residency with Greg Staats
Program dates: January 5, 2009 - February 20, 2009
Application deadline: July 25, 2008

Master Class: Road Show - Travels of the Artist with Ken Lum
Program dates: January 5, 2009 - February 20, 2009
Application deadline: July 25, 2008

Self-Directed Creative Residency
Program dates: February 9, 2009 - March 31, 2009
Application deadline: July 25, 2008
Residency length: Minimum of five days
Financial assistance is available.

Other Opportunities:

Live and learn in the inspiring Canadian Rockies. The Banff Centre's work study program provides internship-style opportunities that attract talented and creative individuals who are seeking opportunities to enhance their education and pursue a career in the arts.

Visual Arts is currently seeking candidates for the following position:

Aboriginal Studio Work Study
Program dates: July 9, 2008 - March 31, 2009
Application deadline: July 3, 2008

(Applicants must be status, non-status, Metis, or Inuit)

The Banff New Media Institute is currently seeking candidates for the following position:

BNMI TV & New Media Aboriginal Work Study
Program dates: June 30, 2008 - March 31, 2009
Application deadline: When a suitable candidate is found
(Applicants must be status, non-status, Metis, or Inuit)

Other internships are also available, visit www.banffcentre.ca/ for details.
For more information and to apply to these and other opportunities:

The Banff Centre, Office of the Registrar
Email: arts_info@banffcentre.ca
Phone: 403.762.6180 or 1.800.565.9989
Box 1020, Banff, Alberta
Canada T1L 1H5
www.banffcentre.ca/va

29. CALL FOR SUBMISSIONS ESPACE VIDÉOGRAPHE 2009-2010 PROGRAMMING

Espace Vidéographe, the programming division of Vidéographe, invites artists, curators, art centres and galleries to submit proposals for video art programs and media-arts exhibitions. Every year Espace Vidéographe presents seven activities in different venues, and in partnership with other cultural organizations. Since its founding in 1998, Espace Vidéographe has been devoted to promoting and exhibiting video art in its various forms and through its relationships with other artistic disciplines.

Projects can be submitted once a year and are reviewed by a committee of peers. We welcome proposals from emerging curators and artists as well as established ones. We encourage proposals that provoke thought on the language of video and its modes of representation, encourage debate, and promote exchanges between different media-arts practices and between local and international production.

Another open call will be launched next August specifically dedicated to a video installation project (multiprojection) by an emerging Quebec or Canadian artist (in this case, residency and exhibition). This initiative is made possible with the precious collaboration of Vidéographe Production.

SUBMISSIONS MUST INCLUDE:

* Project description
* Artistic statement
* List of works to be programmed
* List of technical resources (equipment) supplied by applicants
* List of technical requirements for exhibition
* CVs for applicants
* Visual, Sound or Web Documentation with descriptive list of works (accepted formats: VHS, DVD, miniDV, NTSC and PAL; CD-ROM, DVD-ROM)
* List of the project's venues if applicable
* Press kit if available
* Self-addressed stamped envelope

Please note that projects submitted previously may not be resubmitted unless the artist is invited to do so. Programming proposals must include the bulk of the works selected, with supporting visual documentation.

DEADLINE: WEDNESDAY, OCTOBER 1ST, 2008

Decisions will be sent to applicants in December. The proposals must be sent by post and be at our office by 5:00

Espace Vidéographe
Att: Sylvie Roy
6560, Esplanade Avenue, Suite 305
Montreal, Quebec, CANADA H2V 4L5
Phone: (514) / Email: espace@videographe.qc.ca / www.videographe.qc.ca

30. aceartinc.

Regular Programming is created through submissions that seek the support of? aceartinc. is dedicated to cultural diversity in its programming and to this end encourages applications from contemporary artists and curators identifying as members of GLBT (gay, lesbian, bisexual and transgendered), Aboriginal (status, non-status, Inuit and Metis) and all other culturally diverse communities.?

aceartinc. encourages proposals from individuals, groups and collectives in all visual arts media. Regular Programming submissions are solicited through a general annual national call with a deadline of August 1st. The Selection Committee reviews submissions within the context of? aceartinc.’s mandate and goals and makes recommendations to the board within 4 weeks of the deadline. [The Selection Committee is comprised of the Programming Coordinator, 1-2 Board Members, and 2 Community Members.]

aceartinc. is committed to paying CARFAC rates or higher, and where possible, will make efforts to pay for flights, accommodation and shipping for artists. Exhibitions selected will be accompanied by a publication as part of the Critical Distance Writing Program.

Regular Programming Proposals must include:
When preparing your proposal, please keep in mind that each jury member receives and reviews a photo-copy of your written materials before they view your visual support material. It is to your advantage to provide written materials that are easily readable after being photocopied. Submissions that do not follow the below will be edited as such for jury to review (ie. CVs going over 2 pages).

We advise for those who do not know our establishment, to get a sense of what we’ve done, visit our web archives

1. a current CV with current contact info(no more than 2 pages)
2. an artist and or curatorial statement (no more than 1 page)
3. a project proposal. note: if project is in development, please present support about the development as well as related past work
4. schedule of activities (if applicable)
5. an equipment list or itemization of special technical needs if applicable
6. image list (no more than 1 page)
7. Self-Addressed Sufficiently-Stamped Envelope (S.A.S.E.): Due to excessive costs for the gallery, your submission will not be returned without one. For return of Slides/CD-R/DVD only, please ensure correct postage for those items. Dossiers that are not claimed or pre-stamped will not be kept.
8. Support materials: up to 20 images (inc. total of 20 for group submissions)

**CD-R images must be as jpegs 72dpi, 1024 x 768 pixel, 500k (.5 MB) RGB or SRGB only. NO POWER POINT PLEASE!

other:
*video NTSC compatible or DVD max 10 minutes long and cued up
* CD-R video must be accessed only with one of the following plug-ins: Quicktime, RealPlayer, Shockwave, Windows Media Player or Flash.
*audio cassette or cd
*no more then 2 printed matter (may include essays, reviews, non-original documents of artworks that cannot otherwise be described in slide or video format. NO BOOKS PLEASE)
*NO laser-copied images, thumbnails, or original artwork.
*NO binders, folders or staples. (Paper clips only please)
*At this time we are unable to accept applications over the internet (NO URL’s) or by Fax For all enquiries please contact the gallery at 204 944 9763 or program@aceart.org


CFAT General contact
5600 Sackville Street,
(CBC Radio Building)
Suite 207
Halifax, Nova Scotia
B3J 1L2
tel.902-420-4002
fax.902-420-4581
cfat.communication@ns.sympatico.ca

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Sunday, February 24, 2008

Call: Euroepean Sound Delta seeks audio art submissions

Sound Art - Call for projects & residencies - summer 2008
--> Deadline 15th of March 2008

EUROPEAN SOUND DELTA is a mobile project on the Danube & Rhine Rivers
focusing on radio-art using sounds of European cities. Two teams will be
travelling on both rivers this summer, recording sounds, producing live
performances and radio broadcasts with local sound-artists. A final
exhibition is scheduled in Strasbourg-F by the end of September 2008 as
part of http://www.ososphere.org International sound artists are invited
to apply with a project meant to be created on one of the trans-European
floating labs.
>> keywords : radio, sound art, media art, field recordings

Main Objectives:
--> To give young people the experience of a professional mobile project
--> A documentary artistic research on cultural identities of
European cities
--> Built a new european network in the field of sound art
--> Experiment ICT via innovative artistic practices

Participating countries:
--> Austria, Belgium, Bulgaria, Croatia, France, Germany, Hungary,
Netherlands, Romania, Serbia & Slovakia

Associated curators:
Valérie Vivancos (www.vibrofiles.com) and Joachim Montessuis
(www.autopoiese.org)

Participating artists & residents (list not closed) :
Aymeric De Tapol, Tonic Train, Dinahbird, Jopo Stereo, SIC: Hori Cosmin
Samoïl, Ewen Chardronnet, Alejandra Perez Nunez, Julien Ottavi, Chris
Watson, Vincent Epplay, Alejandra & Aeron, Robert Hampson, Kassel
Jaeger, AGF, Jörg Piringer, Yannick Dauby, Christian Zanesi, Phil
Niblock, Charlemagne Palestine, Jean-Philippe Roux, Gaël Segalen, Philip
Griffiths, Joachim Montessuis

Full project Description & Application Form : www.sound-delta.eu

----------------------------------------------------------------------

Thanks for all
Don't hesitate to contact us for any question.

Sincerely

Collectif MU
contact@sound-delta.eu

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Thursday, February 21, 2008

Call: Audio art sought for Canadian Electroacoustic Society's 60x60 Project

Call for Works for the first Canadian 60x60 Project (2008)*

Vox Novus, in collaboration with the Canadian Electroacoustic Community
(CEC), is inviting composers to submit recorded works 60 seconds or less
in duration to be included in the first Canadian version of the annual
60x60 project. 60 compositions will be selected to be played
continuously in a one-hour concert. The Canadian 60x60 concert season
will begin with a debut in Montréal and continue throughout Canada in
venues to be announced. Concerts may also include a visual component (a
clock, video clips, spectrographs, dance, etc.). The works will also be
broadcasted on radio stations and featured on a Sonus.ca dedicated
gallery. Please submit your recorded work(s) and submission form(s)
before 31 March (postmarked). You may submit your works online or on a
CDR; see submission guidelines below. Your work may be selected for
both the Canadian and the International 60x60 projects.

During the concert each of the 60 pieces selected will begin precisely
at the beginning of the minute, this will mark the end of one piece and
the beginning of another. There will be no pause between the pieces.
Works may be less than 60 seconds in length, but may not exceed 60
seconds. Selected works that are shorter than 60 seconds will be
"padded" with silence either before, after, or surrounding the
composition. Please note that the total duration of the work including
silence may NOT exceed sixty seconds.

Eligibility:
The call is open to composers of all ages and career stages who live in
Canada, and to Canadian composers living in Canada or abroad. All other
composers may participate in the international 60x60 project (see below).

Eligible works:
Any sound or music captured on recorded media, which does not require
live performers for its presentation in concert. The piece may be of
any style and may comprise electronic sounds, field recordings,
recordings of voice or musical instruments, or other sound sources.
Recordings of acoustic compositions SHOULD NOT be accompanied by musical
scores. Works submitted should be created specifically for this project
and must not have been previously performed or broadcasted.

More information can be found at:
http://www.60x60.yaeldad.com (Canadian 60x60)
http://www.voxnovus.com/60x60.htm (International 60x60)
http://cec.concordia.ca (Canadian Electroacoustic Community)
http://sonus.ca (SONUS, the CEC's online electroacoustic Jukebox)

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Monday, December 24, 2007

Call: GalataPerform seeks performance artists for a festival in Istanbul

CALL FOR SUBMISSIONS: GalataPerform presents Performance Time 08
Date: January 15, 2008; Source: Deniz Aygun

Performance Time 08 will take place from March 24-30th, 2008

GalataPerform, an artist-run interdisciplinary performance venue in Istanbul, is organizing an event in March 08, exploring new fields and new approaches in performance: Performance Time 08. The aim is to bring together local and foreign artists from a number of disciplines, such as, performance art, experimental theatre, dance, music; all, which can be associated with the art of performance. Performance Time 08 targets to create a lively platform for experimental and creative projects in Istanbul, interesting both for artists and audiences.

at 2:21pm
Artists interested in presenting their performances in Performance Time 08, are invited to submit their projects by filling and sending the application form below to galataperform@gmail.com. GalataPerform will provide accommodation during the event for elected artists, in the houses of local artists and give technical support for performances. Artists will cover their traveling expenses and provide their material. Deadline for submission is January 15th, 2008.

For more details and questions contact GalataPerform Program Director, Deniz Aygun
mail to: galataperform@gmail.com.

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Friday, November 02, 2007

Call: FutureSonic 2008 Urban Festival of Art, Music & Ideas seeks artists

FutureSonic 2008

Thu Feb 7, 2008
(Eastern Time - Montreal)
http://www.futuresonic.com/getinvolved (map)



FUTURESONIC 2008
Urban Festival of Art, Music & Ideas
1-4 May, Manchester, UK

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CALL FOR SUBMISSIONS

Futuresonic now invites artists, thinkers and makers to submit
proposals to its Art, Music, Ideas and EVNTS strands. Join us
for one of the biggest Social's of the year.

A GBP 5000 commission plus many other opportunities are available:
Art and Conference deadlines -- 5pm 18th December 2007
Music and EVNTS deadlines -- 5pm 7th February 2008


THE SOCIAL - SOCIAL NETWORKING UNPLUGGED

The Futuresonic 2008 theme is The Social - Social Networking Unplugged.
Digital culture burns bright with a vision of being not in isolation
but in
groups, placing the relations between people first. Beyond the hype
lies ever greater isolation and conformity. Join us as we go in
search of the social.

http://www.futuresonic.com/getinvolved

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FUTURESONIC ART - SUBMIT NOW

A commission valued at GBP 5000 is available to create a new artwork,
plus Futuresonic can support a limited number of other projects,
addressing the Social Networking Unplugged theme. Futuresonic's art
strand focuses on social and participatory artworks which re-imagine
the city.

Art Submissions deadline -- 5pm, 18th December 2007

http://www.futuresonic.com/getinvolved

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FUTURESONIC IDEAS - SUBMIT NOW

The Futuresonic international conference and the Social Technologies
Summit invite proposals for talks, presentations, workshops and
session themes. Submissions of innovative formats for social
interaction and experimentation are encouraged. Conference theme -
Online, Mobile and Unplugged Social Networking.

Conference Submissions deadline -- 5pm, 18th December 2007

http://www.futuresonic.com/getinvolved


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FUTURESONIC MUSIC - SUBMIT NOW

In 2008 we invite musicians to share their take on innovative,
original and daring 21st century music with our audience.
Futuresonic's roots are in post-dub electronic music, and it
showcases genre defying great live music. Futuresonic will be able to
support a limited number of performances.

Music Submissions deadline -- 5pm, 7th February 2008

http://www.futuresonic.com/getinvolved


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FUTURESONIC EVNTS - SUBMIT NOW

Futuresonic now invites any programmer, curator, promoter, label or
artist group anywhere in the world to take part in EVNTS 2008, a city-
wide showcase of affiliated events. EVNTS has grown into a community
of people who each year return to give the festival an extra edge.
Awards of GBP 1000 and GBP 500 are available via the EVNT Competition.

EVNTS Competition deadline -- 5pm, 7th February 2008
EVNTS 2008 showcase deadline -- 5pm, 20th March 2008

http://www.futuresonic.com/getinvolved


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TICKETS

CONFERENCE PASS

Early Bird Delegate Pass
GBP 60 (must be bought by February 1 2008)
Advance Delegate Pass
GBP 100
Delegate Pass (on the door)
GBP 150
Students/Concessions
GBP 30

Further discounts available for group bookings.

A limited number of pay-what-you-can Day Passes will be available on
each day of the conference.

The Conference Pass includes access to all festival events.

Email your name, address and contact details to
ideas2008@futuresonic.com and we will send you full details on
Futuresonic Conference 2008 as well as priority booking options.

OTHER FESTIVAL TICKETS

Details of Weekender Wristbands and Events Tickets available soon.

http://www.futuresonic.com


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FUTURESONIC 2008

Futuresonic has 4 strands: Art, Music, Ideas and EVNTS. Currently in
its 12th year, the festival occupies the orbits of both music and
digital culture.

A focus in recent years has been presenting artworks in unexpected
city spaces, and on social art and social technologies.

Futuresonic now invites artists, thinkers and makers to get social
and present new types of collaborative social experience at
Futuresonic 2008.

This is a time when we see how electronic communication can isolate
us, as more and more people drown in a deluge of email that generates
stress, even reducing IQ; and it is 40 years since people took to the
streets of Paris in 1968 calling for society to be abolished.

Join us as we go in search of the social today.

Web 2.0...
I take part
you take part
he takes part
we take part
you all take part
they profit.
(Slogan from Paris '68, remixed)

http://www.futuresonic.com

Futuresonic is supported by Arts Council England North West and
presented in association with Imagination at Lancaster.

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Monday, September 24, 2007

Call: Society of Northern Alberta Print-Artists seeks printmakers for SNAP Gallery

Society of Northern Alberta Print-Artists

CALL FOR SUBMISSIONS

Main Gallery Submission Deadline: October 2, 2007
Studio Gallery Submission Deadline: Ongoing

Society of Northern Alberta Print-Artists has issued a Call For Submissions to local, national, & international print and print-related artists, collectives, & collaborations, to propose exhibitions for SNAP's Main Gallery, and/ or Studio Gallery.

Please check out SNAP - Society of Northern Alberta Print-Artists facebook site http://www.facebook.com/group.php?gid=2447761456, or SNAP's main website www.snapartists.com for submission details and deadlines.

Please forward this Call For Submissions to all print & print-related artists locally, nationally, & internationally that you think might be interested in these exciting print exhibiting opportunities. Interested in receiving submissions from print artists working in 'traditional' areas of print, as well as artists who are pushing the boundaries of print.

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Friday, August 31, 2007

Call: Signal & Noise Festival seeks submissions

Signal and Noise 2008 will take place in April.

http://signalandnoise.ca/


The theme for signal & noise 2008 is Media Intercourse.

We invite you to share your precious media fluids. Please be lubricated by the following possibilities: • Cords, Connectors and Couplings (spawned, produced, manufactured. Erotic, sensual pornographic and hot) • Recording and Reproduction (pasts, futures and the imagined adaptation, mutation, filtration) • Avatars Anonymous (guilty pleasures, contradictions paradoxes, hypocrisies and addictions) • Capitalism, Consumption and Control (discord, discourse, discharge. Information-juicy / market-breeding)

Deadline for submission: November 1st 2007

Submissions must be received at our at office at 6 pm by this date. No exceptions!

Selection: Entries selected for the 2008 festival will be listed on the website in early 2008. Due to the volume of entries in the past years, we cannot individually contact artists whose works were not selected for the festival. Please ensure your contact information is up to date and accurate as selected artists will be contacted for follow up.

Costs: Signal and Noise operates out of a not for profit artist run centre and therefore will not be able to cover any travel costs. We are able to provide support letters for funding to all selected applicants. Projects that require extensive technical resources will not be accepted unless provided by the artist.

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Call: Dare-Dare seeks annual programming submissions

appel de dossiers / call for submission / convocatoria

extension!
le 14 septembre 2007 / September 14, 2007 / 14 de septiembre 2007

http://www.dare-dare.org



DARE-DARE

APPEL DE DOSSIERS
Dis/location: projet d’articulation urbaine 2008
date de tombée: le 14 septembre 2007

Mandat
DARE-DARE Centre de diffusion d'art multidisciplinaire de Montréal est un lieu flexible, ouvert, voué à la recherche et à l’éducation, qui soutient et valorise l’implication d’artistes aux pratiques émergentes. Le centre d'artistes autogéré manifeste un intérêt soutenu pour l’exploration et la diversification des modes de production, de présentation et de diffusion des œuvres et interventions artistiques.

Appel d'intentions pour la programmation 2008
DARE-DARE reçoit votre dossier accompagné de vos intentions de recherche. Ces intentions pourront se traduire par des projets d’intervention publique, de performance, de manœuvre, d’événement ou autre, qu’ils soient ponctuel, de durée variable ou répété dans le temps, et ce, en toute saison. Le centre recherche des pratiques qui s'insèrent directement dans la trame physique et sociale de la ville, des projets interdisciplinaires qui impliquent une interaction avec le public et qui s’inscrivent dans les espaces publics, les zones résidentielles, commerciales, industrielles.

Une première sélection se fera à partir du dossier et des pistes de recherche. DARE-DARE invitera certains artistes à formuler un projet plus précis pour une sélection finale à l'automne.

Votre dossier devrait comprendre:
• un texte décrivant votre intention de recherche (max 200 mots),
• un curriculum vitæ,
• dix diapositives ou images numériques (max 1 Mo) avec description,
• une bande audio/vidéo, VHS/DVD (NTSC), disque compact (max 5 min),
• tout document permettant un meilleur aperçu de votre travail.

Le centre n’accepte pas de dossiers par courriel. Vous pouvez joindre une enveloppe pré-affranchie pour le retour des documents (le centre se départira des dossiers non-réclamés). Le centre paie les droits correspondant aux normes recommandées par SODART/CARFAC.


DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal
Casier postal 130 Succursale R Montréal Québec H2S 3K6 Canada
t: +1.514.878.1088 daredar@cooptel.qc.ca
Renseignements: www.dare-dare.org


DARE-DARE est situé à Montréal dans un parc sans nom à la lisière des arrondissements Le Plateau-Mont-Royal et Rosemont—La-Petite-Patrie. Son bureau se trouve dans un abri mobile au coin des rues Clark et Arcade.




DARE-DARE

CALL FOR SUBMISSIONS
Dis/location: projet d’articulation urbaine 2008
deadline: September 14, 2007

Mandate
DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal offers flexibility and openness and is devoted to research, experimentation, risk and critical inquiry. The artist-run centre supports research, values emerging practices and demonstrates a sustained interest in exploring a diversity in modes and contexts of presentation.

Call for intentions - programming 2008
DARE-DARE receives your submission accompanied by your research interests. These interests will translate into proposals of all kinds including/not limited to public intervention, performance, manœuvre, event. The projects may be of specific or of variable duration, or they may be repeated in time, during any season of the year. The centre seeks interdisciplinary projects that will engage the social and physical realms of the city, its public spaces, its commercial, industrial and residential areas.

A first selection will be based upon the artist's dossiers and research intentions. DARE-DARE will invite these artists to further detail and elaborate their projects in view of a final selection.


Your submission should include:
• a brief statement describing your project intention,
• a curriculum vitæ,
• a maximum of ten numbered slides or digital images (max 5 Mg) with a descriptive list,
• audio/video tape, VHS/DVD (NTSC) or Quicktime (max 5 min.),
Enclose a stamped, self-addressed envelope for the return of your documentation if desired (DARE-DARE does not keep unclaimed dossiers). The centre does not accept submissions by email. The centre pays SODART/CARFAC rates.


DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal
Casier postal 130 Succursale R Montréal Québec H2S 3K6 Canada
t: +1.514.878.1088 daredar@cooptel.qc.ca
Info: www.dare-dare.org

DARE-DARE is situated in a park with no name in Montréal. The public park is on the limits of Le Plateau-Mont-Royal and Rosemont—La-Petite-Patrie burroughs.




DARE-DARE

CONVOCATORIA
Dislocación: proyecto de articulación urbana 2008
Fecha límite : 14 de septiembre 2007

Mandato
DARE-DARE Centre de diffusion d'art multidisciplinaire de Montréal apoya y valoriza la implicación de artistas con trayectorias emergentes. DARE-DARE tiene un gran interés hacia la exploración y la variedad de modos de presentación y divulgación de obras e intervenciones artísticas que ocupen el espacio urbano o cualquier otro contexto de presentación.

Intencion de artista Dislocación: proyecto de articulación urbana 2008
DARE-DARE acepta su portafolio acompañado de su intención de proyecto. Esta intención pueden ser un proyecto de intervención en espacio público, de performancia, eventos u otros, sean estos de carácter puntual, de duración variable o repetida. El centro busca divulgar prácticas que se inserten directamente en la trama física y social de la ciudad, proyectos interdiciplinarios que impliquen una interacción con el público y que se inscriban en barrios, espacios públicos, zonas comerciales y residenciales, etc. DARE-DARE ocupa por el momento, un refugio móbil y opera sin espacio de galería. El comité de programación escogerá un cierto número de artistas los cuales serán invitados durante el otoño a proponer un proyecto más preciso. Así, una primera selección se hará a partir de los portafolios y de las intenciones de los artistas.

Su portafolio deberá incluír:
· Un texto que describa su intención y proyecto (max. 200 palabras)
· Una hoja de vida
· Diez diapositivas o diez imágenes en disco compacto (max 1 mg) numerizadas y acompañadas de una descripción
· Un cassette audio/video, VHS, DVD (NTSC) o disco compacto Quicktime (max 5 min)
· Todo otro documento pertinente que permita una mejor comprensión de su trabajo

El centro no acepta portafolios por correo electrónico ni vía fax. Usted puede adjuntar un sobre prepagado que cubra los costos de reenvío de sus documentos (el centro no se hará cargo de los portafolios no reclamados). El centro paga los derechos y honorarios establecidos según la SODART/CARFAC.

DARE-DARE
Centre de diffusion d'art multidisciplinaire de Montréal
Casier postal 130 Succursale R
Montréal Québec H2S 3K6 Canada
t: +1.514.878.1088 daredar@cooptel.qc.ca
Información: www.dare-dare.org


DARE-DARE
localización
Parque sin nombre, Montréal

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Thursday, August 23, 2007

Call: Artengine seeks sport-themed art

SUPERFAN

Artengine
February/March 2008
Call for proposals
Deadline September 21st, 2007

Goals; runs; touchdowns; strokes; points; rank; wins; losses; world
records; time trials; points against; plus/minus; fumbles; strikeouts;
shut outs; power play goal percentage; total personal fouls; fourth
down conversions; intentional walks.

This short list shines only a small light on the statistical
landscape of sport. The generation of this detailed documentation of
competitive sports produces a vast and massive movement of numerical
information back and forth through newspapers, magazine, websites,
specialty channels and newscasts. Like an athletic stock market,
talent is commodified, codified and reduced to columns of percentage
points. With this call for new electronic artworks Artengine hopes to
bring a poetic perspective to this statistical landscape.

In Winter of 2008 Artengine will present Superfan, to be exhibited in
public locations in Ottawa's Elgin Street area, a popular night-life
district with many sports bars. The theme of the commissioned work is
to be centred around the statistical information generated from
professional and amateur sport.

Proposals from all disciplines will be considered however, some
preference will be given to art works with greater engagements with
the technological aspects of their production and presentation.

Artists are encouraged to keep in mind that the commissioned works
may be presented in the context of a sports bar or similar public
location, and so fragile or expensive interactive projects may be
difficult to secure.


Commissioned Artists will receive:

1$1000.00 commissioning fee for the creation and presentation of the work.
2$200.00 towards production materials.
3Producing membership for one year. This membership gives access to
Artengine facilities and equipment. (For those artists from outside
the Outouais region a On-line Membership will be awarded.) Please
check artengine.ca/html/newmember-e.php for more information on
Artengine memberships.

Proposals should include:

1Project Proposal (2 pages max.)
2Artist Statement (1 page max.)
3Current CV (3 pages max.)
4Supporting Materials (digital images; websites; video documentation
etc. Please do not send 35 mm Slides.)
5Self-addressed envelope with sufficient postage.

For further information and questions please contact Ryan Stec,
Artistic Director at artistic@artengine.ca.
Send submissions to:

Superfan Commissioning Project
c/o Artengine
2 Daly, Suite M70
Ottawa, ON
K1N 6E2

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SUPERFAN

Artengine
Février/mars 2008
Appel de projets
Date limite : le 21 septembre 2007

But ; course ; touché ; coup ; point ; rang ; victoire ; défaite ;
record mondial ; contre-la-montre ; point contre ; plus/moins ;
échappée ; retrait sur prises ; blanchissage ; pourcentage de buts
marqués en avantage numérique ; total de fautes personnelles ;
conversion de quatrième touchés ; but sur balles intentionnel.

Cette liste éclaire qu'une infime partie du paysage statistique des
sports. La documentation détaillée, voire obsessive des sports
compétitifs génère une masse imposante de données quantitatives. Telle
la Bourse, les résultats sont compilés dans les journaux, les
magazines, les sites Web, les canaux spécialisés et les téléjournaux.
Alors que les athlètes sont codifiés et transformés en commodités, la
performance risque-t-elle d'être réduite à des tables de points de
pourcentage ? Grâce à cet appel de nouveaux projets électroniques,
Artengine espère insuffler une nouvelle signification au paysage
statistique des sports..

L'exposition Superfan d'Artengine sera présentée dans différents
lieux publics sur la rue Elgin à Ottawa, un quartier populaire de vie
nocturne qui abrite plusieurs bars d'ambiance sportive. Les ?uvres
commandées aborderont le thème de l'information statistique produite
par le sport professionnel et amateur.

Artengine accordera une préférence aux projets qui feront preuve d'un
engagement important envers les aspects technologiques de la
production et de la présentation.

Les commandes seront présentées dans un bar d'ambiance sportive ou un
lieu public semblable. L'artiste doit ainsi tenir compte que les
équipements fragiles ou dispendieux pourraient être difficiles à
protéger.


Les artistes recevront :

1.un cachet de 1 000 $ pour la création et la présentation de la commande ;
2.une contribution de 200 $ à l'achat de matériaux de production ;
3.une adhésion de production pour un an, ce qui donne accès aux
équipements d'Artengine. (Pour les artistes à l'extérieur de la région
de l'Outaouais, Artengine leur accordera une adhésion en ligne.)
Veuillez consulter artengine.ca/html/newmember-e.php pour des
informations complètes sur l'adhésion et les différents statuts de
membre.

Les propositions devraient inclure :

1.une proposition de projet (2 pages max.) ;
2.un énoncé artistique (1 page max.) ;
3.un curriculum vitæ à jour (3 pages max.) ;
4.des documents à l'appui (images numériques, sites Web, documents
vidéo, etc. – s'il vous plaît, n'envoyez pas de diapositives 35 mm) ;
5.une enveloppe pré affranchie.

Pour plus d'information, veuillez contacter Ryan Stec, directeur
artistique à artistic@artengine.ca.

Veuillez envoyer les propositions à :

Projet de commandes Superfan
a/s Artengine
2 Daly, Bureau M70
Ottawa (Ontario) K1N 6E2 --


Ryan Stec
Artistic Director
Artengine
2 Daly Ave. Ottawa, ON
K2P 0G5 613.482.0119

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Wednesday, August 08, 2007

Call: ArtCast seeks audio art submissions

ArtCast: open call for sound art folly, a leading digital arts organisation working in Lancashire, Cumbria and online, is developing ArtCast, an ongoing series of podcasting programmes at www.folly.co.uk, as a platform for public access to new and innovative sound art. Building on the success of OWN [SOUND] ART (2007) at www.folly.co.uk/soundnetwork, a series of podcasts specially commissioned in partnership with SoundNetwork, folly intends to deliver a quarterly series of podcasts exploring the possibilities of the medium, and will launch the first in this series as part of VELOCITY, folly's second Festival of Digital Culture: VELOCITY Festival of Digital Culture - See the Bay differently 12th October - 3rd November 2007 VELOCITY is ground-breaking new arts festival where you can explore digital art in the sublime context of the coastal rail route between Lancaster and Barrow-in-Furness. Presented in and around train stations, online and for download at www.folly.co.uk VELOCITY is folly's second annual Festival of Digital Culture and builds on the success of the f.city festival held in Lancaster city centre in 2006 which resulted in over 55,000 people engaging with new media art practice. VELOCITY will open up new ways of seeing life around Morecambe Bay, engaging with the vibrant communities that line the coast and furthering the role that the arts has in sustaining the spectacular landscape of the South Lakes and North Lancashire. VELOCITY... celebrating the role of creative technology in connecting people to places. folly is calling for open submissions of existing audio work, from the broad spectrum of contemporary sound art practice. Submissions should address themes and subjects broadly relating to the ethos of VELOCITY, including but not limited to: travel, movement, landscape, engagement with communities, rural sustainability. VELOCITY will take place on and around the rail route from Lancaster to Barrow-in-Furness in the North West of England, so folly is looking for podcastable content which can be downloaded and experienced on journeys through and around this area. As part of the festival, folly is also keen to broadcast selected works via the loud speaker systems at stations along the rail route. Submissions are welcome from all artists working with sound, experimental musicians and composers, writers and performance artists etc, basically anyone who has created work which they consider to be suitable for an audio podcast. folly welcome submissions from international artists The deadline for submissions is 14th September 2007 Sonic Arts Network, www.sonicartsnetwork.org, will join folly in the selection of works in late September 2007 Successful submissions will be published as podcasts from 1st October 2007 Please note that there is no fee available for selected works For more information contact Jennifer Stoddart, folly Programme Coordinator on jennifer.stoddart@folly.co.uk or +44 (0)1524 388550 How to submit: Files should be mp3s, no larger than 32MB. Submissions should be accompanied by a submission form and equal opportunities monitoring form, obtainable from jennifer.stoddart@folly.co.uk or phone +44 (0) 1524 388550 Please send your submissions by email to jennifer.stoddart@folly.co.uk Or on CD by post to Jennifer Stoddart, Programme Coordinator folly, 6.4.4 Alston House White Cross Lancaster UK LA1 4XQ folly is committed to Equal Opportunities in our employment, programme and services

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Wednesday, August 01, 2007

Call: Media Arts Residency Program: The Western Front

Call for Project Proposals

Media Arts Residency Program: The Western Front



The Media Arts Residency Program at the Western Front promotes
experimentation and innovation by inviting local, national, and
international artists to research and produce new works in media arts.
In keeping with the Western Front's emphasis on the interdisciplinary,
this program forefronts unique explorations of undefined creative
arenas including, but not limited to: site-specific gestures,
experimental projects, process pieces and unusual initiatives in media
art practice today.

The Media Arts program seeks to present a range of artists: artists
of all levels of experience are strongly encouraged to apply, as are
artists from diverse sexual orientations and cultural backgrounds.
Applications from artists from other disciplines who wish to expand
their creative practices into media arts are welcomed.

Projects are made possible through access to production facilities
and technical support from an expert team of qualified staff and
volunteers. Financial support is available in the form of travel
expenses and artist fees. Residency length varies according to
personal needs and can range in duration from one week to six weeks.
For further details, visit www.front.bc.ca or contact
media@front.bc.ca .

Artists wishing to be considered for the 2008/2009 programming year
are invited to submit proposals to Western Front's Media Arts
Residency Program on or before September 5th, 2007.

Candidates should send a project description, expected timeline and
CV by email or post to:

Alissa Firth-Eagland
Director and Curator of Media Arts
The Western Front
303 East 8th Avenue
Vancouver BC, V5T 1S1

media@front.bc.ca

604-876-9343

www.front.bc.ca

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